I have painted five “cow portraits” in all, recently. Here they are. I have enjoyed getting to know them as individuals, their long history in art and human society, and especially painting them. I have learnt a lot about their anatomy, especially their curious two-toed feet, or rather “paired hooves”. I have also discovered that cows have “dew claws” (digits that most animals have, including cats and dogs).
I am ready to switch back to landscape/woodland paintings now, after a long break from the trees.
Following on from my last post about the inspiration behind my latest cow paintings, here’s my painting of “Sitting Bull”. He sat, chewing the cud, at the heart of a small herd of cattle on the top of Pennard cliffs. He looked very relaxed. I was struck by his muscularity, his massive neck, especially in comparison with the cows around him. I was intrigued by the series of lines circling his neck, which seemed mark the grooves of his flesh. I saw a cow with similar colouring in another group who had the same lines, albeit fainter ones. I tried to work out what his breed was but haven’t settled on any conclusively. He may be a Blue Grey or a Belgium Blue, I’m not sure.
It sounds silly but, I had been watching him sleep for some time before I realised that I looking at sitting bull. I wondered how the famous Native American, called Sitting Bull , had come by his name. Was he a massive muscular man? All I could remember (from Hollywood films) was that he had fought and defeated General Custer (called “Yellow Hair” by the Native Americans in the films, I think) at the Battle of Little Big Horn. I later found out that Sitting Bull was the chief of the Lakota Sioux in South Dakota. He was named “Jumping Badger” at birth, this clearly did not suit his personality. His father called him “Slow” because he was always very careful and slow to take action. He was later given the name “Buffalo Bull Who Sits Down”, or “Sitting Bull”, after displaying bravery in raiding party. He was a very dynamic and dignified leader who spent four years in exile in Canada, toured with Buffalo Bill Cody’s Wild West Show but was later killed in an act of police brutality.
Many years ago my sister gave me and wonderful book called “Beautiful Sheep“.There were others in the “Beautiful” series, pigs and cows I believe, but this is the only one I had.
In it was a series of photographs of coiffured pedigree sheep photographed in studio settings. I spent a long time looking at these photos. What I particularly liked was the way the dark backgrounds made you really look at the sheep. Away from their usual settings of fields and farmyards, it brought out the natural gravitas and dignity of these animals.
I was inspired to revisit the subject of cows after researching and writing about the History of Cows in Art in the Ancient World and I decided to use this sort of approach, changing the background to look like a studio setting, to give the painting more of Renaissance feel.
This is my first “Renaissance” cow. The title “The sitting” refers simply to the action of the cow as well as implying that she is sitting as my model.
I am working on a companion piece called “Sitting Bull” which I will post very soon.
I am very excited to have an article in today’s Irish Independent on Sunday about me and work by Niall McMonagle. Below is my expanded Q & A interview that was much edited to feature in Niall McMonagle’s What Lies Beneath feature . It’s interesting to see that the online version had a different […]
This is the second part of my expanded Q & A interview with Niall McMonagle of the Sunday Independent. Read part one here This section is more about how I work, my style and influences. Q: How do you choose your places to paint? And is there a particular time of year that […]
I am delighted to have another of my painting adapted for a novel cover by an Irish writer. This time my painting “Cottage on Bunbeg Harbour” (2019) has been used for the Spanish translation of Donal Ryan’s “Strange Flowers” or rather “Flores Extrañas”. I have started reading the original and I am thoroughly enjoying it. […]
In my last post I decribed visiting the abandoned fishing village of An Port tucked away in a remote corner of the Donegal shoreline (read it here). We were inspired to seek out this very remote spot by American artist Rockwell Kent, who visited and painted the area in the 1920s. I was waiting for […]
New Work & Recent Sales
Washing Line, Arranmore _Emma Cownie
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Errigal reflection (Donegal) _Emma Cownie
Errigal from Cruit Island. Donegal _ Emma Cownie
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)