Hay Fever
Category: Figurative Art
Home from Home
I am winding down the social media for a while because we are leaving the UK to spend some time in our house in Burtonport, Donegal, Ireland. The internet will be available on a very limited basis so I won’t be able to post on here until mid-April. I will be checking my emails but I won’t be posting much, if anything, on Facebook, Twitter & Instagram.
I have mixed feeling about the enforced “break” from social media. On the one hand, I hate the way how it sucks up all your spare time and energy and how FOMO (fear of missing out) has you checking updates. There’s always the fear that if you stop “spinning all the plates” that people will forget about you! However, I am certainly looking forward to reading books, listening to the radio (there’s no TV either) and sketching and painting for fun (not oils but watercolour sketches).
I am very excited/nervous about the whole thing because I am driving there and it’s a long, long way.
Please be aware that any artwork purchased after 25th March will only be shipped after 12th April.
Painting Bunbeg Donegal
Bunbeg. The word has a pleasing sound to it. It’s short, easy to say and has a nice rhythm to it. Most place names in the British Isles are simply descriptions of locations, or who used to own it. That is not always obvious to modern English speakers because the descriptions originated in Anglo-Saxon, Welsh, Gaelic (Scots) or Gaeilge (Irish). Therefore, when speakers of the Celtic languages use a place name they have a ready made description of the place. It’s the same with Bunbeg. Bunbeg is the anglicised version of “An Bun Beag” which means the “the small river mouth”. I know very little Gaeilge but once you start picking up words you see them everywhere. Beg meaning small – there’s Derrybeg (Doirí Beaga) just round the corner which means small oak.
Bunbeg is located in an area of Donegal known as Gweedore (Gaoth Dobhair), known as a bastion of Irish music, language and culture and home to legendary bands such as Clannad and Altan. If you are as old as me you may well remember Enya’s “Orinoco Flow” which was a hit in the UK way back in 1989 and seemed to be played everywhere. Enya was originally a member of Clannad.
Gweedore is the largest Irish-speaking parish in Ireland with a population of just over 4 thousand people. I enjoyed listening to two fisherman having a good gossip in Irish at Bunbeg harbor round the corner from here. I no idea what they were saying but the conversation went at a good pace. I enjoyed just the sound of the language and comparing it to the sound of Welsh which I am familiar with.
Anyway, back to Bunbeg. The vast tidal sands that stretches across the indent in the coastline is known as Magheraclogher beach. When I say, vast I mean vast. It is one of the best known beaches in Gweedore, largely in part because of the distinctive shipwreck that’s been there since the 1970s.
It is known locally as ‘Bad Eddie’ or Eddies Boat. It has regularly appeared in Music Videos as well as providing the backdrop for countless wedding photographs and instagram posts. That mountain in the distance is Errigal, which also features in countless music videos, photos and paintings.
“Eddie” with Bunbeg and Errigal in the background
Usually photographers shoot him at low tide. Here’s the photo they use on Wikipedia.
I decided to paint a different view of Bunbeg, without “Eddie”, because I liked the reflections of the clouds in the shallows, I thought it made for a more dramatic composition. I thought the rain clouds also gave a better sense of the mercurial nature of weather of Donegal. It was also windy when we were here although, I would say that wind is a pretty much a constant feature of the “Wild Atlantic Way”.
This beach is popular with dog walkers and tourists as it is easily accessible, with a car park. Yet, I say “popular” the other people we saw were dots off in the distance.
For information on the history of Gweedore area click here
My Summer Art Exhibition in Swansea.
Art Exhibition in Brynmill Swansea
Putting up Art Exhibition
Hanging the paintings
Getting them straight!
My exhibition of Gower seascapes and scenes from life in Brynmill, Swansea.
There were some last minute discussions about what should be included. A late addition quickly had “D'” hooks and string attached this morning. The bubble wrap was rolled out and the paintings were carefully rolled into several parcels for the very brief car journey to the venue, Brynmill Coffee House, Langland Terrace, Swansea. When we arrived, the paintings were swiftly arranged around the room. One painting was almost left out, but some rearrangement of paintings and the arrival of an extra hook meant everyone made onto the walls. No one was carried back home. Photos were taken of my husband, Seamas, putting up the paintings, the final arrangement of pictures and then me with the paintings.
It’s great to see my work up on some else’s walls. The dark blue on the cafe walls really complements the paintings well. I can reflect on the themes I have followed over the course of the last 6 months. Whether its a determined shopper at the once-monthly Uplands Market, families outside Singleton Park or the waves on Gower beaches, it’s always about colour and light for me. I can see similar tones of blues and greens that I favour; royal blue, and yellow ochres in particular. It’s satisfying to think these paintings “belong” together. I think cafes and restaurants are a great place to exhibit paintings. White-walled galleries can be so intimidating. They really should have lots of sofas for people to sit on too. In a cafe or restaurant, people can take their time to look at the artwork on the walls in a relaxed environment. I hope that my art will bring people pleasure. I hope that by recognising places they know well, like the cafe they are sitting, in an oil painting, it will give them a small thrill. A shock of recognition. I think oil paintings have the power “elevate” quite ordinary things.
So now my exhibition is up and ready to be visited during the month of August. Pop by and enter the draw for the print of Brynmill Coffee House, worth £45, all proceeds will go the Swansea charity supported by Brynmill Coffee House.
Art Exhibition in Brynmill Coffee House
Art Exhibition in Brynmill Coffee House
Emma Cownie Artist
© Emma Cownie 2017
Passive Smoking
This, like a number of my recent and forthcoming works, will not be available to buy for the foreseeable future as they will be exhibited first but I am posting details of them to keep collectors and artlovers up to date with my recent work, inspirations, and directions.
This painting is a new painting is heavily influenced by North American artists in its colouring and in its subject matter, namely the frisson that comes from human interaction, in the most apparently mundane settings.
I loved this scene, as the man seems ill at ease and not sure whether to leave or remain. He may even feel guilty that he is kinda in ear shot of the couple’s conversation and may appear to be eavesdropping. He was there first and then the couple joined him, to eagerly gossip and have a quick cigarette break. They seem so comfortable in each other’s company compared to the man who seems very ill at ease, aggrieved at having to endure their smoking and the drifting grey-white fumes.
Buy here
The Time In Between
The title refers to the time before one activity, after another activity has ceased. A limbo period filled with change checking in her purse, as she waits for her bus to arrive.
The composition is, as with many of my works, influenced the diagonal compositions as used by Henri Carter Bresson. The colouring is influenced by American artists such as Hopper and Eric Bowman. I have deliberately tried to imbue this portrait with pathos, elevating a mundane act into something semi sacred, as the light is Cathedral-like as it shines through the high glass panels of Swansea Bus Station onto her chunky cable knit cardigan.
A Certain Something
A hot summer day on Oxford Street Swansea finds this old dude, sharply dressed for the summer heat.
The title again has two meanings – the man has bought a certain something for a precious loved one or he has a certain something as in presence or charisma, something not easily defined.
This is a signature type of painting for me – painting people walking around in their everyday lives. Painting moods, anticipations and atmospheres. Creating presence and pathos.
“Emma’s paintings paintings are lively and capture the fleeting moments of day and night in the Swansea streets. A very strong visual impact is derived from bold blocks of colours and an expressive palette that is widely used in modern art and pop art. The cinematic compositions and dramatic use of light and dark in her artworks, particularly in those night scenes where I observe some tranquility and alienation in a busy city, almost draw a subtle connection to the pieces of Edward Hopper.
I particularly like the figurative works which I think capture the everyday nuances of normal people going about their daily life”
Rise Art – Insiders Review
Still Time
Delighted to have Sold “Still Life” via Artfinder a day after adding to my store! Going to the USA! #artfinder #swansea
“A jaunty elderly man, all dressed and booted on his way to the shops in Uplands, Swansea.
I loved his cheerful sense of purpose and his 1970s sunglasses, that slightly look at odds with the rest of his clothing.
The title of the painting has a double meaning as in still time to get to the shop and a moment of time frozen in time, made still. Still time.
This is a signature type of painting for me – painting people walking around in their everyday lives. Painting moods, anticipations and atmospheres. Creating presence and pathos.
“Emma’s paintings are lively and capture the fleeting moments of day and night in the Swansea streets. A very strong visual impact is derived from bold blocks of colours and an expressive palette that is widely used in modern art and pop art. The cinematic compositions and dramatic use of light and dark in her artworks, particularly in those night scenes where I observe some tranquility and alienation in a busy city, almost draw a subtle connection to the pieces of Edward Hopper.
I particularly like the figurative works which I think capture the everyday nuances of normal people going about their daily life”
Rise Art – Insiders Review
Rise Art
Just received a very positive and instructive feedback from some Insiders at Rise Art – concentrate more on these figurative people paintings seems to the main point!
“Emma’s paintings paintings are lively and capture the fleeting moments of day and night in the Swansea streets. A very strong visual impact is derived from bold blocks of colours and an expressive palette that is widely used in modern art and pop art. The cinematic compositions and dramatic use of light and dark in her artworks, particularly in those night scenes where I observe some tranquility and alienation in a busy city, almost draw a subtle connection to the pieces of Edward Hopper.
Her depiction of pedestrians and streets of Swansea in rain creates an enigmatic atmosphere which tempts the viewers for more and her ‘refractionist’ style is eye-catching. I particularly like the figurative works which I think capture the everyday nuances of normal people going about their daily life”
Rise Art – Insiders Review
See more people painting for sale here
Backstage at Noah’s Yard
Let’s catch up…in the next days and weeks I will be posting on some of what I have been doing in the last few months of my blogsite inactivity…
The following painting, now sold, was painted for Noah’s yard solo exhibition in December 2015. Back Stage At Noah’s Yard.
“This expressionist oil painting has taken some inspiration from Degas and his paintings from the perspective of being back stage, waiting in the wings and observing the performers, usually dancers in his case, onstage.
The question here is who is onstage? The musicians in the far distance? The people being served drinks who out to play for the evening or the lovely barmaid serving the drinks? And who is backstage for that matter? The barmaid again or the creator of this image or you, looking at this created image?Perhaps we are all backstage and onstage as someone was no doubt “backstage” watching me catch all this too?
