Just a footnote to my last post really about painting scenes at markets.
One of the small dogs spotted at Stroud a fortnight (2 weeks) ago. This tiny girl was waiting for her people to stop talking so she could carry on leading the way forward.
Apologies for the short post but I am having trouble typing for any length of time due to pain in my hands. A vigorous Yoga session a couple of months ago either sprained my wrists or set off something like arthritis, I am not sure. Anyway, I have had some sort of intermittent pain in my hands (the right one especially) for weeks now, but it’s particularly bad when I type or text!
As a Christmas present, I promised I would paint my sister’s cocker spaniel, Dolly. I have a few photos of her but I thought my sister might prefer a painting based on an image she’d chosen.
My sister, however, gets distracted by all sorts of stuff, like the builders arriving to take down her lean-to shed and then having to deal with the junk that has accumulated in the said shed. In her defense, she’s inherited the contents. None of it is hers. There’s a fair bit of it.
Anyway, I am waiting for her to send me her chosen image.
“Dolly won’t sit still when I try and take a photo!”, my sister complains.
So I may be waiting a while!
So in the meantime, I have been practicing painting other people’s hounds. I like to do quick tonal acrylic sketches as a break from oil painting. It challenges to think about tonal value rather than colour. Sometimes, it get it right, sometimes I don’t.
I also did a sketch of Dolly from a photo my mother had sent me. It may be the one my sister ends up getting!
The people of Britain love their dogs. It is no secret that I love animals. I come from a family of animal lovers. My younger brother has three cockerpoo type dogs, my sister has a Cocker Spaniel called Dolly one and myself and my husband have two gorgeous mutts.
Animals can do no wrong in my family. I suspect that my mother would prefer to see photos of friends’ dogs rather than photos of their grandchildren!
So its no surprise that I often choose dogs (and their owners) as subjects for my art. I also love painting dogs as commission portraits.
I am not always terribly good at making eye contact with people when I am talking with them but when I am out walking, I will often catch the eye of a dog and a glance will pass between us. Perhaps, I am imagining this.
Dogs are cool. They live in the moment and know how to fully enjoy themselves. They love being out and about and enjoy seeing that. There is no joy like the joy of dog running free in the park or in the woods.
I like to try and see the world from their point of view. This usually means a low view point. Little Jack Russells are a favourite of mine. They have a big personality.
I particularly like to capture the body language between the dogs and and their humans. I am intrigued by the bond that links them. Even if they are just a dog and a human, they are a pack. The human is not always, “top dog”!
This part two of photo-essay on great artists who have either painted their pets, or other people’s pets as a way of proving that pets are a proper subject for serious artists.
Mexican artist Frida Kahlo had many pets and they frequently appeared in her biographical portraits. In the case of her deer she identified so closely with the creature she painted herself as a hunted deer.
Salvatore Dali had some strange pets and he used them for publicity (hence the anteater in Paris) as much as anything else. I don’t think he cared much for cats (see the amazing photo below) however, some dogs did feature in his surrealist paintings.
I was going to say that fellow Spaniard, Pablo Picasso, clearly did not like cats, either.
However, I suspect, Like many cat owners, he was ambivalent about cats’ hunting skill and their drive to kill, even when they are well fed. Perhaps that was why he was fascinated by a cat’s encounter with a lobster, which he painted several times. However, a number of much less vicious cats, kittens in fact, also appear in his paintings.
If we look at the photographic evidence it seems clear that Picasso clearly liked both cats and dogs. His absolute favourite dog was a Dachshund called, Lump. “Lump had an absolutely pampered life there. Picasso once said, ‘Lump, he’s not a dog, he’s not a little man, he’s somebody else.’ Picasso had many dogs, but Lump was the only one he took in his arms.”
And pampered Lump clearly was. He died ten days before Picasso, on 29 March 1973.
Ammerican pop artist, Andy Warhol was also a fan of dachshunds.
British painter David Hockney is also a massive fan of the short-legged pooches.
British painter, Lucien Freud was famously fond of dogs especially his pair of whippets whom he often painted.
American artist Andrew Wyeth painted a number of beautifully atmospheric paintings of his Labrador-type dog.
Time for some cat lovers, I think. Less well known, is the British artist Ruskin Spear who painted many wonderful pictures of his cats.
Bridgeman; (c) Somerset County Museums Service; Supplied by The Public Catalogue Foundation
Another, lesser known British artist, Beryl Cook, painted some fabulously plump cats to go with her full-of-life people.
More cats and a lobster, only this time the lobster is outnumbered.
Chinese artist Ai Weiwei is another cat lover. He lives with about 40 of them in his Beijing home.
Swedish artist Benjamin Björklund paints very beautiful and atmospheric portraits of both humans and animals. He is interested in the emotional states of his subjects, whether they are his members or (his Great Dane), his pet rabbits, mice, rats, and guinea pigs, as well as the wild animals outside.
I’ll end with Jeff Koons. The American artist is known for working with popular culture subjects, and he has also used as dogs as subject matter in his work. “Balloon Dog (Orange)” sold for $58.4 million at Christie’s. ” Possibly, his reproductions of banal objects such as balloon dogs should prove that animals are an uncool subject matter?
And yet “Puppy” his installation of flower-filled a giant West Highland Terrier is pretty awesome. I think that it honestly doesn’t matter what you paint, cats, dogs, cows or people but how you approach your subject that matters.
I was delighted to see my two Donegal paintings “Up Bloody Foreland, Donegal” and “The through Road, Donegal” on the walls of the London Irish Centre (Camden, London). These two oil paintings form part of a “real room” of an Irish family in 1950s Britain installation. The exhibition, which is on during August through to […]
Donegal is a big mountaneous county in a big country. Imagine my shock when I discover that it’s only the 4th largest in Ireland (after Cork, Galway and Mayo) at 4,860 km2 (1,880 sq miles). It seems even bigger as there is no railway or motorways here, so it takes a long time to travel around all the mountains. One of joys of the county is that it’s relatively empty (the 5th least populated in Ireland) with 32.6 people per km2.
There’s a good reason why landscape painters use the “landscape” orientation for their canvases – i.e. the longest side is horizontal – and that’s because you can fit more landscape in that way. I have recently discovered another good reason – social media and wordpress thumbnails don’t like tall narrow paintings and crop them.
Everybody loves the Georgian Houses It seems like certain styles never go out of fashion. Last year Georgian-style houses topped a poll of the most popular home styles. I suspect that people like scale of the house as well as the the pillars and generous sized windows. Nothing says lord of the manor like a […]
New Work & Recent Sales
Arch at Whiterocks Beach, Portrush
The Peace Bridge (Derry) by Emma Cownie
St Eugenes, Derry City
Polite Houses of Maghery- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Low Tide, Summer Morning on Three Cliffs – Emma Cownie
Boat on Inch Island Donegal
Across Whiterock Beach, Portrush
Dunluce Castle from Whiterocks Beach
Towards Bloody Foreland (Donegal) _ Emma Cownie
Houses at Port na Crin, Gola
Errigal reflection (Donegal) _Emma Cownie
Washing Line, Arranmore _Emma Cownie
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
A Road through Chalford (Cotswolds)
Painswick Yews (Cotswolds)_Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Errigal from Cruit Island. Donegal _ Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)