This, like a number of my recent and forthcoming works, will not be available to buy for the foreseeable future as they will be exhibited first but I am posting details of them to keep collectors and artlovers up to date with my recent work, inspirations, and directions.
This painting is a new painting is heavily influenced by North American artists in its colouring and in its subject matter, namely the frisson that comes from human interaction, in the most apparently mundane settings.
I loved this scene, as the man seems ill at ease and not sure whether to leave or remain. He may even feel guilty that he is kinda in ear shot of the couple’s conversation and may appear to be eavesdropping. He was there first and then the couple joined him, to eagerly gossip and have a quick cigarette break. They seem so comfortable in each other’s company compared to the man who seems very ill at ease, aggrieved at having to endure their smoking and the drifting grey-white fumes.
The title refers to the time before one activity, after another activity has ceased. A limbo period filled with change checking in her purse, as she waits for her bus to arrive.
The composition is, as with many of my works, influenced the diagonal compositions as used by Henri Carter Bresson. The colouring is influenced by American artists such as Hopper and Eric Bowman. I have deliberately tried to imbue this portrait with pathos, elevating a mundane act into something semi sacred, as the light is Cathedral-like as it shines through the high glass panels of Swansea Bus Station onto her chunky cable knit cardigan.
This is a painting of a most enchanted wood, halfway between Ilston and the Gower Inn in the Parkmill area of Gower peninsula in Wales. These woody areas, as many artlovers will have realised by now, are a constant source of inspiration for much of my refractionist and post-refractionist work. This pine wood lies on one side of a bridge with ancient woodland on the other, the contrast between the knarled, mossy twisted ancient branches of the ancient wood across the bridge in clear contrast to the straight, textured, orderly pine trees this side of the bridge. In fact, crossing this bridge gives one a heightened sense of having moved from one region or realm to another, adds to the feeling of having been transported somewhere different.
This is the inspiration for this painting, this feeling as we view the clear late October light falling across this woodland path. I tried to catch the fact that the path is covered in layers of pine needles, mulched to make the most soft and slightly bouncy carpet of needles. It is these needles, layers heaped and heaped on each other that softens the light and gives it texture, catches the light in its soft grasp, making it almost fluffy. The carpet of pine needles fall to create a complete deadening of noise in this wood which is quite a beautiful affect, this complete silence. This adds to the wood’s sense of enchantment. The silence makes this almost a world apart, a secret quiet place to escape to and roam and explore and enjoy as a child. It is a great escape to somewhere unusual and oddly mystical. Enchanted even…
The painting has sold but you can buy a large limited edition mounted print here
Every weekend my husband and I explore and almost mine the beauty of Gower peninsula with its amazing variety of beaches, woods, hills and valleys for inspiration for my next paintings. Increasingly I have used this peninsula to keep my artistic juices flowing. It is almost as if we are harvesting the beauty of Gower in some way and using it to create art before sharing this bounty with art lovers throughout the world.
Different paintings of Gower adorn walls in the homes of art lovers on various continents. Our weekend walks are not just for our aesthetic enrichment but for others too it would seem. What a joy to share the beauty of this stunning peninsula designated Britain’s first Area of Outstanding Beauty.
In a meditative manner, to the music of Eric Satie’s gorgeous “Trois Gymnopedies”, I attempt to describe how working close to nature but in the city is a major influence on my painting, blending with my technique to create my artwork. In fact, place and painting are inseparable. I am greatly influenced by the light and beauty in Wales and around the Swansea area in particular. Most of my paintings inspired by the bountiful beauty that surrounds me, the sounds as well as the images. You might even notice the odd inspiration that made it to be a painting too (as well as the odd painting of my inspirational Swansea). Welcome to my Attic Art Studio and the place and surrounding area that inspires much of my artwork.
Our visit to the island of Inishbofin last month was one of those rare “perfect” days in life. The weather was warm and sunny with enough of a sea breeze to blow away any viruses. We have been looking and admiring from afar the tiny, remote island of Inishbofin, off the coast of Donegal, for […]
Someone told me that once we got to Ireland, “it will be like being on holiday everyday!” Hmmm, I have had some pretty eventful holidays in the past. Funny how the disasters are more memorable that the sunny easy holidays. Let me see. Here are three that come to mind; we once got flooded in […]
Bloody Foreland is one of my favourite locations in Donegal. It is one of the wildest, windiest and most beautiful places I have been. The light is sharp and clear. You feel healthier for breathing the air here. The wind is always blowing. It is very remote and feels a bit like the edge of […]
New Work & Recent Sales
Up Bloody Foreland, Donegal
Quay Street, Dungloe (Ireland)
On the Road to Maghera, donegal
The Yellow House, Bunaninver
Not a Cloud in the Sky (Bloody Foreland, Donegal)
View From Dunmore Strand (Work in Progress)
Winding Road, Bunaninver
The Old Shed at Marameelan, Donegal
On the Way to Arphort, Arranmore (Donegal, Ireland)
The Old House at Marameelan
Down to Magheraroarty, Donegal
On the Back Road to Dungloe, Donegal
Approaching Storm on Dunlewy
Three Chimneys Arch, Gower
Main Drag, Gola (Donegal, Ireland)
Up Through Gola, Ireland
Electricity Lines, Marameelan (Donegal)
The Pyramid, Three Cliffs Bay, Gower
Tidies Out, Tullyillion (Ireland)
With a Road Running Through It
Spring Tide, Three Cliffs Bay
The Incoming Tide at Great Tor, Gower
Lanmadoc, North Gower
Ship Cottage Pwll Du (Gower)
Across to Three Cliffs, Gower
Time Was, Gola (Donegal, Ireland)
Sally’s Loch (Donegal, Ireland)
Early Morning Shadows at Low Tide, Three Cliffs (Gower)
Down from Knockfola, Donegal
Down to the Pier, Gola (Donegal, Ireland)
Soft Light, Gola (Donegal, Ireland)
The Polite Houses of Maghery_Emma Cownie
Backlane Basketball (Swansea)
Back Lane, St Thomas (Swansea)(2021)
Side View, Brynmill (Swansea)
Meemacladdy, Donegal, Ireland
The Dusty Road (Gola), Donegal, Ireland
The Traditional House, (Gola)
Tormore Island from Rosbeg, Donegal
Autumn on Poolawaddy (Donegal, Ireland)
Tenby Quay, wales
Out of the Tenby Shadows
Donegal Thatched Cottage (Cruit Island)
Home Farm Penrice
The Day’s End, Ireland
Arranmore Donkey, Ireland
Jimmy’s House (The Rosses, Donegal)
Illion, Arranmore (Private Collection)
Above Aphort (Arranmore, Donegal)_Emma Cownie
Underhill Cottage (Oxwich, Gower)
The White Bridge, Arranmore, Ireland
The Approaching Storm (On Dunlewy Lough), Ireland – In my attic studio