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Glenlough Bay, Donegal

Glenlough Bay _Emma Cownie

In my last post I decribed visiting the abandoned fishing village of An Port tucked away in a remote corner of the Donegal shoreline (read it here).

We were inspired to seek out this very remote spot by American artist Rockwell Kent, who visited and painted the area in the 1920s. I was waiting for a book on the artist to write this post but it only had a couple of sentences about his visit to Ireland so the delay was unwarranted.

https://www.wikiart.org/en/rockwell-kent/sturrall-donegal-ireland-1927

Sturral, Donegal by Rockwell Kent
https://www.wikiart.org/en/rockwell-kent/sturrall-donegal-ireland-1927

Annie McGinley's House at Port (from the far side of the cove)
Annie McGinley’s House at Port (from the far side of the cove)

 

Rockwell Kent enjoyed Donegal and had originally intended to stay longer. He stored his larger paintings in Annie McGinley’s family home in Port (see my previous post about Port) but  he actually spent most of his time in the neighbouring valley of Glenlough. He rented a old barn (byre) from hearing-impaired farmer Dan Ward. He lived in it with his second wife, Frances, and used it as his studio. The paintings of the views from Glenlough, especially of the bay and the giant sea stacks, are quite remarkable.

Welsh poet Dylan Thomas later stayed in Glenlough in the summer of 1935.  His stay didn’t go too well, he found the soliditude difficult to bear and he described himself as “lonely as Christ”. He left without paying his bills (although his editor later paid them).

Glenlough Bay - Rockwell Kent
Glenlough Bay – Rockwell Kent

 

When the Sunshines, Rockwell Kent
When the Sunshines, Rockwell Kent

 

Following in Rockwell Kent (and Dylan Thomas’s) footsteps is easier said than done. For a man who loved to visit and paint inacessible and elemental places in Newfoundland, Alaska, Terra Del Fuego and Greenland, maybe this should not be a surprise; even a century later.

The Road to Port
The Road to Port

 

Glenlough is an anomaly in this modern world. It is a lost valley. It’s located on the lip of a gale-swept edge of north-west Ireland. It’s an inacessible part of a very remote county. No one has lived there for more than 30 years. There is no road in and no road out. There isn’t even a footpath. The local farmers ride the curves of the rough landscape on their quad bikes.

There is a song “The Road to Glenlough” by fiddler, James Byrne, from near by Glencolumbkille, Donegal. The title must be some sort of joke as there is definately no road to Glenlough. I know, I have looked very hard for it. You can find Glenlough Bay on a map. Here. Where that red tag is.

Map of the North of IrelandMap of the North of Ireland – the red tag marks Glenlough Bay, Donegal

Map of an Port and Glenlough Bay
Map of an Port and Glenlough Bay – its all rock and blanket bogland

Google confidently suggests that route to Glenough Bay is quite straight forward. The straight white dotted line should immediately suggest wild over-confidence on the part of AI. Compare it to the dotted blue line, which is the single track road to An Port.  This road/track does not exist. Road to Glenlough

We decided to (sort of) follow the coastline from Port and climb up the very steep hill to Glenlough. The map only gives you a hint at how truly rough and rugged the terrain is. Its all elevated upland bog with and massive bolders dropped by glaciers thousands of years ago. The first part of our “walk” invovled a scramble up a steep path strewn with rocks (see photo below). I had my walking poles with me and I clambered  up this section like a weird four legged beast. I have a lot of pins and screws in my left leg from a bad break I had two years agao, and this section terrified me. I would not have done it without the additional help from the poles.

View of Port from above
View of Port Bay from above

 

We first passed the remains of the village of Port.

Ruined house at Port

With walking Poles: Photo credit: Seamas Johnston
With walking Poles: Photo credit: Seamas Johnston

 

The climb up hill seemed to go on for ever. Up and up. First we followed sheep tracks upwards. The sheep aren’t very interested into getting to Glenlough and so we were on constant lookout for ways upwards in the right sort of direction. The sheep track kept vering off to the left and right. I had never walked somewhere where there was no human path before. I found it quite exhausting looking for a way up. The ground was springey underfoot. It’s bogland. It was mostly dry. It was one of those cimbs where you keep expecting to reach the brow of the hill but there’s just more boggy incline, going up and up!

It's a long way up hill
It’s a long way up hill

Eventually, there were spots where we could pause and take our bearings. The view was something else.

View from ridge above Port
The view from ridge above Port

I haven’t mentioned that it was very windy too. We stayed away from the cliff edge. He sat in the shelter of a dip in the landscape to eat our sandwiches and look at the view towards An Port.

Fence to stop the sheep getting blown off the cliff top
The fence is to stop the sheep (and daft tourists) getting blown off the cliff top

 

A painting of sea stacks From Port to Glenlough (Donegal)
From Port to Glenlough (Donegal) Emma Cownie

Dont go too near the edge!

Dont go too near the edge!

Donegal Ireland, Rockwell Kent
Donegal Ireland, Rockwell Kent

Finally, after a lot of walking when we were thinking of turning back, it appears. Our view of Glenlough Bay. We stand and gawp at it in wonder. It is vast and the colours are vivid. The colour of grass on the stacks is an intense green, the colour of the sea is a cold blue. The sea water is very clear and you can see the massive boulders on the raised beach from up here. It is hard to covey how stunning it is in a photo or a painting. We watched the shadows cast by the clouds pass over the landscape. It was mesmerising. The last time I starred at a landscape in such wonder when was when  we visited the incredible Grand Canyon.

Glenlough Bay
Cloud shadows over Glenlough Bay: Photo credit Emma Cownie

I wish we could have got closer but we were already very tired and decided to come back another time to go down to valley of Glenlough itself. I am not sure I am able bodied enough to make it down to the beach (see the video by Unique Ascent below) but we could come back with a drone camera and take photos. I just want to see the buildings where Rockwell Kent and Dylan Thomas stayed all those years ago.

Glen Lough - One of Rockwell Kent's "Missing" Irish paintings
Glen Lough – One of Rockwell Kent’s “Missing” Irish paintings

 

The Cottage , Rockwell Kent
The Cottage , Rockwell Kent

 

Unique Ascent’s video makes the visit to the shore of Glenlough Bay look so easy!

 

Over Glenlough Bay, Donegal-Emma Cownie
Over Glenlough Bay, Donegal-Emma Cownie

 

The Rock Climber’s Guide by Unique Ascent 

https://uniqueascent.ie/glenlough-bay

Glencolmcille the rugged soul of Donegal

For more on Rockwell Kent

https://www.irishtimes.com/culture/searching-for-the-road-to-glenlough-1.1155107

http://bellender.com/an-port-annie-mcginleys-rabbit-pie/

Click to access The-Missing-Irish-Kent-paintings.pdf

https://www.irishtimes.com/culture/art-and-design/visual-art/before-cong-got-john-wayne-glencolmcille-got-rockwell-kent-1.3539050

IRISH ARTWORK BY ROCKWELL KENT AT SOTHEBY’S NEW YORK

For Dylan Thomas’ visit to Glenlough

https://www.walesonline.co.uk/news/local-news/im-10-miles-nearest-human-2404375 

 

Click to access The-Missing-Irish-Kent-paintings.pdf

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Swansea: “The town of windows between hills and the sea”

Swansea: The town of windows between hills and the sea

Dylan Thomas, the poet, grew up in Swansea and he descbed it as “An ugly, lovely town … crawling, sprawling … by the side of a long and splendid curving shore”.

About 5 years ago I went through a phase of painting a number of intricate paintings of Swansea. I loved the layers of Victorian and Edwardian houses with their high pitched roofs.  I went to great effort to walk out onto the quay and the beach to take photos with a zoom lens. The quay is no longer accessible, as part of the walkway has since collapsed.

I recently reworked a couple of these paintings that I still had.

I was recently commissioned to paint another painting from this series. The commissioned work would be similar, but the composition and the execution of the work would be slightly different. I had mixed feelings about the project because I knew how fiddly these paintings are. These paintings take a great deal of concentration!   I use a small brush for all the work on the buildings and they take several days of very focused effort to complete. Still, I hadn’t painted one for many years so I decided to paint one again. Perhaps it’s like a transatlantic flight, something that you can endure once a year but no more often than that. So here it is.

Swansea from the Beach
Swansea from the Beach Revisited (2020 commission)

Still, for all my wingeing I can’t help but say that I was really pleased with the final painting. My head hurts from all that focusing on the small houses with their white gables and red chimneys. However, I did like thinking about the different places in the painting as I painted them. The perspective squeezes the buildings together in a way and makes them look closer to each other in a way they are not in real life, by that I mean, on the ground.

beachfront-cafe-swansea
Beachfront café when it was 360

On the far right of the painting, on the beach, is what used to be the 360 Café and is now called The Secret. Next to that is the green building know as the Patti Pavilion, the trees behind it belong to the beautiful Victoria Park. They look so close to each other but in reality, the Patti Pavilion is on the other side of the busy Oystermouth Road.

Patti_Pavilion,_Victoria_Park,_St._Helen's,_Swansea,_2009
Patti Pavillion and Oystermouth Road

The square building that stretches across the rest of the painting is the Guildhall, which contains the beautiful panels painted by Frank Brangwyn. Rising up behind these buildings is are the parts of Swansea known as Sandfields, Brynmill, and Townhill.

The Brangwyn Hall in Swansea.
The Brangwyn Hall in Swansea.

Once upon a time, they were villages or rolling farmland, but now they are all merged into the sprawling City of Swansea.  As Dylan Thomas aptly described it “The town of windows between hills and the sea.” On rainy days the clouds descend on Townhill and it can no longer see or be seen!

I am now working on a medium-sized much “looser” Donegal landscape painting, before making a start on two more commissions.

 

You can now buy a print of this painting here. Click on “reproductions” tab to see your options.

 

To follow in Dylan Thomas’s footsteps you can visit his favourite places around Swansea:-

https://www.visitwales.com/things-do/culture/cultural-attractions/swansea-and-gower-dylan-thomas-footsteps

 

 

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Gower Coastal Walk: Rhossili Bay

Do believe the hype. In 2014, Rhossili Bay was voted the UK’s number one beach, by TripAdvisor users, it also ranked third best in Europe, and 9th best in the world. They are not wrong. The bay is spectacular. the wide flat beach curves along for 3 miles (5 km) and is backed with sand dunes along the northern half. It is quite vast.

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Rhossili Bay

How I have missed Gower and walking over the past weeks!  I have been stuck in doors invigilating exams for one of the local universities, longing for the sea breezes and the sort-of-quiet of outside. The Gower is actually quite noisy with the sound of surf, sheep and birdsong, but they are all nice sounds.

The fresh air is a tonic. There is plenty of it at Rhossili. One thing you notice on the long narrow road to the tiny village is that there are only a few wind-blasted trees, permanently bent westwards. At Rhossili, itself there are none. It is an isolated place on the far tip of the Gower peninsula. It has two tidal islands at either end of the bay, Worms Head to the south and Burry Holms to the north.

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Rhossili Sunset

In the days before cars and buses, it must have felt a lot like the edge of the known world here. Celtic monks, presumably drawn by its isolation and wilderness,  came here in the 6th century. They founded a church here,  dedicated to St. Sulien or St. Sili, that was founded in the 6th Century. The name St. Sili together with the Welsh word for moorland, ‘Rhos’, gives Rhossili its name. The first church,  along with a tiny village, was tucked away at the foot of Rhossili Downs, on the apron of flat land ground, north of the present village, known as the Warren. The present-day old rectory is located here. Evidence for this first community was revealed at the end of 1979 when a severe storm exposed some of the old buildings on Rhossili Warren.

Rhossili Shadow
Rhossili Shadow (SOLD)

The Normans conquered Rhossili in the 12th century, but how did the village of Rhossili come to move? It’s a familiar sounding story involving storms and sand (remember the story about Pennard Castle and the angry fairies?) a massive storm in the 13th century sent mountains of sand ashore at Rhossili too, engulfing both village and church. As a result of the this environmental calamity,  it was decided to rebuilt the village and build a new church, dedicated to the Virgin Mary, on the high clifftop 200 ft (60m) above, away from the vulnerable low lying sand and sea. Hence the wind!

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Rhossili, Gower

There are two paths across to Llangennith, one high and one low. Today I decided that I would walk both in a loop. Starting with the high and returning along the lower one to Rhossili.

Rhossili Map - l;arge.JPG
Map of Rhossili and Rhossili Downs

IMG_6612-001The coastal path starts just to the the right of the National Trust Car park and the bus stop. There is a choice of paths. There is the one that climbs high along the top of the Rhossili downs and the coastal path along the flat land at the foot of the downs, the Warren.

I have decided to do both by walking in a loop across the top and then along the bottom back to Rhossili. So instead of going through the gate, I head along the path on the right. Up a long steep path.

The climb and views below are breath-taking.

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Worms Head to the south
Worms Head
Worms Head

It’s a long climb before the terrain flattens out. The wind up here is very powerful, indeed. Its blowing so hard that it makes my ears hurt. I pull up the hood of my coat to try and protect my ears.

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View to the north, Burry Holmes in the distance

In the past I have seen hang-gliders take off from here and fly over the bay. There’s no one here today. I think its probably too windy. I am scared of heights so I find the thought of hang gliding terrifying – so this youtube clip is more than mildly distressing for me but it gives you a good idea of the wonderful views here.

The path is bare, and the surrounding land is heath land, covered in wash-out brownish heather. Later in the early autumn as the heather blooms, the downs become a delightful riot of pinks and purples. I must come again in September.

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Path Across the Top of the Downs

I finally reach the Beacon. The trig point (its proper name is triangulation station or triangulation pillar) is part of the massive network of points built by the Ordnance Survey (OS)  team as they mapped the country in the 1930s.  At the towering height of 193 metres (632ft.) above sea level, the top of Rhossili Downs, the Beacon, is the highest point in Gower allowing unparalleled 360° views of the peninsula.

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The Trig point on the Beacon

I usually like to walk to the edge of the downs to look down at the Old Rectory below on the Warren but it’s too windy today. I will look at it more closely on the return journey later.

Paddling at Llangennith
Paddling at Llangennith Beach

The path continues northwards and dips below the headland so I can take my hood down for a few minutes, but not for long as I reach half way along the down and come across a curious relic from the Second World War; the remains of a radar station. I wonder what it was like to be stationed in this beautiful and remote location listening out for approaching German Bombers headed for Swansea.

IMG_6337

The path continues on to another peak and a good view of Burry Holmes, the tidal island, and the caravan park at Hillend  below.

Then there is a steep descent down to path that passes behind the static caravans. I did not realise that there were so many here and they seem to reach a long way towards Rhossili.

Eventually I leave the mass of caravan behind and follow the path behind an old stone wall. I spy some people walking closer to the edge of the beach.

Rhossili Walk mapo 2.JPG
Not the path I followed

IMG_6485I realise belatedly that I have probably missed the official coastal path and I am following another higher path. I cant see how to make my way down to that path so I carry on. My path takes me closer to the old rectory, anyway but it a bit further.

I am feeling tired now. I stop and eat some biscuits, enjoying the sunshine and the sound of the sheep and lambs happily bleating away.  The Gower sheep here are tough mountain sheep, their long tails left are undocked (unlike lowland sheep) and they are have patchy tanny brown markings.

I can see off in the distance, the old rectory, which has been called the most photographed house in Wales.

The Old Rectory is the only building on the bay so its not surprising that it acts as a focus point for photographs. The vicar of this parish had to look after two churches, St Mary’s at Rhossili and St Cenydd’s at Llangennith. So some bright spark decided that the rectory should be built exactly halfway between the two churches, in neither village. I am not sure that any of the vicar’s wives appreciated the isolation.  I suspect the vicars who lived here weren’t very happy about constant journeying between villages,  as at least one, the Reverend John Ponsonby, is said to haunt Rhossili beach. He travelled between the villages across on the beach on horseback and some believe he can still be seen riding the route today.

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Old Rectory

The Rectory, itself is also said to be haunted by another vicar and his wife, who some claim to have seen and heard walking down the stairs. It’s not surprising that it haunted as it believed to be built on top of a graveyard (possibly dating back to 6th century?) and on stormy nights a frightening spectre is said to emerge from the foaming waves to stare at the outside of the building, as if angered that it has been built there.

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Taking the Long View

Apparently, Dylan Thomas once thought about buying the old rectory,  but he decided against it as there was no pub in either villages, there are now, though.

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The climb up back to Rhossili is quite steep and although tired, but I am happily distracted by the fantastic view of Worms Head and the evening light on the whitewashed houses of Rhossili that look so small from a distance.

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Worms Head, Rhossili

Back in the village we are greeted by some errant sheep, jogging through the streets. Their farmer (out of shot) is rounding them up on a quadbike and a collie.

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I will leave you with a drone’s eye view of Rhossili, Worms Head and the Downs. It’s well worth watching.

You can buy original paintings from the Gower Walk project by clicking on the link.

Next week I face the challenge of sea mist and climbing down a steep slope to visit Gower’s incredible swimable (I’m not sure that’s actually a word) tidal rock pool.