Welsh Landscape – Emma Cownie

My leg and ankle are recovering from my accident this spring and although I can walk a faster than I used to, I still cannot walk long distances which means that a lot of my favourite Gower walks are off limits to me. I find staying indoor too much isn’t good for my mental health (especially during the Pandemic) and it is vital to get out and see different places nearby. Fresh air is good for the soul, the mind and more importantly it blows away the virus!

This blog is about a very short road trip around parts of the Penrice estate down to Oxwich Bay we did this week. My husband drove and I took the photographs. Penrice Castle was built by the Mansel Talbots. They were one of the most powerful families in South Wales and certainly one of its biggest resident landowners and MPs for Glamorgan in the Victorian era. The “new” Castle at Penrice was built by Thomas Mansel Talbot in the 1770s, as an alternative residence to the rambling old house at Margam. Thomas, who had travelled to Euope and considered himself a man of great taste had a neo-classical villa built. He also had the land around the house landscaped and a park laid out to improve the romantic scenery that had first attracted him to the place. His son, Christopher Rice Mansel Talbot, who was born at Penrice in 1803, modernised the old Aberavon Port and renamed it (modestly) Port Talbot as an industrial hub for South Wales. The house at Margam was also pulled down and a new mansion was built there between 1827 and 1830 near the ruins of the old abbey.

I will the road trip start with a map. All road trips need a map. There is an excellent map of Gower at Mapsta here. Our trip starts at the top left hand side of the map where a lane turns a sharp left from the A4118 road down a narrow single track lane. A word of warning if you fancy this road trip. This is not a trip for a large vehicle. Most of the lanes are single track and are very narrow. We spent most of it praying that we did not meet any thing coming the other way, and we drive a tiny Kia, as it would have possibly meant a ggod deal of reversing! Thankfully we didn’t.

Down long narrow lanes past a parking spot for a woodland walk at Mountybank (see estate map)

Map of Penrie Estate — Map of the Penrice Estate

Up a steep and winding lane past Penrice Village

Painting of a Penrice Cottage by Emma Cownie — Penrice, Gower

Along wet and winding lanes past Pitt Farm

The road then bends and drops back down towards Oxwich Village

We past a series of sturdy cottages and then turn left at the junction in Oxwich

The carpark is free in the winter during the week (possibly only during pandemics)

This morning’s heavy rain has left puddles everywhere but there’s still a beautiful view across the bay to Great Tor and Three Cliffs

We saw people. There were not too many but enough to watch. There was even a small wedding party having their photos taken on the beach off in the distance. It was heartening to see people managing to commit to a future together come what may! It must have been next to impossible planning their day as we have had a national lockdown, a local lockdowns and a mini-firebreak and there are rumours of another lockdown after Christmas.

On the way back home, we continue anti-clockwise on our loop back up a steep hill to the main road past Underhill Cottage. It was originally the Head Gamekeeper’s cottage. It has a lovely, sunny position overlooking the beautiful Oxwich Marsh and the sea with Nicholaston Woods behind. These days it is a holiday cottage. It is possibly one of the few sorts of holidays you could be confident of not getting cancelled these days (if you live locally, that is).

Painting of cottage near Oxwich marshes by Emma Cownie — Underhill Cottage (Oxwich, Gower) SOLD

Buy my book “Footnotes: An Artist’s Walk around the Gower Coast” here

Penrice Castle

Penrice – castle

https://www.parksandgardens.org/places/penrice-castle

http://penricecastle.co.uk/

Holiday Cottages on Penrice Estate. There are 16 holiday cottages on the estate

http://penricecastle.co.uk/gower-self-catering-holiday-cottages-wales/

I am very lucky to live close to the sea. I can never get over my excitement at seeing the sea, even when I live so close to it. I would say that all of the Welsh coast is pretty special. The coast along Pembrokeshire, Ceredigion and the Llyn Peninsula are spectacular however, the Gower peninsula is the coast I visit most often as it’s the easiest to get to for to get to and its paintings of the Gower peninsula that work on most often.

Gower has some incredible coastlines and fabulous beaches. I have always wanted to walk its length but never got my act together to do it. I made plans to do so in 2016 but being made redundant from my teaching job in that year, sort of threw everything out of kilter for me.

The best beaches always involve a bit of a hike but its always worth it. From an artist’s point of view its always different. Whether its high tide, low tide, summer, spring or a blustery winter’s day. What’s the main difference between the seasons? The light. Whether the sun is high or low in the sky, the angle of the rays, the quality of the light. Is it sharp or is it hazy?

Drifting Clouds on Three Cliffs — Floating Clouds over Three Cliffs

I have painted Three Cliffs Bay quite a few times. I am find it interesting to reflect on the different ways I have approached what is in some ways the same subject matter. In winter the sea is a grayed jade the wet sands are pinkish, the dry sand different shades of yellow. The colour of foliage is very muted; the grass on the clifftops is more yellow than green and the bracken is brown. The cliffs are warm grey in direct sunlight, a cooler grey in shadow.

Even on brighter days when the sea has more violet the colours of the cliff tops is more yellow ochre than orange.

Three Cliffs Bay at High TideWhat surprised me when I compare these winter paintings with some that I had done in the summer is that the wet and dry sand is the same ruby/pink/yellow tones, although it seems obvious that it would be now I think about it. What is different, is the sky and the colour of the grass and bracken on the cliffs. The sky is a lighter turquoise and the sea is has more jade and turquoise. The clouds reflections in the surf is still violet. The grass is wonderfully verdant, a sharp green.

This is the oldest painting and it was done in high summer when the grass is a deeper green.

Of course, looking through these paintings, I immediately wish I had done some autumn paintings when the bracken is a rusty red. I have painted Rhossili Bay in autumn but not Three Cliff. I can’t think why not. Of course, last autumn I was focusing on my “Hollowed Community Project” and painting houses. I hope that I will be able to come back and paint Three Cliffs again this autumn.