This painting is of the back of the beautiful gardens lying behind the Caldey Island Monastery on the holy Island of Caldey Island, off Tenby in West Wales, UK. Caldey Island is a veritable ‘Eden’ when the sun illuminates this tree bunched island, the only Welsh island to have trees planted, and so many of them and in such rich variety, each speckling and sculpting shadows in their own way.
The atmosphere on this Holy Island is so relaxing, while peculiarly uplifting at the same time. There are seals frolicking around in the salt-watered topaz and jade, rich turquoises and biro blues which lap on to the gorgeous rough and ragged coastlined ridges which strain and arch to keep this island out of the Bristol Channel.
Peacocks honk and ponies bellow, all meshed in a pot pouri of sound with a medley of birdsong and the plaintive sound of the Cistercian monks singing Divine Office drifting from the Chapel to intermingle as it does with this natural orchestra of the island. The all rejoice in this Creation, give thanks for this plenty. Psalm singing with and without words. It is a very special place to be particularly when God showers the island in sunshine and His glad tidings.,
This painting is of the Abbot’s gate which leads via various steps, up a steep incline to the side of Caldey Monastery on Caldey Island, off Tenby, West Wales. The steps lead to the Abbot’s Chapel which is a wonderful wooden-paneled chapel, used seldomly and usually on special religious occasions or when the electricity fails in the main Chapel! This painting evokes long summer days spent languidly walking around the wonderful Holy Island of Caldey – the long shadows cast by the trees seek to evoke this stretched languidness and summered relaxation.
Visitors to Caldey will be used to walking past this gate, forlornly perhaps as they hurry to catch the last boat back to Tenby. The long shadows also hope to express the time dwindling as the sun begins it’s descent to the West and over the sea’s horizon, pulling the last light of the day with it. I use purply blues to evoke this sense of leaving somewhere special, affirming, spiritual even, as purple expresses both the hues of the sun-setting and the spirituality of this monastery and holy island; both leaving a lingering impression.
Wonderful Caldey is also set apart by its trees which is very unusual if not unprecedented among the Welsh islands. Thus this painting has two great Caldey signatures, the gate and incline to spiritual nourishment and the joy of time spent on this unique treed island.
While many of you are baking in England and dealing with a hosepipe ban, in Donegal it’s cloudy with occasional showers. I thought I would share you my recent newletter. They have ended up being quarterly. It depends of how much news I have and how busy I have been. I always make it strong […]
It took a while, but I finally worked it out. On sunny days Lidl’s car park in Dungloe is pretty full but the shop is quite empty. Just across the road from is the entrance to the River Walk. I have eyed this entrance many times as I have bundled the shopping into the back […]
I am also feeling faintly stupid but very delighted because I only just realised that Claire Keegan’s novella “Foster”, which my painting “The Traditional House, Gola” has been used for the cover of a reprint, is the basis for the film “The Quiet Girl”. Actually, I nearly fell over when I made the connection.