A new painting -“Taxi from Uplands” – An evocative night time oil painting of Uplands, an inner city area in Swansea with a taxi parked, facing the wrong way, in the middle of the road. It’s main dipped head light blares white down the shiny jet black road and intermingles with back-light reds and street-light amber and LED silvery white. They all seem to wash and stream down the wet city road with the rain.
Delighted to say I have just SOLD this lovely oil painting “Swansea from Mumbles” direct from my Art gallery and via a visit from the buyers to my art website at emmafcownie.com – great how artlovers are now contacting me directly to buy artwork. The collectors are from Swansea originally and will have a lovely reminder of Swansea on the walls of their home in Wiltshire, in the West country to remind them of home. They are also collecting the painting personally which will give us a chance to enjoy each other’s company again. The best thing about selling direct is getting to know very interesting people who love one’s work. It is a much more personal and rewarding experience for both parties. Plus if art lovers make the effort to buy art this way, I am more inclined to reduce the price to reward that effort.
I am delighted to say I have just SOLD this oil painting “Winding Valley” direct to a lovely couple from Wiltshire who visited my Art Gallery yesterday.
I am so happy I am beginning to get art sales via my own website emmacownie.artweb.com and art gallery.
The gallery is available for viewing just give us a call and we can arrange a private viewing?
An expressionist “urban folk” oil painting of a gentleman taking “time out” and a hot beverage. The warm orangy-brown and wood and brickwork contrast with the blue, hard surfaces of the road, street and passing cars. The warm, calm and relaxation with the busy, bustling city street scene outside the protecting window. Go phew with a brew.
This is another “urban folk” painting – a style of painting I have been developing recently, expressionist people portraits from real life in the area near me here in Swansea, Wales. I try to catch the pathos of every day life and hope the paintings tell a story to the viewer. Uplands is a busy area in Swansea, full of shops, bars, coffee shops – where one can shop, eat, drink, listen to music, socialize and be merry. I hope I catch the start of that evening bustle is this painting. The cars coming into town, while the older gentleman returns home with his evening supplies and younger people appear to chat in the street. The constant coming and going and intermingling of activity.
Different people doing different things on the same city street.
This is why we love the city, the constant activity and the wide variety of people and characters, always something to catch our eye and imagination.
new oil painting – 80 x 60 cm, £479 – “Night Jacks”
“The title of this expressionist “urban folk” painting takes it’s title from Hopper’s “Night Hawks” – I have “Britished” Hopper’s painting which was set in an American diner by using a British alternative or even equivalent the ever present Fish and Chip shop instead as it seemed appropriate. The second part of the title, Jacks, refers to a name we have here in Swansea for people who come form Swansea.”
A new oil painting “The Shadows We Cast” this oil painting is inspired by watching three people waiting, on a brilliant sunny day, on the High Street for their loved ones inside the shop.
“Although the old man who was waiting for his wife and daughter, he is not with the man who is protectively looking on as his son plays with the shadow cast on the pavement. They both wait for their wife and mum.
However, they all seemed connected, and this is heightened by them by being male and in the act of waiting.
I was going to call the painting “The Three Ages…” (of man) as we can see Bampi (grandfather), father and son but then thought the “Shadows We Cast” more lyrical as it not only describes literally the shadows cast, by the sun on the hard street and equally by the old man and boy, both “playing” in the contrasting darkness as they wait, which is in contrast to Dad’s watchful eye but also lyrically the protective loving effect others have on other lives and they have on other’s lives.
The casting shadows are their consideration of others and their consideration of them.
The old man is connected to the the two others in that he is waiting for the legacy he has in this wife and daughter and the man look on at his legacy in his son, a sense of now and the future in his facial expression, a wondering of the shadow he is casting in his son.
The father is a great juxtaposition here as he is seriously intent and firmly in the present reality of the moment whereas the son is in a fantastical revere of play and the oldman deep in the imaginary of a fondly remembered past.
The past can also cast a shadow on this sunny moment just as the child’s playful musing?
Only the father is resolutely here in the sunny present, perhaps allowing the other two their play?
Perhaps that is the shadow we cast, the protection that allows others to be happy and secure in their play, in themselves?”
Delighted to say I have just SOLD this oil painting “The Long Way Home” via Artfinder – now on it’s way to Ontario, Canada!
This people portrait is intentionally quite poignant as it features an elderly man who seems to be carrying some of his belongings in a plastic shopping bag. It is not clear if he is unkempt in his crumpled rain coat because he i s homeless or has gone beyond caring too much about his appearance. Either way, he looks sad and almost life-beaten.
I wanted to contrast his sad, beaten, forlorn facial expression, and drooped shoulders and shuffling gait with the excitement of others striding off into the distance, either shoppers hurriedly returning home after a successful day’s shopping or employees from these shops doing the same after a hard day’s work.
There is also a frission or juxtaposition between the elderly man’s crumpled slightly smudged coat and dishevelled appearance and the gleaming reflection-clean floor of the shopping mall and the tidy, orderly professional look of the shops.
The elderly man looks like he doesn’t fit in here or even maybe he has no where to go, unlike the others, where he can fit in. It is as if society has locked him out of what others have and perhaps even take for granted.
He seems lonely, and forlorn on his way to wherever he is going, to wherever he calls home?
This people portrait is intentionally quite poignant as it features an elderly man who seems to be carrying some of his belongings in a plastic shopping bag. It is not clear if he is unkempt in his crumpled rain coat because he is homeless or has gone beyond caring too much about his appearance.Either way, he looks sad and almost life-beaten.
I wanted to contrast his sad, beaten, forlorn facial expression, and drooped shoulders and shuffling gait with the excitement of others striding off into the distance, either shoppers hurriedly returning home after a successful day’s shopping or employees from these shops doing the same after a hard day’s work. There is also a frission or juxtaposition between the elderly man’s crumpled slightly smudged coat and dishevelled appearance and the gleaming reflection-clean floor of the shopping mall and the tidy, orderly professional look of the shops.
The elderly man looks like he doesn’t fit in here or even maybe he has no where to go, unlike the others, where he can fit in. It is as if society has locked him out of what others have and perhaps even take for granted.
He seems lonely, and forlorn on his way to wherever he is going, to wherever he calls home?
Delighted to say I have just SOLD “Ilston Brook” directly via my Art Gallery, the “Back Lane Gallery” here in Brynmill Swansea (the lane is the opposite the Rhyddings Pub.)
This oil painting was SOLD to a lovely art collector who visited from Cardiff and had a private viewing before buying this lovely oil painting! I hope to sell more paintings directly via my The Back Lane Gallery in the coming months and years.
“A “refractionist” interpretive oil painting of a brook running through a wood near Ilston in the Gower Peninsula. The winter light combines with the grey haze of barren branched trees to create subtle, almost misty, pinks and purples, softened by the reflective silvery water.”
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