Although Spring has sprung I am still painting in my attic studio, too cold to be in the outside cabin studio. My skylight is north facing which is the best light for painting as one gets a good constant light all day. In the evening I supplant whatever…
This oil painting is of two sun-bathed Gower ponies which roam the common land of Gower Pensinsula near Swansea in Wales, UK. It is great having ponies, horses, sheep and cows (even young bulls!) roaming this diverse countryside, walking pretty much wherever they fancy or so…
In a meditative manner, to the music of Eric Satie’s gorgeous “Trois Gymnopedies”, I attempt to describe how working close to nature but in the city is a major influence on my painting, blending with my technique to create my artwork. In fact, place and painting are inseparable.…
This painting “A Summered Garden” is one of my favourite paintings, recently painted a few weeks ago. As such, it takes “pride of place” above the living room mantelpiece, beside my recent portrait of my husband and a small photo of our wedding, although Hattie, one of my…
I painted this post fauvist portrait of my husband, Seamas, as a birthday present. The strange thing is that the further the way one steps from the painting, the more it resembles him!? I called it the “Image of Him” because some have said I have also “caught”…
Delighted to say I have now got 1500 followers on Artfinder! Thank you artlovers one and all! Without you…. https://www.artfinder.com/emma-cownie
I love painting snow, whether brillant midday sun, blue-tinged, snow or pinky sunset snow. I love how blues and pinks hover above the snowy white. I love the snow’s power to transform, to turn a plain town into a lovely town, and a lovely town in something quite…
Oil painting on linen canvas – I use a linen canvas with a white covering for certain types of painting such as landscapes set in Wales as there is a particular type of “Welsh light” that can be captured accurately on this type of canvas. It is extraordinary…
This is another refractionist painting – I was drawn to this painting because I love the colours that come alive not only in misty backgrounds but in backgrounds in the sun, viewed from the more darkened interiors of the wood as in this painting. I love the cool…
“This is another ‘refractionist’ painting and is almost an inverse of ‘Up Cwmdonkin’. Instead of the refracted light creating a stain glass effect falling on the outside fringes of a wood, here it illuminates within the hidden chamber of a forest, which gives it a heightened, magical or…
David Fry
The background to my painting of Inishkeeragh, a tiny Donegal island. I was curious about the feint outlines of ruined houses I could see either side of the restored summer house. I wondered about them and their families.
This is a footnote to Sunday’s post about “A Donegal year”.
A review of some of my paintings of the landscape of beautiful Donegal Ireland from 2018-2019.
Here’s a footnote to Sunday’s post about waiting for gaps in the clouds. The sun was peeping over the top of the three peaks, illuminating the edges beautifully. I particularly liked the way the sea and the river, Pennard Pill, merge here. It’s not clear where saltwater and…
