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My top 10 tips for selling Art online

Selling Art online

My Top 10 tips for selling art online. I am sometimes asked for advice on how to sell art online. To be honest, I feel like there is so much I don’t know about Art marketing, but I did sell over 200 pieces, originals and prints last year and half of these were direct sales to collectors so something’s working. Marketing and selling art takes an enormous amount of time  and effort. At least 50% of my day is spent on marketing. The great thing about it all is that the longer you do it the more followers and fans you will gather. It’s an investment of time – but it cuts both ways. You will spend hours at the keyboard, posting away (sometimes wondering if it’s worthwhile) but you will develop a following. Some of it casual, some of it very loyal and dedicated indeed. You need to remember that it may take months or even years of following an artist’s work and career before a collector buys your work. Your fans are invested their time in your you and your “journey” too so you need to keep them with you.

So here are my top 10 tips (BTW there is no affiliate marketing in this blog post and there’s so much more I could say but I’m sticking to 10 tips for starters).

  1. Your story – Be positive. Nothing succeeds like success. There’s enough depressing news out there and your art is (hopefully) an escape from all that unpleasantness. So it’s important to celebrate all your successes no matter how small; every sale, exhibition, painting-in-progress is a cause for celebration. Don’t ever be tempted to say that you aren’t selling or you hate online galleries. Instead talk about your latest project. Explain WHY you make your art. How does it make you feel?

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    Celebrate where ever you can
  2. Have your own website – don’t build your house on someone else’s land. There are many different hosting platforms out there. There are some that specialise in hosting artists such as artweb, fasco and artmajeur or the very popular wordpress.  They will all charge an annual fee (update: Artmajeur’s free plan now allows unlimited artworks to the site).  You need to make sure that your site has ecommerce facilities. That means it doesn’t just function as a gallery but also as a shop where collectors can buy work.
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    The Home Page of my Website
  3. Start blogging – a great way to tell your story is to write a blog. I use WordPress but there are other blogging sites like blogger and many websites will have a blog page integrated into the site. Your blogs don’t have to be great long essays but the important thing is to blog regularly. Some bloggers blog once a day, others once a week. Don’t be an occasional blogger. There’s nothing more frustrating than a blogger who only blogs three times a year. You will lose followers if you are inconsistent. Keep focused. Blog about your art and inspiration or art in general. Why do you make your art? How does it make you feel? Don’t blog about the news, your family, what you had for tea, latest fashions unless it’s directly related to art, and what inspires you. Which brings me to…
    Emma Cownie's blog
    Be a regular blogger to build an audience

  4. Social Media – there are lots of outlets, Facebook, Instagram, Twitter, Tumblr, Youtube, etc. You don’t have to do them all (I dropped Tumblr, for example as it was a bridge too far) but make sure whichever platform you choose to be, do it well. To honest no one platform is necessarily better than the others for promoting your work, all of them will do something to help.  Don’t post twenty times a day – it will seem like you are spamming people and they will unfollow you. Once or twice a day is enough, maybe three times on twitter. Hashtag your own name too #emmacownie so people can follow your work across the platform.  The important thing to remember is that it’s called social media for a reason. You have to be sociable. If someone comments on your post it’s good manners to respond, with a “like” and a “thank you”. It’s important that you support other social media users and follow other artists, photographers of any supporters who like, comment on, and share your posts and return the favour. We all need encouragement. It’s important to encourage others. I have made many good friends out there in the online world. Again. like the blogging try not to mix business and personal stuff on your Art pages/sites – have a separate one for your own family stuff and stick to art-related things on your Art accounts.

    Buy and selling Art
    Not really material for an artist’s Instagram feed
  5. Pinterest – It’s not just for recipes! It has 250 million users every month,  with 25 million users in the US and about 80% are female. It’s not a social media platform but a search engine. It’s well worth joining to get your work seen and develop a following. It also a really good source of information about art marketing. I have learnt a lot about blogging, pinning, marketing, and websites from pins on Pinterest. If you want to see a selection, I have saved my Buying and Selling Art pins here.

    Emma Conie' Pinterest Page
    My Pinterest page
  6. Canva – is great for creating professional-looking blog covers, Pinterest graphics, and so on. I use it all the time. There’s also Pablo and Visme which does some pretty awesome infographics.
  7. SEO– Use Key Words in your posts so that search engines like Google and Safari can find you. A website that is well optimized for search engines “speaks the same language” as its potential visitor base with keywords for SEO that help connect searchers to your site. I find this a vast subject but there are pins on Pinterest and sites like Moz.com will help you improve your SEO. Make sure that when you post your pictures on your website that you filling all the boxes.

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    Fill in all the boxes
  8. Newsletters – build a list of email addresses on your website. These are your fans, collectors and interested artists. Some collectors watch your progress for years before they buy. This is how you keep them in touch with what going on with you. Not every one uses social media, especially older collectors but they read their emails. Again send out your newsletter on a regular basis, say, every fortnight or once a month.  Mailchimp is a marketing platform that offers a free (if your list is under 2000 names) sign up forms and newsletter service. There are others here
  9. Finally, Online Galleries – there are loads and loads to choose from. There is a very long list of online galleries here.   It’s a bewildering choice. Some work better than others. There are massive ones like Saatchionline where it is difficult to be seen and smaller ones like Artbazzar that have less of a budget for advertising, there are others that charge to be on them like Artfinder and Artgallery. Others are still free to be on them such as Singulart, but they charge higher rates of commission. It makes sense to have a presence on several sites. Online galleries can be good for sales if they promote you.
  10. Just remember that putting all your energies into one website or social media site is foolish, as it’s like building your house on someone else’s land. They all change their algorithm, pricing policies, curators, and what might work for you one year may not the next. I’ll give you an example, last year Facebook shut down my Emma Cownie Artist Business page with no explanation. This is not uncommon on Facebook.  I tried in vain to find out why it had happened and to get it restored, to no avail. I lost thousands of followers and their contact details. I was devasted. That’s not a story I usually share as it’s not a positive one but let that be a warning not to put all your eggs into one social media basket (thankfully, I hadn’t, but it still hurt).
    Facebook locks people out of their Business pages
    Facebook locks people out of their Business pages

    It’s always sensible to be on several platforms and sites and encourage your followers to follow you on different platforms. You can do within many ways such as an email signature with links to your social media platforms. There’s so much to learn and there are plenty of people out there who will offer tempting online courses on Art Marketing but I prefer to teach myself. I hope that this post will help other artists get seen. I welcome any comments, suggestions from other artists or commentators

Email Signature of Emma Cownie
My email signature
Summary of my 10 tips to sell art online
10 tips to sell art online
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Start Spreading the News…

…I’m leaving today!

This lovely Hereford Cow is now off to live in an apartment in New York, I am delighted to say. I sold it directly through my website galleries.

Just click Galleries – Animals – Hereford Red – click for more details – Add to Cart – Check Out, simple!! The first of many I hope! emmacownie.artweb.com

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Autumn Aflame Framed

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“This oil painting is simple in construction and technique compared to many of my paintings. I only wish to express (most of my work is inspired by expressionism, especially the Pont Aven school) the brilliant final flowering of Autumn, the final raging against the light.

I simply used fired reds and oranges to express the feeling of the tree’s leaves being on fire, charred by Autumn and it’s burning light. It is this dying of the leaves that these trees are their most brilliant, their most beautiful. Not in green leafy health, but in glorious decay. There is also movement in the painting also as if the leaves and branches are moving as with raging flames.”

 

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In the Light Refracted

Delighted to say I have just SOLD a Giclee print of this painting “In the Light Refracted” via Artfinder – now on it’s way to the USA 🙂

the light refracted

 

“This ‘refractionist’ work sees the light broken down into light filled colour segments. The foreground dark reds are juxtaposed against the light-singed orange and lushy leafy greens to suggest a green distant solace from the scorching heat, with the darker blues suggesting a progressively deepened experience of this respite and solace from the sun’s baking rays. Thus we see a transition from scarlety red via the purply blue path through the burnished, charred-edged oranges and fruity greens to the darker recesses of the oil ink blues like a colour spectrum from hot to cool. Again another use of the refractionist motif. Not only are my paintings often refractionist in terms of e.g. light coming through materials as through tree leaves, shedding light ‘stain glass-like’ but in this case symbolising a progression of temperature and the experience of this variation in heat. The rich boiling bloody reds in the foreground also contrast to the purply blue colours of the path. This spreading of light across these different temperature textures also has a ‘lava lamp’ effect’ as if the oily colours slide across the canvas. The path’s purply blues suggests a transition, a comfortable inviting passage to the cooling shade of the far trees. The far ice cool blue contrasts from the initial, foreground liquidly purples, which in their calm serenity suggest relief from the distress of the exasperated, bad tempered heat.”

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Tree by the Brook

Here is my latest oil painting – “Tree by the Brook” – 60 x 80cm – £395.

Email if interested in buying.

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Beech by the Brook (SOLD)

This is the latest in a series of oil paintings, based loosely on my refractionist style, of a wood in an area of the Gower Peninsula called Ilston. This painting is of a green moss coated tree, lit by the low lying rich winter light, whose roots plunge into and drink from Ilston Brook.

I love winter light more than any other light and how it’s eye filling light illuminates the barks of trees. How it casts mist greys and pinky, purple pastel hues into the background light.

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Not a Bridge Too Far!

Delighted to say I have just SOLD this oil painting “Ilston Brook Bridge via Artfinder a few days after adding it to my collection –

https://www.artfinder.com/product/ilston-brook-bridge/

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Large limited edition mounted prints can be bought here

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Buying Artwork Directly From Emma Cownie Art!

 

Please contact me if you would like to buy  any of my paintings.

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Each work sold is wrapped securely in bubble wrap and cardboard packaging. Most artworks will be sent via Royal Mail or via  Parcel Force depending on the size of the painting. Each package will have a tracking number so that you can track progress of the delivery. Each oil painting will also have a Certificate of Authenticity enclosed.

Most paintings are sold unframed unless otherwise stated.

I can accept payment via Bacs (bank transfer), Paypal, credit card, cheques or cash.  I am also happy to accept part payments over several months.

Please also contact me via my email for more details about purchasing and paying for artworks in any of the ways mentioned above  – emmafcownie@gmail.com

or contact my agent by telephone on 07827574904.

I am also selling my artwork direct to collectors via my website here – just a click away!

http://emmacownie.artweb.com/

Here is an example of the payment process on my website – simply click the “Add to Cart” button and the relevant postage will be automatically calculated and added (there are different postage rates for oil paintings and Giclee or Paper  prints) – then you can choose to pay via Paypal or credit/debit card.