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The Back Lane Gallery – Opening Soon!

This is a mock “How to….” video detailing the steps in building an art studio/gallery in one’s back garden.

As I need more room to paint (I paint in my attic art studio at present) as my paintings get increasingly bigger, my husband project managed the building of an art complex at our home so that artlovers can visit for a private viewing of my artwork in the art gallery and also buy paintings, prints and so on from his log cabin office.

I have sold dozens of pieces of artwork this way and really enjoy meeting artlovers who love my artwork. Having a viewing space is designed to help artlovers make that final decision about buying my artwork.

It also helps some artlovers to meet the artist and to get to know who they will be buying art from. It all adds to the enriching experience of buying art.

Artlovers also often like to hear about the inspiration behind certain paintings and this brings the artwork to life. Although my paintings are professionally photographed some artlovers simply like to see the paintings in front of their very eyes. If you want to book a date to visit me at my home then contact me and arrange an appointment. We will be happy to see you!

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Up Cwmdonkin

Another ‘refractionist’ painting. The title takes it’s name from the actual park, Cwmdonkin Park, which is where the poet and composer of words Dylan Thomas walked an displayed as a child and adolescent, maybe imagined and constructed as a young man, and dreamed big dreams. His family home hugged the side of the park, on the steep of the hill running alongside the park. Perhaps he extended his journey to the Uplands Tavern this way or then again, perhaps not!Image

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Down Cwmdonkin

This is an example of my ‘refractionist’ technique at work as I build up the painting, first from breaking down a photo into areas of colour, which I sketch in as mainly black and white, gently adding colours that I feel will represent light on colour at different depths of perception. Then I add to these ‘segments’ individual colours, reflecting light being refracted on different areas and at different distances. Slowly I build up these complementary spectral colours, constantly having to retreat some distance from the canvas to inspect the painting to see if it is coming together or being constructed in a coherently plausibe way. Each segment helps construct the perception of the scene, in this case, building up a picture of a path through a park. In fact, this park is Cwmdonkin Park where the great poet and composer of words, Dylan Thomas used to walk as a boy and young man. His family home is minutes away, hugging the side of this park. The final painting is quite expressionist but also conveys a spectral, refracted light spectrum hence the name ‘refractionist’ as it is the combination of light falling on various materials at different distances that I am attempting to ‘express’ or as my sister, described it, a ‘stain glass’ effect. This is apt as I love paintings that somehow expresses the extraordinary in the ordinary, the supra natural in the natural, the divine in the mundane, hence the spectral feeling I am attempting to communicate through the painting. The fleeting moment of wonder or awe when we walk into a sunlit and stain glassed church almost.