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Down by Killy Willy

Down By Killy Willy

“Down by Killy Willy” – A return to the scene of much of my recent inspirations for painting landscapes.
I just love how the light is caught and moulded around the tree trunks by the bright silver sunlight, bleaching out the barren, branched trees.
I love how the warm jacket of greeny moss blends and is balanced by the muddy browns under the water surface, visible through the dark shards of tree shadow falling on the still water.
It is so pleasingly rustic and complementary in it’s colours as sometimes nature only can be.
The name Killy Willy refers to name given ;locally for this brook or pill, by the local people around Ilston in the Gower Peninsuala, near Swansea, in South West Wales.

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Down by Killy Willy (SOLD)
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Toward Another Place

Delighted to say I have just SOLD this painting “Toward Pennard Pill” via artgallery.co.uk

“This is a refractionist oil painting of a much loved inspiration for several of my works, the wooded area of Ilston in the Gower Peninusla, near Swansea. This brook or pill leads to the sea at Three Cliffs Bay, via Pennard Pill, hence the title.”

www.facebook.com/pages/ArtGallerycouk/107535012616718?fref=ts

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Buy limited edition signed mounted prints here 

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With the Longer Days the Paintings get Bigger!

I work part time as a teacher and have 6 weeks of holidays in the summer.

These means I have more concentrated time to paint.

My paintings grow in size during the summer and I have a chance to explore different artistic themes.

So summer represents a time of greater experimentation and size of paintings, especially my “refractionist” landscapes that take about three days to paint as it is time consuming, breaking down light into colour segments. This has become a signature style although I spend increasing time painting urban portraits of city scenes and people portraits of city folk.

Here is a “refractionist” oil painting I painted this week called “Toward Pennard Pill” which is 92 x 73cmm and is £495 to purchase.

https://www.artfinder.com/product/towards-pennard-pill/

“This is a refractionist oil painting of a much loved inspiration for several of my works, the wooded area of Ilston in the Gower Peninusla, near Swansea. This brook or pill leads to the sea at Three Cliffs Bay, via Pennard Pill, hence the title.”

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SOLD
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Winter Morning Light on Parkmill – Sold

Winter Morning Light on Parkmill

Delighted to Say I have just SOLD this original oil painting “Winter Morning Light on Parkmill” via Artfinder – smile emoticon

Winter Morning Light on Parkmill
Winter Morning Light on Parkmill (SOLD)

https://www.artfinder.com/…/winter-morning-light-on-parkmi…/

“This is another oil painting inspired by Ilston Cwm in Gower, near Swansea, Wales. It is a refractionist painting of the clear winter morning light falling on Ilston Cwm from the Parkmill entrance behind the public house, Gower Inn. It is a painting of early morning when the light is clear sharp, crisp and brilliant as reflected in the mirror like reflection of Ilston Brook, as it meanders through the leafless trees of the woodland.”

The painting has sold but you can buy a large limited edition mounted print here

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Autumn Aflame Framed

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“This oil painting is simple in construction and technique compared to many of my paintings. I only wish to express (most of my work is inspired by expressionism, especially the Pont Aven school) the brilliant final flowering of Autumn, the final raging against the light.

I simply used fired reds and oranges to express the feeling of the tree’s leaves being on fire, charred by Autumn and it’s burning light. It is this dying of the leaves that these trees are their most brilliant, their most beautiful. Not in green leafy health, but in glorious decay. There is also movement in the painting also as if the leaves and branches are moving as with raging flames.”

 

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Rainbow Wood

Painting of Trees

Delighted to say I have just SOLD this golden oldie “Rainbow Wood” via artgallery.co.uk!

 

 

This is another refractionist/cloissionist painting where I attempt to break down the light streaming through the leaves of the trees in to blocks of colours. My painting has two prominent motifs which are to 1. create or animate light via my use of colour or 2. conversely, to break down light into component colours, in order to show light being ‘refracted’ through different materials, such as the leaves of the trees in this painting. The wood floor is illuminated by the light and I wanted to create an effect of movement of colour sliding along the ground and also sweeping, almost windswept across the trees like colour on the wind.

I like that pre-perceptual fleeting moment before our brains ‘construct’ images before colours and light are burnt into conscious representation. I love woods and trees because they capture the light in many ways and translate this light into numerous colours, too many to paint. I attempt to catch that fleeting fluidity, that becoming an image, not fully formed, more sensation than perception. I hope this vibrancy recreates that feeling of awe we feel in nature’s beauty, before our brains explain it away. To return to the fluent, heart-filled child-like wonder that sometimes ossifies with age.

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Inner Light

Delighted to say I have just SOLD a Giclee print of this painting “Inner Light ” via Artfinder – also now on it’s way to the USA!

inner light

 

“This is another refractionist painting and is almost an inverse of “Up Cwmdonkin”. Instead of the refracted light creating a stain glass effect falling on the outside fringes of a wood, here it illuminates within the hidden chamber of a forest, which gives it a heightened, magical or enchanted feel. It feels like a secret wood of childhood fantasy and imagination. I like how the brillant rainbow colours contrast with the jet black and how the inner sanctum of light is framed naturally by the surrounding trees, inviting one into the shower of light and colour. But is this scene too good to be true? Is there a Brothers Grimm malevolence here, in this painting? Do the black trees signal a menace, a foreboding or do these encircling trees call one into a place of wonder and a child-like joy, where the light and colour, silence and peace rain down and let the soul rejoice? Or is it a broody chimera? Depends on your own imagination I suppose?”

 

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My “Art of the Day” Feature!

 

My “Art of the Day” Feature on Artfinder

Sunday, 19th April 2015

“This is a new oil painting inspired by Ilston Cwm in Gower, near Swansea, Wales. It is painted in my ‘refractionist’ style, and shows the clear winter morning light falling on Ilston Cwm from the Parkmill entrance behind the public house. In early morning the light is clear, crisp and brilliant as it reflects on the mirror-like water of Ilston Brook, which meanders gently through the leafless trees of the woodland…”

https://www.artfinder.com/story/winter-morning-light-on-parkmill-2015/

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