Waiting for the sunlight on a stormy day at Three Cliffs Bay.
I managed to make it down to Rhossili Bay this week. It has been raining on and off for weeks. I have been painting in my attic studio listening to the rain thundering down and I have got quite tired of that sound. So when I was greeted by clear skies I decided, on a whim, to drive down to Rhossili to see the autumn colours.
I am delighted to announce the publication of my latest book “Footnotes, An Artist’s Journey Around the Gower Coast” which is based on my walks and blogs of 2018.
I am just going to post the photo of this woodland oil painting, it seemed to take all week to paint. I kept rushing out to take photos of the woods in the glorious (but worryingly warm) February sunshine we had early in the week, so I sort of lost my usual rhythm with the painting. Still, I doubled down and worked hard and I am pleased with the final result.
This blog is made up of 5 photos/images that represent the stages that go into the process of creation of a woodland painting.
The wonderful Welsh woods that lie along the Parkmill Valley floor have given me years of inspiration for painting.
Yesterday was Clyne Farm’s first Christmas Market and we were blessed with sparkling crisp sunshine. It was very popular.
I have saved the best til last. I did not walk the length of Worms Head at the same time as my other Gower coastal Walks. This was because you cannot walk its full length between the 1st March and the 31st of August – as the last part of the Worm, the Outer Head, is closed in order to protect nesting seabirds.
Although I don’t think that I paint cows all that often, they have added up over the years.
My previous painting of Mewslade Bay, Gower, had been all about majesty and rocks but this one was different, it was more about colour and light.