My previous painting of Mewslade Bay, Gower, had been all about majesty and rocks but this one was different, it was more about colour and light.
Mewslade Bay is just round the corner from Worms Head and Rhossili Bay. There is no beach to speak of at high tide. At low tide, however, the sandy beach can be reached if you scramble down over some slippery rocks, and thick beds of seaweed that have been washed up against rocks.
My walk to Whiteford Point. This is seen by many as the wildest and most remote part of Gower, on its furthest northern tip.
Shadows were my first love. They still are. It’s hard to find any painting of mine without blue/mauve/purple/brown shadows. When I get hold of an idea I can get quite obsessive about it. Lately, it’s been early morning light.
Gower boasts two gems that most visitors never see. They are Three Chimneys, a set of sea arches, and a massive rock pool known as Blue Pool.
A series of landscape paintings of Gower peninsula, where I have started to apply my “Urban minimal” rules.
A circular walk across Rhossili Downs taking in the spectacular views of Rhossili Bay and Worms Head.
Port Eynon is my favourite Gower place to visit in summer because it always has plenty of space on the beach, a shallow sea which warms up in the British sun and a wonderful gift shop full of the sort of junk that is absolutely necessary on a beach holiday (kites, snorkels, body boards, flip-flops, rock, postcards), a surf shop, ice cream kiosks and best of all not one but two fish & chip shops.
I visit the church of St Illtyd and Oxwich Head. The Gower, although beautiful is full of natural hazards and some supernatural ones too.
This part of my walk sees me breaking all my rules. But that’s OK. The thinking goes, if you are paralyzed by anxiety and a fear of failure: “Just do it, badly.” So I did it badly today but I did it.