I have had an ambivalent relationship with painting clouds. My approach to painting clouds has been transformed by looking at and painting Irish skies.
I have painted five “cow portraits” in all, recently. Here they are. I have enjoyed getting to know them as individuals, their long history in art and human society, and especially painting them.
In last two thousand years the cow has gone from a symbol of sacrifice, service and strength, to a commodity and a status symbol and most recently in the work of Hirst, to something whose dismembered carcass is designed to shock and repulse viewers.
I have been pondering the place of the humble cow or ox in figurative art in the Ancient World. It’s a very long history which is not surprising as humans have depended on cattle for their survival. Cattle have represented at different times such things as life, wealth, power and even the divine.
Mewslade Bay is just round the corner from Worms Head and Rhossili Bay. There is no beach to speak of at high tide. At low tide, however, the sandy beach can be reached if you scramble down over some slippery rocks, and thick beds of seaweed that have been washed up against rocks.
On Tuesday I sold my 600th painting via the online gallery www.artfinder.com.
See my favourite paintings by artists represented by Artfinder.com, the online gallery.
This part two of photo-essay on great artists who have either painted their pets, or other people’s pets as a way of proving that pets are a proper subject for serious artists.
Last night International Women’s Day celebrations were held at Cinema & Co on Castle Street, Swansea. The place was packed. I know it sounds a bit daft, but I didn’t expect so many women to be there. Or maybe, I expected more than six men to come along, (of…
There was plenty of sentimental (English) pet art in the Victorian age but the French Impressions and Post-Impressionists showed that it was how you painted your subject matter that counted. I