The staff at Brynmill Coffee House have been working really hard at selling tickets for the draw to raise money for Tender Heart Foundation. They sold £38 pounds worth of tickets for the NGO charity which works the poor, mostly Dalit people (untouchable caste) in Goa and Kanateka in India.
Rhia, who took a break from serving bacon bagels for 5 minutes, to help me tear all the raffle tickets from the book. First we jammed them in a cup but that didn’t seem right. There wasn’t enough room to rummaged around properly. So then Rhia got a large mixing bowl from the kitchen so the tickets had more room to move around in. So after mixing up the ticket I pulled out one that belong to Matthew Rees. So well, done Matthew!
This painting of a burger van I spotted in Wickes’s (DIY Store) carpark in Swansea is part of my “urban minimal” series. I have been influenced by the treatment of light and colour by American realist painters such as Edward Hopper, Jim Holland, John Register, Frank Hobbs as well as by Contemporary minimalists such as Christopher Benson, Leah Giberson, Tom McKinley, Jessica Brilli and Emmett Kerrigan. I aim to bring an American sensibility to a Welsh urban landscape – I half-jokingly call this sensibility “Cymricana” – like Americana only Welsh. Instead of sunshine in a NY diner, its sunshine on burger van surrounded by puddles in a Wickes’ carpark.
This is a strange rather ugly building. It’s pebble-dashed exterior is tinged grey with neglect. The front garden is unkempt and there’s a red boat in the far corner of the garden. I noticed this building ages ago and was intrigued by it. Why didn’t it look like the houses around it? It reminded me of a block of flats and it seemed out of place amongst the tight terraces.
I have discovered recently that it is, in fact, an old mansion house, originally built in the mid 18th century. If you walk around the back of the building it looks less like an ugly tenement as through a stone archway there is smaller stone building attached called “the cottage”.
Rear of Rhydding House with the “Cottage”
Further research reveals that when it was built in the mid-18th century, it was one of few big houses to the west of Swansea. It had 8 generously sized bedrooms, an orchard, walled garden, and farmland. The surrounding areas would have been hay fields, dotted with patches of trees. It was located far away from the smoking chimneys of the industrial areas along the River Tawe. It had views of the burrows (sand dunes) at the bottom of the hill to the south and, weather permitting, across the bay to the distant shores of Devon. From 1837 onwards, you would have been able to see the new Brynmill Reservoir to the north-west. This lake later became the heart of Brynmill Park.
The name of Rhyddings is a bit of a mystery. I asked my Welsh-speaking facebook friend, Rhydian, his opinion on why “Rhyddings” is pronounced locally with a hard “d” sound instead of with a soft “f” sound. He said, “short answer is that I don’t know. The word ‘Rhydd’ is Welsh for ‘Free’ but I’m not sure whether there’s any connection there to be honest because the word Rhydding isn’t used today if it was ever a word, and -ing isn’t a common suffix in Welsh.With regards to the pronunciation, it probably is being mispronounced technically but since it’s not, as far as I’m aware, an actual word then I don’t feel it matters.”
The house had many tenants over the years. Thomas Bowdler , was its most notable resident. He was an English doctor of medicine, philanthropist, and man of letters. He lived here in 1818, whilst he was carefully deleting all the unsuitable parts from the plays of Shakespeare ‘which cannot with propriety be read aloud in a family’ to make them suitable for women and children to read:- this was his “The Family Shakespeare”. He died in 1825 at the age of 70 and was buried in nearby Oystermouth. He left money to the poor of Swansea and his home parish of Box, in Somerset. Although the bulk of his large library was donated to the University of Wales, Lampeter, the remainder of his library and print collection were put up for sale along with his furniture.
The house was subject to a series of misfortune, not least of which was being struck by lightning during an autumn thunderstorm of 1831 and being bombed during the Second World War. Relations with the local community weren’t always easy – different tenants prosecuted local children for minor “crimes” on a more than one occasion. Once for a 12-year-old was prosecuted for “scrumping” (pinching apples) and a 14-year old for picking flowers. In 1873 a public right of way through the near-by Rhyddings Fields were closed off and this provoked an anonymous letter from the fictional “Twm Sion Catti” (a Welsh version of Robin Hood) demanding to know who had done this. A later tenant, the Dutch South African farmer Richard White Beor, became a Justice of the Peace and no doubt helped keep law and order in this rural area.
The last decade of the 19th century saw the start of the terraces being built. In the 1880s Swansea was growing rapidly. Middle-class suburbs were spreading west. St Helen’s Avenue and King Edward’s Road had been built and houses were starting to climb up Rhyddings Park Road and Finsbury Terrace. By the start of the First World War, the farmland and the orchard was a dim and distant memory.
The magnificent red brick building at the end of our road used to be called the Rhyddings Hotel but in recent years has recently rebranded itself as “The Rhyddings at Swansea”. I have always admired it’s generously arched windows which look out north and west from the bar and the lounge bar.
Local legend has it that it used to be a coaching house. Presumably, the current building was constructed in the late Victorian period, as it is built from similar red brick to that of the Brynmill Junior School which was built in 1986.
Writer Kingsley Amis (of “Lucky Jim” fame as and father of Martin Amis) later drank here in the late 1940s when it was run by ex-professional footballer Jack Fowler. I was would amazed if Dylan Thomas hadn’t drunk here too but I have yet to come across a reference to him doing so. He is known to have been keen on the Uplands Tavern and the pubs in Mumbles.
For some reason, locals use an Anglicised pronunciation of the name “Rhyddings” (with a hard “d” sound instead of the soft “f” sound that would be used in Welsh pronunciation. Perhaps this is simply a sign that Swansea is a very Anglicised town and sadly, Welsh is not often heard here. Medieval Swansea had an English community and much later the English from Devon and Cornwall came here in the 18th and 19th centuries came to work in the copper and tinplate industries.
The white building on the opposite corner to the Rhyddings is the Park Fish Bar which claims to be the oldest fish and chip shop in Swansea (running since 1974 since you ask). It is unusual to see the road outside The Rhyddings pub empty. There are usually cars parked there. The absence of cars illustrates how the community of Brynmill has been hollowed out by an imbalance of student houses. In many streets in this area, 80%-90% of houses are empty in the summer. It makes for an eerily quiet summer. It’s like a ghost town. It’s very sad.
The imbalance also affects local businesses. Not only because the area is very empty in the summer months but even when they are here students tend not to drink in the local pub or eat chips from the chip shop. They drink at home and order their food from Adsa & Tescos or have takeaways delivered by some poor Deliveroo rider who struggled up the steep Swansea hills to deliver their food. Some do, of course, but Jeff, who used to run the Park Fish Bar, used to tell me tales of the days before the student houses swamped the area when families regularly bought fish, chips, and pizzas from his shop and the queue reached out the door and around the corner. This is a shame as students undoubtedly bring youth and energy to the area but when there is such an imbalance it no longer feels like a healthy and varied community but instead some sort of annexe to the University Campus.
Note: Not to be confused with Rhyddings House, which is at the corner of Bernard Street and St Albans Road. I’ll be coming to that ghost of a house next.
Swansea is full of hills. It’s why there are so many great views in this town. It helps keep you fit. We live on top of a hill that -gave its name to the area – Brynmill (Lit. “Mill Hill” in Welsh).
Bernard Street is a long tree-lined avenue that “hangs” between two hills. It leads from the uplands of busy Gower Road down a long slope past a small parade of shops and then uphill again to St Albans Road, which runs parallel to the north side of the ridge of Brynmill. This land was once part of the grounds of a country mansion called “Pantygwdyr” (Lit. “Stream of Glass” in Welsh) that longer exists, that was once owned by a John Richardson, a ship owner.
Bernard was, apparently, a family name that was given to this street that was built around the turn of the 19th century. The north end of Bernard Street is lined with elegant large Edwardian red brick houses. It is one of the red-brick houses I have painted. I love the fiery colour of the hard brick. Not at all like modern bricks. These are smooth edged and a reddish orange.
I also love the trees on this road. They are periodically pruned so that the branches are reduced to stumps but they always burst forth with verdant abundance in the spring. It hard to be minimal with such lush greenery! It is usually rare to find parking spaces at this end of the street. The summer and the absent students have left gaps. The shadow of the house opposite, encroaches into the sunny scene, possibly a hint of something ominous.
I have just finished a 5-month teaching contract at a local school. Teaching is all consuming, it has to be in order to do be done well, but it does affect my capacity to “think” about art. So, recent weeks I have finally been able to stop and take stock of what I am doing, and where want to go with my work.
I have decided on a new project which I am calling “Urban minimalism“. It was initially inspired by the empty streets around where I live in Brynmill, Swansea. In recent years Brynmill has been increasingly taken over by HMOs (Houses of Multiple Occupancy) rented out to the growing population of university students. In the summer months most of the students leave and the local streets which are usually crammed with cars are suddenly empty. I was struck by both the physical empty space as well as the peace they left behind. I wanted to capture this temporary calm in paint. So I started to take lots of photos of the local area with an eye to using them for the basis of paintings.
My “rules” for composition and painting
No cars
No People
Bright light. There must be shadows – at diagonals if possible.
Simplified forms – there must be little detail in the final painting. I found this the most challenging “rule” to stick to.
Shadow Play
I wanted to explore the interplay of the geometry of shadows and man-made structures – the tension between the 3D buildings and the 2D shadows. The simplified blocks of colour. Shadows are one of the earliest ways man has used to mark time and seeking out the long shadows that mark the rising or falling of the sun in the morning and evening are a reminder that the empty streets are only temporarily so.
Uplands
Bernard Street
Bus Stop (back of Brynmill Launderette)
In future, I am intending to extend the “principles” of this project to other urban landscapes.
My exhibition of Gower seascapes and scenes from life in Brynmill, Swansea.
There were some last minute discussions about what should be included. A late addition quickly had “D'” hooks and string attached this morning. The bubble wrap was rolled out and the paintings were carefully rolled into several parcels for the very brief car journey to the venue, Brynmill Coffee House, Langland Terrace, Swansea. When we arrived, the paintings were swiftly arranged around the room. One painting was almost left out, but some rearrangement of paintings and the arrival of an extra hook meant everyone made onto the walls. No one was carried back home. Photos were taken of my husband, Seamas, putting up the paintings, the final arrangement of pictures and then me with the paintings.
It’s great to see my work up on some else’s walls. The dark blue on the cafe walls really complements the paintings well. I can reflect on the themes I have followed over the course of the last 6 months. Whether its a determined shopper at the once-monthly Uplands Market, families outside Singleton Park or the waves on Gower beaches, it’s always about colour and light for me. I can see similar tones of blues and greens that I favour; royal blue, and yellow ochres in particular. It’s satisfying to think these paintings “belong” together. I think cafes and restaurants are a great place to exhibit paintings. White-walled galleries can be so intimidating. They really should have lots of sofas for people to sit on too. In a cafe or restaurant, people can take their time to look at the artwork on the walls in a relaxed environment. I hope that my art will bring people pleasure. I hope that by recognising places they know well, like the cafe they are sitting, in an oil painting, it will give them a small thrill. A shock of recognition. I think oil paintings have the power “elevate” quite ordinary things.
So now my exhibition is up and ready to be visited during the month of August. Pop by and enter the draw for the print of Brynmill Coffee House, worth £45, all proceeds will go the Swansea charity supported by Brynmill Coffee House.
We visited the #Troublemakers’ Festival at High Street Swansea yesterday afternoon. The unrelenting drizzle did not damped the smiles and the good humour of the volunteers. Indoors at Volcano there was plenty of protest-poster making, poetry, song and cake. Upstairs at the Elysium Galleries local artists gave tours of their work places. We marvelled at the order of Eifion Sven-Mayer’s space (as well as his talent as an artist) and he was very generous with his time, as was Tansy Rees and Konstantinos Grigoriades. There are many, many very talented people in Swansea.
Sunday, it was a lot drier, thankfully. I spent the morning volunteering at the “Unfair Funfair” – a Swansea Oxfam initiative to highlight the benefits of Fair Trade. I loved the way how the children pitched right in and played, despite the fact that they realised quite soon on that all the games were fixed and they could not “win” any of them!!! Happily there were no complaints and some chocolate and stickers distributed. I enjoyed the festival as a visitor yesterday, but it was much more fun as a volunteer, as I got to interact with so many more people; the toddlers who keen to try to knock over the cans on “Tin Can’t Alley”, the teenagers who had come to use the skate board ramps and the adults, some passing on their way to train station, others who had come for the art and theatre. Mark Stephenson’s #Tag my ride was another popular attraction. Looking forward to #TroubleMakers’ 2018!
I have just completed a painting “Summer Rain” which is an oil painting of the same view as in the paintings, “Outside Brynmill Coffee House”, “Night Walks” and “The Dusk Walk Home”, the later two which both sold via Artfinder. All are below.
“Night Walks was inspired by Hopper’s “Night Hawks” and “The Dusk Walk Home” was a commissioned re-interpretation of “Night Hawks”. Unlike these two latter evening-time oil paintings this is new painting “Summer Rain” is earlier in the evening as dusk descends and is in the summer rain. I have posted these in accordance with the progression of the day, from bright day to darker night.
Outside Brynmill Coffee House
Outside Brynmill Coffee HouseSummer Rain
Summer Rain
The Brynmill Coffee House is in Brynmill, Swansea and is a superior coffee house that allows artists to exhibit their work. It has live music too.
I will be exhibiting in the month of August and my husband James Henry Johnston is exhibiting in September.
It is great to have a local business which supports the arts. I salute them in these paintings.
Delighted to have Sold this classic “urban folk” painting “Night Jacks” to a collector in Utah in the US via Artfinder !
“The title of this expressionist “urban folk” painting takes it’s title from Hopper’s “Night Hawks” – I have “Britishized” Hopper’s painting which was set in an American diner by using a British alternative or even equivalent the ever present Fish and Chip shop instead as it seemed appropriate. The second part of the title, Jacks, refers to a name we have here in Swansea for people who come from Swansea.”
The staff at Brynmill Coffee House have been working really hard at selling tickets for the draw to raise money for Tender Heart Foundation. They sold £38 pounds worth of tickets for the NGO charity which works the poor, mostly Dalit people (untouchable caste) in Goa and Kanateka in India.
