I have painted five “cow portraits” in all, recently. Here they are. I have enjoyed getting to know them as individuals, their long history in art and human society, and especially painting them. I have learnt a lot about their anatomy, especially their curious two-toed feet, or rather “paired hooves”. I have also discovered that cows have “dew claws” (digits that most animals have, including cats and dogs).
I am ready to switch back to landscape/woodland paintings now, after a long break from the trees.
Following on from my last post about the inspiration behind my latest cow paintings, here’s my painting of “Sitting Bull”. He sat, chewing the cud, at the heart of a small herd of cattle on the top of Pennard cliffs. He looked very relaxed. I was struck by his muscularity, his massive neck, especially in comparison with the cows around him. I was intrigued by the series of lines circling his neck, which seemed mark the grooves of his flesh. I saw a cow with similar colouring in another group who had the same lines, albeit fainter ones. I tried to work out what his breed was but haven’t settled on any conclusively. He may be a Blue Grey or a Belgium Blue, I’m not sure.
It sounds silly but, I had been watching him sleep for some time before I realised that I looking at sitting bull. I wondered how the famous Native American, called Sitting Bull , had come by his name. Was he a massive muscular man? All I could remember (from Hollywood films) was that he had fought and defeated General Custer (called “Yellow Hair” by the Native Americans in the films, I think) at the Battle of Little Big Horn. I later found out that Sitting Bull was the chief of the Lakota Sioux in South Dakota. He was named “Jumping Badger” at birth, this clearly did not suit his personality. His father called him “Slow” because he was always very careful and slow to take action. He was later given the name “Buffalo Bull Who Sits Down”, or “Sitting Bull”, after displaying bravery in raiding party. He was a very dynamic and dignified leader who spent four years in exile in Canada, toured with Buffalo Bill Cody’s Wild West Show but was later killed in an act of police brutality.
Many years ago my sister gave me and wonderful book called “Beautiful Sheep“.There were others in the “Beautiful” series, pigs and cows I believe, but this is the only one I had.
In it was a series of photographs of coiffured pedigree sheep photographed in studio settings. I spent a long time looking at these photos. What I particularly liked was the way the dark backgrounds made you really look at the sheep. Away from their usual settings of fields and farmyards, it brought out the natural gravitas and dignity of these animals.
I was inspired to revisit the subject of cows after researching and writing about the History of Cows in Art in the Ancient World and I decided to use this sort of approach, changing the background to look like a studio setting, to give the painting more of Renaissance feel.
This is my first “Renaissance” cow. The title “The sitting” refers simply to the action of the cow as well as implying that she is sitting as my model.
I am working on a companion piece called “Sitting Bull” which I will post very soon.
Our visit to the island of Inishbofin last month was one of those rare “perfect” days in life. The weather was warm and sunny with enough of a sea breeze to blow away any viruses. We have been looking and admiring from afar the tiny, remote island of Inishbofin, off the coast of Donegal, for […]
Someone told me that once we got to Ireland, “it will be like being on holiday everyday!” Hmmm, I have had some pretty eventful holidays in the past. Funny how the disasters are more memorable that the sunny easy holidays. Let me see. Here are three that come to mind; we once got flooded in […]
Bloody Foreland is one of my favourite locations in Donegal. It is one of the wildest, windiest and most beautiful places I have been. The light is sharp and clear. You feel healthier for breathing the air here. The wind is always blowing. It is very remote and feels a bit like the edge of […]
New Work & Recent Sales
Up Bloody Foreland, Donegal
Quay Street, Dungloe (Ireland)
On the Road to Maghera, donegal
The Yellow House, Bunaninver
Not a Cloud in the Sky (Bloody Foreland, Donegal)
View From Dunmore Strand (Work in Progress)
Winding Road, Bunaninver
The Old Shed at Marameelan, Donegal
On the Way to Arphort, Arranmore (Donegal, Ireland)
The Old House at Marameelan
Down to Magheraroarty, Donegal
On the Back Road to Dungloe, Donegal
Approaching Storm on Dunlewy
Three Chimneys Arch, Gower
Main Drag, Gola (Donegal, Ireland)
Up Through Gola, Ireland
Electricity Lines, Marameelan (Donegal)
The Pyramid, Three Cliffs Bay, Gower
Tidies Out, Tullyillion (Ireland)
With a Road Running Through It
Spring Tide, Three Cliffs Bay
The Incoming Tide at Great Tor, Gower
Lanmadoc, North Gower
Ship Cottage Pwll Du (Gower)
Across to Three Cliffs, Gower
Time Was, Gola (Donegal, Ireland)
Sally’s Loch (Donegal, Ireland)
Early Morning Shadows at Low Tide, Three Cliffs (Gower)
Down from Knockfola, Donegal
Down to the Pier, Gola (Donegal, Ireland)
Soft Light, Gola (Donegal, Ireland)
The Polite Houses of Maghery_Emma Cownie
Backlane Basketball (Swansea)
Back Lane, St Thomas (Swansea)(2021)
Side View, Brynmill (Swansea)
Meemacladdy, Donegal, Ireland
The Dusty Road (Gola), Donegal, Ireland
The Traditional House, (Gola)
Tormore Island from Rosbeg, Donegal
Autumn on Poolawaddy (Donegal, Ireland)
Tenby Quay, wales
Out of the Tenby Shadows
Donegal Thatched Cottage (Cruit Island)
Home Farm Penrice
The Day’s End, Ireland
Arranmore Donkey, Ireland
Jimmy’s House (The Rosses, Donegal)
Illion, Arranmore (Private Collection)
Above Aphort (Arranmore, Donegal)_Emma Cownie
Underhill Cottage (Oxwich, Gower)
The White Bridge, Arranmore, Ireland
The Approaching Storm (On Dunlewy Lough), Ireland – In my attic studio