Posted on 21 Comments

Goodbye 2019 and Hello 2020!

Seamas and me!

A year’s a long time in art. When I look back at my paintings from early 2019, it feels like I made them much longer ago than that! This selection of “popular” (most likes/biggest reach) is based on my Instagram account, there are many more images that I shared on Facebook, that were also popular but are not included here. … Read the rest

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A Gap in the Clouds

Great Tor, Gower painting by Emma Cownie

I used to like painting landscapes and cityscapes with clear blue skies. I waited for the bright sunny days of early summer to walk around, taking photos and looking for inspiration. Thus, my series of urban minimal paintings of Swansea, made the town look a bit like a Mediterranean location!

What a joke. It rains a lot in Wales. It

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“Footnotes”: My Gower Walks Book

Paintings of Gower Book

I am delighted to announce the publication of my latest book “Footnotes, An Artist’s Journey Around the Gower Coast” which is based on my walks and blogs of 2018.

Many years ago I turned my Ph.D. on Medieval History into an academic book. That was jammed packed with footnotes and had almost no pictures (except for the front cover) but … Read the rest

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Christmas at Clyne

Emma Cownie Art stall Swansea

Once-upon-a-time I worked full time as a teacher in school of just under 2,000 pupils and I would teach approximately 150 pupils in a day. That’s a lot of faces to put names to every day. I was pretty good at learning all those names too. These days, however, I might only speak to a handful of people in a … Read the rest

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The path through the woods

This is my most recent woodland painting of the pinewoods near Parkmill and Illston, on the Gower Peninsula.

I am taking a pause for now as we preparing to go away to Donegal, Ireland, soon. We feel in great need of a holiday.

We have not been away for a couple of years and I haven’t flown for over a decade! … Read the rest

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The Power of Pine

My grandfather, Fred Cownie, used to work for the forestry commission, buying up Welsh farmland and planting swaths of conifer forests. Sadly, I never knew my grandfather as he died before I was born, long before my parents were married, in fact. Apparently, he was a sociable man who was popular with the farmers and forestry workers alike and I … Read the rest

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Gower Woods: A Slender Light

This is the first woodland painting I have done for quite a while. This is a section of pine woods called Canisland Woods, near Ilston and Parkmill, Gower.  The slender light refers to the beam of morning sunshine light breaking over the lip of the valley. The pine needles on the ground are soft and deaden any sound. It is … Read the rest

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Painting Cows

I am delighted to have sold “Koei 1509”, a painting of a South African cow, to a collector in Oxfordshire, England. The painting was based on a photograph by talented photographer Herman von Bon, who generously allowed me to use his image. Herman photographs the South African landscape along with its people and animals. I particular like his wildlife … Read the rest

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Mewslade Relections

 

After working on my New York interior, I felt ready to return to the theme of rocky coasts. I was revisiting Mewslade Bay again, but a more panoramic composition with the tide coming in. My previous painting had been all about majesty and rocks but this one was different, it was more about colour and light. In particular I … Read the rest

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Paintings as Emotional Creations

Paintings as Emotional Creations

I am delighted to have sold this painting, Three Cliff Reflections, to a collector in Scotland. As is so often the case, the collector has a connection to the location in the painting, having visited it and climbed to the top of the peaks quite recently. I hope that the painting brings back happy memories of the summer.

As a … Read the rest