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Winter Morning Light on Parkmill – Sold

Winter Morning Light on Parkmill

Delighted to Say I have just SOLD this original oil painting “Winter Morning Light on Parkmill” via Artfinder – smile emoticon

Winter Morning Light on Parkmill
Winter Morning Light on Parkmill (SOLD)

https://www.artfinder.com/…/winter-morning-light-on-parkmi…/

“This is another oil painting inspired by Ilston Cwm in Gower, near Swansea, Wales. It is a refractionist painting of the clear winter morning light falling on Ilston Cwm from the Parkmill entrance behind the public house, Gower Inn. It is a painting of early morning when the light is clear sharp, crisp and brilliant as reflected in the mirror like reflection of Ilston Brook, as it meanders through the leafless trees of the woodland.”

The painting has sold but you can buy a large limited edition mounted print here

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Rainbow Wood

Painting of Trees

Delighted to say I have just SOLD this golden oldie “Rainbow Wood” via artgallery.co.uk!

 

 

This is another refractionist/cloissionist painting where I attempt to break down the light streaming through the leaves of the trees in to blocks of colours. My painting has two prominent motifs which are to 1. create or animate light via my use of colour or 2. conversely, to break down light into component colours, in order to show light being ‘refracted’ through different materials, such as the leaves of the trees in this painting. The wood floor is illuminated by the light and I wanted to create an effect of movement of colour sliding along the ground and also sweeping, almost windswept across the trees like colour on the wind.

I like that pre-perceptual fleeting moment before our brains ‘construct’ images before colours and light are burnt into conscious representation. I love woods and trees because they capture the light in many ways and translate this light into numerous colours, too many to paint. I attempt to catch that fleeting fluidity, that becoming an image, not fully formed, more sensation than perception. I hope this vibrancy recreates that feeling of awe we feel in nature’s beauty, before our brains explain it away. To return to the fluent, heart-filled child-like wonder that sometimes ossifies with age.

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From Ilston With Love

Delighted to say I have just SOLD this lovely painting “A Tree by Ilston Brook” via Artfinder –

I have painted a series of paintings similar to this painting which are all inspired a rural area close to my home in Swansea, called,  Ilston Cwm, in the Gower Peninsula.

I will be blogging later in the week about this lovely area of Outstanding beauty and posting an accompanying video so that you can see it’s beauty and inspiration for yourself.

https://www.artfinder.com/product/a-tree-by-ilston-brook/

beech by the brook

This painting is sold but you can buy large limited edition mounted prints here.

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Not a Bridge Too Far!

Delighted to say I have just SOLD this oil painting “Ilston Brook Bridge via Artfinder a few days after adding it to my collection –

https://www.artfinder.com/product/ilston-brook-bridge/

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Large limited edition mounted prints can be bought here

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Sapling Wood

This is another refractionist painting – I was drawn to this painting because I love the colours that come alive not only in misty backgrounds but in backgrounds in the sun, viewed from the more darkened interiors of the wood as in this painting. I love the cool blue of the distance trees and the purple mingling with the ground and the purples there sliding across the ground, following the sun’s light into the dark of the wood. I love the spectrum of colours in the light and how the light is refracted by the tips of the trees, the last burnished leaves and the spindly branches. It produces a kaleidoscopic effect of colour.

Image
Sapling Wood (SOLD)

Buy large limited edition mounted prints here 

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Fauvist Wood

This painting was heavily influenced by the fauvists, especially Paul Gauguin and particularly his painting “Jacob wrestling with the Angel”. The use of brillant red shows the influence and the patches of blocked colour on the tree bark is used in a similar way to that used in to heighten light falling on the faces of sitters in fauvist portraits. The painting also uses this effect on the colour used to depict light draping the edges on the trees in the background. Also like the fauvists, the rule of using green and red, a fundamental fauvist tenet, is also gleefully broken here to interpret the effect of green shoots of grass poking through the autumn burnish leaves, lying decaying on the park ground.

fauvist wood
Fauvist Wood (SOLD)