A new oil painting – 40 x 50cm – “Ice cream with Nan and Bampi” – this people portrait is a snapshot of life in Brynmill, Swansea where I live. This is a refreshments kiosk in the picturesque Brynmill Park where we can see two grandparents, after the school run, treating their grand child to an afternoon ice cream.
I love the colours in the painting, they remind me of the bright bold colours of Ladybird books from my childhood. I am especially proud of the movement in the figures I think I managed to achieve; the caring consideration towards the grandchild illustrated in the movement of the grand parents. Bampi is a slang name in South Wales for Grandad.
“Brynmill from Swansea Beach” is a new painting of the area of Brynmill in Swansea, “from the beach” – it is not actually from the beach as such as the image that inspired this painting was shot from Swansea Marina using a telescopic lens.
At the top of the hill is Brynmill Primary School, with the Patti Pavilion in the foreground. I love how the terraced houses perched on hills, a Welsh motif, slide down to the beach. It is as if the cwtched houses are all sunbathing and happy to be at the seaside.
I really loved painting this Triptych of elderly people walking in the street. Two are sold already, both from Carmarthen. The gentleman in the middle having his “Afternoon Trundle” is from Swansea. I like this type of painting because we have a tendency to give this type of painting a “back story”, where are they going and where and who have they come from or going to. We superimpose our feelings onto these elderly figures. I find I have much affection for them all, which may be because they all look like nans and grandads, our nans and grandads. I have an affinity with them, out excitedly on the way to shops, the sun sending glad tidings into their bones. All excited to be out on their afternoon quests. As they walk purposely into the facing sun, it gives the impression they all have plenty of life in them.
Here is my latest oil painting – “Tree by the Brook” – 60 x 80cm – £395.
Email if interested in buying.
This is the latest in a series of oil paintings, based loosely on my refractionist style, of a wood in an area of the Gower Peninsula called Ilston. This painting is of a green moss coated tree, lit by the low lying rich winter light, whose roots plunge into and drink from Ilston Brook.
I love winter light more than any other light and how it’s eye filling light illuminates the barks of trees. How it casts mist greys and pinky, purple pastel hues into the background light.
I was born in Hereford, and educated in Cardiff. I am a professional artist, specializing in oil paintings of the landscapes of Wales and Donegal, Ireland. I have exhibited in various galleries, online galleries, in print and on digital LED screens throughout London, UK.
I have one of the top best selling artists on Artfinder over the last five years and have sold widely on other online galleries. I have sold hundreds of pieces of artwork online. I have had hundreds of happy collectors and my artwork hangs in homes across the world and in numerous countries.
I love light and colour. In my art, I am drawn to light and shadows and how they shape our emotions. I remember visiting the South of France as a teenager and being mesmerized by the dazzling light, I have been attempting to capture that excitement about light in my paintings ever since.
I try and make my colours bold and bright but as realistic as possible. I aim to make people look at the ordinary and see the extraordinary beauty in it.
I offer a personalised approach to art for business and I sell affordable, original and limited edition artworks to companies, such as John Lewis, across the globe.
Whether you would like a single piece for your office or boardroom, or are looking for larger numbers for a hotel or restaurant chain, I can help provide the right art for you.
The paintings are wrapped securely in bubble wrap and cardboard packaging. All paintings also have a Certificate of Authenticity. Most of my paintings are sold unframed. This is to lower delivery costs. If the paintings have been framed it will be stated.
In my paintings the effect of light is often ‘heightened’ and similar to the sophisticated, precise ‘Pixar’ like animated light. I seek to paint the ‘experience’ of light on colour and form.
To achieve this requires the heightening of the effect of light otherwise light can often be dampened or subdued by the absorbing colours. I am much more interested in how light invigorates, resonates, generates or dare I say it animates colour and form, rather than simply dressing it. This effect is underscored by my use of drawing lines around colours and form, as with the fauvists, and others have suggested this too gives off an animated feel or quality.
I want colour to be the product of being generated, animated by light as if light was the genesis of colour. Thus light creates the colour in a sense rather than colour simply being illuminated by it.
I have recently been spending time with my parents in the Cotswolds in Gloucestershire. On a bright sunny Sunday morning I explored some of the winding tracks of a near by village called Chalford and Chalford Hill. Where is that? In the South West-ish of the English Midlands ( see map below). The Parish of […]
I was absolutely delighted to spot Claire Keegan’s “Foster” (and my painting on the cover) at the BBC’s screen of this year’s British Academy Film Awards, known as the BAFTAs. The Irish language film “The Quiet Girl” was nominated for Best Screenplay (Adapted) catagory. The film’s director Colm Bairead wrote the screenplay, adapted Claire Keegan’s beautiful novella. The moving film was also nominated for the Best Film Not in the English Language.
I am very excited to have an article in today’s Irish Independent on Sunday about me and work by Niall McMonagle. Below is my expanded Q & A interview that was much edited to feature in Niall McMonagle’s What Lies Beneath feature . It’s interesting to see that the online version had a different […]
New Work & Recent Sales
Washing Line, Arranmore _Emma Cownie
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Errigal reflection (Donegal) _Emma Cownie
Errigal from Cruit Island. Donegal _ Emma Cownie
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)