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A MEDITATION ON ART, PAINTING AND PLACE.

Umbellifers

In a meditative manner, to the music of Eric Satie’s gorgeous “Trois Gymnopedies”, I attempt to describe how working close to nature but in the city is a major influence on my painting, blending with my technique to create my artwork. In fact, place and painting are inseparable. I am greatly influenced by the light and beauty in Wales and around the Swansea area in particular. Most of my paintings inspired by the bountiful beauty that surrounds me, the sounds as well as the images. You might even notice the odd inspiration that made it to be a painting too (as well as the odd painting of my inspirational Swansea). Welcome to my Attic Art Studio and the place and surrounding area that inspires much of my artwork.

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It’s All About Me!

Emma Cownie Exhibition
Me at the Glynn Vivian, Swansea

I was born in Hereford, and educated in Cardiff. I am a professional artist, specializing in oil paintings of the landscapes of Wales and Donegal, Ireland. I have exhibited in various galleries, online galleries, in print and on digital LED screens throughout London, UK.

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I have one of the top best selling artists on Artfinder over the last five years and have sold widely on other online galleries. I have sold hundreds of  pieces of artwork online. I have had hundreds of happy collectors and my artwork hangs in homes across the world and in numerous countries.

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I love light and colour. In my art, I am drawn to light and shadows and how they shape our emotions. I remember visiting the South of France as a teenager and being mesmerized by the dazzling light, I have been attempting to capture that excitement about light in my paintings ever since.

A Gap in the Clouds
A Gap in the Clouds (Gower)

I try and make my colours bold and bright but as realistic as possible. I aim to make people look at the ordinary and see the extraordinary beauty in it.

I offer a personalised approach to art for business and I sell affordable, original and limited edition artworks to companies, such as John Lewis, across the globe.

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Whether you would like a single piece for your office or boardroom, or are looking for larger numbers for a hotel or restaurant chain, I can help provide the right art for you.

The paintings are wrapped securely in bubble wrap and cardboard packaging. All paintings also have a Certificate of Authenticity. Most of my paintings are sold unframed. This is to lower delivery costs. If the paintings have been framed it will be stated. 

 

In my paintings the effect of light is often ‘heightened’ and similar to the sophisticated, precise ‘Pixar’ like animated light. I seek to paint the ‘experience’ of light on colour and form.

Donegal Painting
From Cruit Island, Ireland

To achieve this requires the heightening of the effect of light otherwise light can often be dampened or subdued by the absorbing colours. I am much more interested in how light invigorates, resonates, generates or dare I say it animates colour and form, rather than simply dressing it. This effect is underscored by my use of drawing lines around colours and form, as with the fauvists, and others have suggested this too gives off an animated feel or quality.

Over To The Lighthouse And Pier
Over to the light house and Pier (Mumbles)

I want colour to be the product of being generated, animated by light as if light was the genesis of colour. Thus light creates the colour in a sense rather than colour simply being illuminated by it.

Donegal painting of house on Arranmore

Rusty Roofed House (Arranmore)

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Buying Artwork Directly From Emma Cownie Art!

 

Please contact me if you would like to buy  any of my paintings.

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Each work sold is wrapped securely in bubble wrap and cardboard packaging. Most artworks will be sent via Royal Mail or via  Parcel Force depending on the size of the painting. Each package will have a tracking number so that you can track progress of the delivery. Each oil painting will also have a Certificate of Authenticity enclosed.

Most paintings are sold unframed unless otherwise stated.

I can accept payment via Bacs (bank transfer), Paypal, credit card, cheques or cash.  I am also happy to accept part payments over several months.

Please also contact me via my email for more details about purchasing and paying for artworks in any of the ways mentioned above  – emmafcownie@gmail.com

or contact my agent by telephone on 07827574904.

I am also selling my artwork direct to collectors via my website here – just a click away!

http://emmacownie.artweb.com/

Here is an example of the payment process on my website – simply click the “Add to Cart” button and the relevant postage will be automatically calculated and added (there are different postage rates for oil paintings and Giclee or Paper  prints) – then you can choose to pay via Paypal or credit/debit card.

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My Guest Blog On Artweb!

GUEST POST BY EMMA COWNIE: PROMOTING ARTWORK VIA VIDEO

Emma Cownie is an artist based in Swansea. To see more of her work, please visit her website at https://emmafcownie.com/my-custom-shop-page/

Using Video As A Promotional Tool

I wanted to promote my artwork in a different manner to the promotion normally done by Art Galleries. I wanted to promote it while at the same time promoting the idea of buying artwork via online galleries, especially those such as my own art website on Artweb.com (Update: I am no longer on Artweb) … so I came up with the idea of promoting artwork via a YouTube video.

“Up Your Street!?”

I then tried to work out a pitch, or a ‘hook’ if you like, linking online galleries with the fact that, generally, I ship artwork to art-lovers to places as far away as Australia (a popular destination for my work), via the postal service.

I thought instantly about how we artists send artwork around the world and how metaphorically, via postal services, we are posting from one street to another.

We are all a global village of artists and art-lovers, and we are all on the same street in a sense. Then I thought as I looked up the street in this image that I am delivering artwork to art-lovers who like my artwork, so in terms of slang, my artwork must be “up their street.”

From there I thought to myself, so if we are all on the “same street” in this global village/market, where would you be likely to find my work on this “street”?

Implementing The Concept…

So for this idea, I decided my video should go through all the places on a street that you might find my work, such as online galleries on your PC, laptop, iPad or Smartphone, to real life galleries, to LED lights, to advertising screens, to displayed on banners, in newspaper print, to delivered giclee prints. I then went on to show areas in one’s home where you would find my artwork, such as over the mantelpiece etc. The video concludes with suggesting that wherever you find my artwork, I hope you find it “up your street”. This double meaning or promotional “hook” and will hopefully make you think twice – that if you like my artwork, potentially it will find it’s way, literally up your street… in other words you like it enough to buy and have it posted to you!

The video is here!

Response

Generally I think it is useful to use video as a promotional tool because you can show a lot of your artwork in a very short space of time, and if accompanied by music, it can heighten the enjoyment of looking at one’s artwork. I have had some great feedback on the video with some art-lovers watching it over and over again. I chose this song, because it had the refrain “I fall in love with the light” which reminded me of Derain’s “the substance of painting is light.”

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to real life galleries…

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in LED lights…

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to advertising screens…

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displayed on banners…

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in print…

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or in giclee print…

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On rustic walls or smooth…

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… I hope you find my artwork ‘up your street’!?

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Queen Cow in all Her Majesty!

Queen Cow

It is a poor image on an iphone but news of my artwork has arrived on the streets of London. I have recently been asked to join a select group of artists on a website called Painted.org.uk which will advertise the artwork of various artists throughout west and north London via these big LED digital screens. This is a really exciting and innovative venture and will show how effective these screens are in promoting artists. The official launch date is mid October so I will keep you posted and leave you with the first image thus far, of Queen Cow in all her Majesty!

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Queen Cow in London

 

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Craftsman Gallery

These two rather complementary paintings of Tenby are now being exhibited in the Craftsman Gallery, St Helens Road, Swansea.

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A 60 Second Interview Doesn’t Cover it All!

Here is my 60 second interview on Artfinder  in which I explain how painting was an integral part to my recovery from post traumatic stress disorder. I also explain my technique, inspirations, influences and how post trauma impacted on my art. Although I do not mention it explicitly in the interview “Fractured Light” was born and borne out of my worldview being fractured as the result of my post trauma which occurred as the result of a car accident. Thus the fractured perception of this painting represents my perception at the time. As my recovery continues and my mental health improves I find my painting also metamorphizes into being more expressive, coherent, unfolding, lighter and celebratory (if not relieved). Less fractured.

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I have to add that my post traumatic illness has revolutionized my way of painting. By husband suddenly became much more interested in my work and has acted as my agent ever since. He was now sure that I had the necessary ‘scar on the soul’ to make it as an artist. That I had made the breakthrough. I still paint prolifically because I need to paint still, not only professionally but must importantly in a therapeutic sense. Painting is when I am most ‘whole’ alive, engaged, fulfilled, free from self and doubts. Principally I write about how art has been a massive and continuing therapeutic benefit to me even though I initially returned to it very ‘broken’ despairing and distraught. I hope to engender some hope in other suffering form this most misunderstood mental health problem. I do not mean to say art was the only part of my therapy. EMDR was a vital core to my treatment and I would recommend this to others also. Now I paint with urgency, painting, painting, painting.

Life is unpredictable, it is best to seize the day and to enjoy the precious gift we have to the best of our ability. Most suffers of PTSD will not relate to this sentiment at present in they are in the terrifying, disjointed, fractured, despairing heart of it. I have been there too! The light at the end of the tunnel probably looks microscopic and is, in fact, a train coming. The light does eventually become bigger and brighter until you arrive on the other side and experience a brightness until then never experienced with such intensity. There can be a rebirth from this dark tunnel.

The intrusive memories have lessened. I re-experienced and reprocessed the negative emotions- the fear, distress, helplessness, guilt, shame, faulty pride etc –  which kept memories from being safely embedded in my hippocampus. Blaming myself for things beyond my control, that were not my fault, never were my fault. Random happenings, with no logic to them, no way of understanding them into reason, they were accidents, not in the script. Life can be like that, period.

Why is not always helpful. How is. How can I get out of this distress?   Perceiving things as they were, not what my brain continually told me meant I had to revisit the trauma, re-experience it and correct the faulty thoughts and destructive emotions which accompanied the memories of it.  Eventually allowing these memories to rest in my long term memory instead of continually stalking and attacking my equilibrium I started to feel better. Although it was exhausting and left me this way afterwards and to an extent now. Still, these months later. It can get better, not perfect. It never was perfect. Ever.

The mind and brain do not like being ill, they rally against it. This is often counter productive. First we have to accept we are in distress, suffering from a mental illness, that we need help from professionals, support form family, faith that we can recover. Check out EMDR professionals in your area. Start the journey to wellness knowing it can be done and will be done. Have faith, you will get better in time. Have courage especially, be brave.

I still have about 40-50% the energy I used to have but I have more peace of mind and gratitude for what I have, not what I wanted to have. I am still in recovery still getting better. It will take more time, months and months if not years. But I have turned a vital therapeutic corner.  So can you. Life has create new possibilities, new avenues to explore, pathways that were never obvious before, and which have ultimately led me back to me, to knowing me, to doing more of what I would want for me, that which expresses me most.

To my fellow PTSD sufferers, you have my love, best wishes, and support here on this blog should you need it. Spread the word – we can recover from PTSD,  one day at a time!  Just live this day, that is enough for now and for always…

I include a painting “Up Cwmdonkin” which was a painting representing a movement in my therapy, a getting better, a unforeseen island of relief in a, until then, daily tempest. I love this as it reminds me of the warm seaside breeze that can caress the autumnal leaves of the trees at the top of Cwmdonkin Park, a park hugged by the house that Dylan Thomas, the famous Welsh composer of words, lived in while growing up. The light wind almost signifies a ‘breathing out’, an emerging respite after months of therapy.

Emma

https://www.artfinder.com/story/emma-cownie/

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