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Inner Light

“This is another ‘refractionist’ painting and is almost an inverse of ‘Up Cwmdonkin’. Instead of the refracted light creating a stain glass effect falling on the outside fringes of a wood, here it illuminates within the hidden chamber of a forest, which gives it a heightened, magical or enchanted feel. It feels like a secret wood of childhood fantasy and imagination. I like how the brilliant rainbow colours contrast with the jet black and how the inner sanctum of light is framed naturally by the surrounding trees, inviting one into the shower of light and colour.

But is this scene too good to be true? Is there a Brothers Grimm malevolence here, in this painting? Do the black trees signal a menace, a foreboding or do these encircling trees call one into a place of wonder and a child-like joy, where the light and colour, silence and peace rain down and let the soul rejoice? Or is it a broody chimera? Depends on your own imagination, I suppose!”

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Wild Oxeye Daisies

A “refractionist” interpretation of the distant sunlight spilling, bleaching, corroding through a growth of wild oxeye daisies, which were growing by the side of the road near Ilston Chapel in Gower peninsula. The near oxeye daises dance in celebration of the sunlight and the far grasp at the sunlight sky. It is an image in formation, an expressive impression. Nothing is crystalline, just blobs of iridescent colour generated into being, out of the cool dark blue to the brillant white, by the summer light.

 

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