“A Bar at Noah’s Yard” – a centre piece painting, painted especially for my art exhibition in Noah’s yard in two weeks time!
This painting of a well known bar in Uplands Swansea called Noah’s Yard, is modeled on the famous Manet painting “A Bar at the Folies-Bergère” but with two differences. The scene is now down town Swansea and the work is expressionist not impressionist. I love the use of expressionism in urban scenes as it can seem more vivid and dynamic, muscular and rhythmic, more funky even.
An expressionist oil painting of the world famous Rhossili Bay at the far end of Gower Peninsula, itself the first designated Area of Outstanding Beauty in Great Britain. Autumn has draped a coppery red blanket on the hillside and the windy waves have etched patterns of light mauve and blue in the sand.
A new oil painting – “Friday Night Blur” – This expressionist oil painting catches three University students on the their way to some Friday night revelry. It is at some street traffic lights and as I went to take a photograph of them, the traffic light changed to green and they were off, as if on starter’s orders, half running across the street, as if they had no time to lose.
Their mutual excitement propelling them on. There was their sudden movement as the lights changed and this blurred the background as they hurried off. I like the blurred affect which trailed off behind them as it caught the excitement of a Friday night out on the town, on their way to ensuring the night would end up as a Friday night blur. I love the amber street light spilling across the road, and the intense bright white light in the distance, beckoning them three students onwards to good times.
A new painting -“Taxi from Uplands” – An evocative night time oil painting of Uplands, an inner city area in Swansea with a taxi parked, facing the wrong way, in the middle of the road. It’s main dipped head light blares white down the shiny jet black road and intermingles with back-light reds and street-light amber and LED silvery white. They all seem to wash and stream down the wet city road with the rain.
An expressionist “urban folk” oil painting of a gentleman taking “time out” and a hot beverage. The warm orangy-brown and wood and brickwork contrast with the blue, hard surfaces of the road, street and passing cars. The warm, calm and relaxation with the busy, bustling city street scene outside the protecting window. Go phew with a brew.
This is another “urban folk” painting – a style of painting I have been developing recently, expressionist people portraits from real life in the area near me here in Swansea, Wales. I try to catch the pathos of every day life and hope the paintings tell a story to the viewer. Uplands is a busy area in Swansea, full of shops, bars, coffee shops – where one can shop, eat, drink, listen to music, socialize and be merry. I hope I catch the start of that evening bustle is this painting. The cars coming into town, while the older gentleman returns home with his evening supplies and younger people appear to chat in the street. The constant coming and going and intermingling of activity.
Different people doing different things on the same city street.
This is why we love the city, the constant activity and the wide variety of people and characters, always something to catch our eye and imagination.
“This is the third in the “Pies series” after “Before the Rush” and “That Moment of Indecision” which have both sold on Artfinder.
Here our everyman protagonist is joined by the fleeting, shooting looks of a passer-by, also briefly considering whether to to step into the warmth of the “Pies” shop on St Mary’s Street, Cardiff.
At least the passer-by’s brisk walk, and disgusted frown at even having entertained the notion of pies, suggest the exquisite relish and torturous desire will be shorter lived than the gentleman by the window, who has moved his longing gaze from the advertising board to the orange-inviting heat of indoors.”
new oil painting – 80 x 60 cm, £479 – “Night Jacks”
“The title of this expressionist “urban folk” painting takes it’s title from Hopper’s “Night Hawks” – I have “Britished” Hopper’s painting which was set in an American diner by using a British alternative or even equivalent the ever present Fish and Chip shop instead as it seemed appropriate. The second part of the title, Jacks, refers to a name we have here in Swansea for people who come form Swansea.”
A return to the Black Mountains of Mid Wales for inspiration and an oil painting of a mountain top, wreathed in red-mauve heather and yellow gorse. This contrasts with the descending fields of “Welsh green”.
We visited Ramelton several times in this summer. It is a fascinating and historic town tucked away in the north-eastern corner of Donegal. Ramelton, (Irish: Ráth Mealtain) is also known as Rathmelton, this caused me great confusion when map reading. Yes, we have a sat nav but I am an old-fashioned girl and I like […]
I have been experimenting with different supports and media. The Jessica Brilli painting on wood got me curious about how it would be different from painting on canvas. I could find very little information about the experience of painting on wood panels (but lots of information on how to prepare them). So I realised that […]
I was delighted a while back to be asked by one of my very favourite artists of all time, Jessica Brilli, to trade paintings. Jessica has been a big influence on my own style of painting so I feel very appreciated and validated by her contacting me to say she loved my work and wanted […]
New Work & Recent Sales
Up Bloody Foreland, Donegal
Quay Street, Dungloe (Ireland)
On the Road to Maghera, donegal
The Yellow House, Bunaninver
Not a Cloud in the Sky (Bloody Foreland, Donegal)
View From Dunmore Strand (Work in Progress)
Winding Road, Bunaninver
The Old Shed at Marameelan, Donegal
On the Way to Arphort, Arranmore (Donegal, Ireland)
The Old House at Marameelan
Down to Magheraroarty, Donegal
On the Back Road to Dungloe, Donegal
Approaching Storm on Dunlewy
Three Chimneys Arch, Gower
Main Drag, Gola (Donegal, Ireland)
Up Through Gola, Ireland
Electricity Lines, Marameelan (Donegal)
The Pyramid, Three Cliffs Bay, Gower
Tidies Out, Tullyillion (Ireland)
With a Road Running Through It
Spring Tide, Three Cliffs Bay
The Incoming Tide at Great Tor, Gower
Lanmadoc, North Gower
Ship Cottage Pwll Du (Gower)
Across to Three Cliffs, Gower
Time Was, Gola (Donegal, Ireland)
Sally’s Loch (Donegal, Ireland)
Early Morning Shadows at Low Tide, Three Cliffs (Gower)
Down from Knockfola, Donegal
Down to the Pier, Gola (Donegal, Ireland)
Soft Light, Gola (Donegal, Ireland)
The Polite Houses of Maghery_Emma Cownie
Backlane Basketball (Swansea)
Back Lane, St Thomas (Swansea)(2021)
Side View, Brynmill (Swansea)
Meemacladdy, Donegal, Ireland
The Dusty Road (Gola), Donegal, Ireland
The Traditional House, (Gola)
Tormore Island from Rosbeg, Donegal
Autumn on Poolawaddy (Donegal, Ireland)
Tenby Quay, wales
Out of the Tenby Shadows
Donegal Thatched Cottage (Cruit Island)
Home Farm Penrice
The Day’s End, Ireland
Arranmore Donkey, Ireland
Jimmy’s House (The Rosses, Donegal)
Illion, Arranmore (Private Collection)
Above Aphort (Arranmore, Donegal)_Emma Cownie
Underhill Cottage (Oxwich, Gower)
The White Bridge, Arranmore, Ireland
The Approaching Storm (On Dunlewy Lough), Ireland – In my attic studio