“This painting is of the straggling wisps of cloud left on the hills in the Black Mountains after a passing storm. It was an amazing scene, this steam-like vapour rising out of the backs and humps of the hills. It looked as if the hills had just had a shower and the appearing sun was drying them off. I loved how the low lying clouds combed the trees and hedges as they floated past. The sun, shining through to illuminate this effect, seemed also to grow patchworks of colours from the fields around the surrounding landscape, as if the light was a nurturing spectral beam. The colours in the Black Mountains after the weather breaks on the hills are heavenly and this is what I hoped to convey. ”
Delighted to say I have just SOLD “Spring Coloured Woods” via Artfinder.
Now off to live with “The Bridge to Parkmill” in Lancashire – will we see an Ilston Cwm triptych adorning a wall of a home in Lancashire?
“This is the last of the summer wine of a substantial series of oil paintings of a woodland area in Gower Pensinsula between Ilston and Parkmill, which the locals call Cannisland Woods.
It is amazingly beautiful at any time of the year but the light is rarely better than in Winter when it is glassy clear and this helps create a riot of colours and hues in this most dank time, in the mulched leave-layered ground, in the trickling everchanging brook of the Killy Willy, in the distant haze behind the barren trees and in the wonderfully green-mossy trees and shiney, slippery brown barks of the twisted trees by the Killy Willy.
This is another “refractionist” (expressionist) style painting which is similar to Sapling Wood and Rainbow Wood in it’s sweeping streaks of colour but much more grand in it’s ambition and luxuriant in i’ts detail.
This will probably be the last of this series of paintings for some time so enjoy.”
Delighted to say I have just SOLD this oil painting “Mumbles Pier” via Artfinder. “Oil painting of the tide lapping its first waves of late afternoon on to the beach near Mumbles Pier, enticing boaters and their boats into it’s watery delight.”
Delighted to say I have just SOLD this oil painting “Spring Coloured Wood” one day after uploading onto my various online galleries! The artlover will be buying this lovely painting via my “Part Payment” scheme.
If you would like to spread the costs of paying for one of my paintings too please click on this link to find out more details of how to pay for my paintings over a period of months via part payment – the first payment secures the painting for you!
Large limited edition mounted prints are available here
A selection of some other limited edition Giclee prints which will be for sale (mounted and wrapped) at Brynmill Park – at the Kiosk stall from now on with postcards and greeting cards also available soon – A4 size prints are £35, A3 are £49
I have just sold this mounted Giclee print to a lovely couple who run the excellent kiosk in Brynmill Park, Swansea which also is the subject of this painting/print – they also kindly asked me to join them tomorrow on their stall by the kiosk, which is very kind of them. So if you would like a mounted print, greeting card or postcard depicting various parts of Brynmill, Uplands and Mumbles areas contact me and I can send you one in the post, free of charge!.
Delighted to say I have just SOLD this oil painting “The Long Way Home” via Artfinder – now on it’s way to Ontario, Canada!
This people portrait is intentionally quite poignant as it features an elderly man who seems to be carrying some of his belongings in a plastic shopping bag. It is not clear if he is unkempt in his crumpled rain coat because he i s homeless or has gone beyond caring too much about his appearance. Either way, he looks sad and almost life-beaten.
I wanted to contrast his sad, beaten, forlorn facial expression, and drooped shoulders and shuffling gait with the excitement of others striding off into the distance, either shoppers hurriedly returning home after a successful day’s shopping or employees from these shops doing the same after a hard day’s work.
There is also a frission or juxtaposition between the elderly man’s crumpled slightly smudged coat and dishevelled appearance and the gleaming reflection-clean floor of the shopping mall and the tidy, orderly professional look of the shops.
The elderly man looks like he doesn’t fit in here or even maybe he has no where to go, unlike the others, where he can fit in. It is as if society has locked him out of what others have and perhaps even take for granted.
He seems lonely, and forlorn on his way to wherever he is going, to wherever he calls home?