This, like a number of my recent and forthcoming works, will not be available to buy for the foreseeable future as they will be exhibited first but I am posting details of them to keep collectors and artlovers up to date with my recent work, inspirations, and directions.
This painting is a new painting is heavily influenced by North American artists in its colouring and in its subject matter, namely the frisson that comes from human interaction, in the most apparently mundane settings.
I loved this scene, as the man seems ill at ease and not sure whether to leave or remain. He may even feel guilty that he is kinda in ear shot of the couple’s conversation and may appear to be eavesdropping. He was there first and then the couple joined him, to eagerly gossip and have a quick cigarette break. They seem so comfortable in each other’s company compared to the man who seems very ill at ease, aggrieved at having to endure their smoking and the drifting grey-white fumes.
The title refers to the time before one activity, after another activity has ceased. A limbo period filled with change checking in her purse, as she waits for her bus to arrive.
The composition is, as with many of my works, influenced the diagonal compositions as used by Henri Carter Bresson. The colouring is influenced by American artists such as Hopper and Eric Bowman. I have deliberately tried to imbue this portrait with pathos, elevating a mundane act into something semi sacred, as the light is Cathedral-like as it shines through the high glass panels of Swansea Bus Station onto her chunky cable knit cardigan.
“A Bar at Noah’s Yard” – a centre piece painting, painted especially for my art exhibition in Noah’s yard in two weeks time!
This painting of a well known bar in Uplands Swansea called Noah’s Yard, is modeled on the famous Manet painting “A Bar at the Folies-Bergère” but with two differences. The scene is now down town Swansea and the work is expressionist not impressionist. I love the use of expressionism in urban scenes as it can seem more vivid and dynamic, muscular and rhythmic, more funky even.
An expressionist oil painting of the world famous Rhossili Bay at the far end of Gower Peninsula, itself the first designated Area of Outstanding Beauty in Great Britain. Autumn has draped a coppery red blanket on the hillside and the windy waves have etched patterns of light mauve and blue in the sand.
A new oil painting – “Friday Night Blur” – This expressionist oil painting catches three University students on the their way to some Friday night revelry. It is at some street traffic lights and as I went to take a photograph of them, the traffic light changed to green and they were off, as if on starter’s orders, half running across the street, as if they had no time to lose.
Their mutual excitement propelling them on. There was their sudden movement as the lights changed and this blurred the background as they hurried off. I like the blurred affect which trailed off behind them as it caught the excitement of a Friday night out on the town, on their way to ensuring the night would end up as a Friday night blur. I love the amber street light spilling across the road, and the intense bright white light in the distance, beckoning them three students onwards to good times.
This oil painting is of Ilston Cwm and the bridge, over The Killy Willy, leading to Parkmill. I have painted this bridge in a number of paintings previously sold on Artfinder but this is the first painting from underneath the bridge.
What a spectacular scene there is under bridges as the sun lights the water and this reflects on the underside of the bridge. Here it also illuminates the river bed through which we see an array of autumnal colours through the translucent, rippling water. It is a magical sight and I hope I have caught some of this visual excitement in this painting.
An expressionist “urban folk” oil painting of a gentleman taking “time out” and a hot beverage. The warm orangy-brown and wood and brickwork contrast with the blue, hard surfaces of the road, street and passing cars. The warm, calm and relaxation with the busy, bustling city street scene outside the protecting window. Go phew with a brew.
This is another “urban folk” painting – a style of painting I have been developing recently, expressionist people portraits from real life in the area near me here in Swansea, Wales. I try to catch the pathos of every day life and hope the paintings tell a story to the viewer. Uplands is a busy area in Swansea, full of shops, bars, coffee shops – where one can shop, eat, drink, listen to music, socialize and be merry. I hope I catch the start of that evening bustle is this painting. The cars coming into town, while the older gentleman returns home with his evening supplies and younger people appear to chat in the street. The constant coming and going and intermingling of activity.
Different people doing different things on the same city street.
This is why we love the city, the constant activity and the wide variety of people and characters, always something to catch our eye and imagination.
I have recently been spending time with my parents in the Cotswolds in Gloucestershire. On a bright sunny Sunday morning I explored some of the winding tracks of a near by village called Chalford and Chalford Hill. Where is that? In the South West-ish of the English Midlands ( see map below). The Parish of […]
I was absolutely delighted to spot Claire Keegan’s “Foster” (and my painting on the cover) at the BBC’s screen of this year’s British Academy Film Awards, known as the BAFTAs. The Irish language film “The Quiet Girl” was nominated for Best Screenplay (Adapted) catagory. The film’s director Colm Bairead wrote the screenplay, adapted Claire Keegan’s beautiful novella. The moving film was also nominated for the Best Film Not in the English Language.
I am very excited to have an article in today’s Irish Independent on Sunday about me and work by Niall McMonagle. Below is my expanded Q & A interview that was much edited to feature in Niall McMonagle’s What Lies Beneath feature . It’s interesting to see that the online version had a different […]
New Work & Recent Sales
Washing Line, Arranmore _Emma Cownie
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Errigal reflection (Donegal) _Emma Cownie
Errigal from Cruit Island. Donegal _ Emma Cownie
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)