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Boat on Rossbeg Beach, Donegal

Painting of Rossbeg Beach

The west coast of Ireland is dotted with islands, big and small but also plenty of sea stacks. Perhaps, they were once sea arches, I am not sure. If they were the crown of the arch fell in to create these majestic pillars. They can be seen from miles away. Even on misty days. This one, Tormore (in the painting above and below) is miles away, near a very remote location called Glenlough Bay. There is something exciting and other worldly and timeless about  it.

Rossbeg Beach, Donegal
Rossbeg Beach, Donegal (Photo credit:Emma Cownie)

 

Rossbeg (sometimes spelt Rosbeg) is a tiny townland on the west coast of Donegal, just three miles south-west of Portnua and Nairn. This is the Dawros Peninsula. There is a pier and a scattering of houses, some are modern, but many are old cottages, probably used as holiday lets.

Road above Rossbeg Beach:- Phot Credit Séamas Johnston
Road above Rossbeg Beach:- Photo Credit Séamas Johnston

There is another beach around the corner too.

Rossbeg on the Map
Rossbeg on the Map
Boat on Rossbeg Beach: Photo Credit - Emma Cownie
Boat on Rossbeg Beach: Photo Credit:- Emma Cownie
Rossbeg Beach, Donegal
Rossbeg Beach, Donegal (Tide further in): Photo Credit:Emma Cownie

 

Rossbeg postcard
https://www.johnhindecollection.com

 

The beach and the view is just perfect. The water is so very clear that the rocks and seaweed are visible from quite some distance from the shore.

Rossbeg Pier (From Marina.com) note the cows on the baech
Rossbeg Pier (From Marina.com) note the cows on the baech
Rossbeg Pier (From Marina.com) note the cows on the baech
Rossbeg Pier (From Marina.com) You can see the seaweed from up high too!
Rossbeg Beach:- Photo Credit Séamas Johnston
Rossbeg Beach:- Photo Credit Séamas Johnston

Boat on Rossbeg Beach, Donegal, painting by Emma Cownie

Boat on Rossbeg Beach, Donegal, painting by Emma Cownie

Buy the painting here 

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Errigal from Cruit Island, Donegal

Errigal From Cruit

There is a definite shift in the seasons.  In summer here, the light seemed to stretch on for eve;  well past 11pm. Suddenly the days have started shortening fast. It is now dark before 9pm.   It has rained solidly for the last two days. In typical Donegal fashion, the sun has come out and everything is bright and fresh.

Artimus (aka Artie) our Donegal rescue cat has just passed me to go outside in the catio to smell the breeze.  He used to be a stray. It’s hard to believe as he’s so beautiful and such a softie. He now enjoys the warmth and comforts of indoor life (especially hiding under the towel rail)  but he still enjoys the smells and sounds of rural life outside. We lost three pets in the last year (two cats and a dog) and I am not letting him outside when there’s a busy road at the bottom of the garden. I cant face the heartache, if I dont have to. So Séamas, built a catio. Or the cat veranda as I like to call it. Both of our cats, enjoy it but Artie, especially so but not when it’s cold. He’s been in and out of it four times in the last twenty minutes. I think he wishes it was warmer. He must have found life as a stray really tough!

Artie in the Catio (through the window)
Artie in the Catio (through the window)
Catio - aka cat veranda
Catio – aka cat veranda
Artie - indoors
Artie – indoors

Errigal from Cruit Island, Donegal:-This was one of a pair of large paintings I started before I got ill. It sat in it’s greyscale state for over a month and a half until I recovered enoungh stamina to complete it! Large painting require a lot of strength as you lift your arms/hands above your head, even if you are just moving the canvas.  I was very glad to finish it.

Donegal Greyscale #1
Donegal Greyscale #1

I enjoyed painting the rolling landscape; splattered with rocks. I took great pleasure in adjusting the colours in oil paint and “tightening up” the details. The rash of rocks amongst the boglands is quite unique to this part of Donegal. Further south towards, Glencolmcille, there are far fewer bolders and rocks. There the bogland blankets the landscape uninterupted. There are far fewer houses there too. This area of Donegal, the Rosses, however, is dotted with houses old and new. I like that the old houses nestle in the nooks and crannies of the landscape; keeping out of the prevailing westerly winds and showers.

Painting of mountain Errigal from Cruit Island. Donegal _ Emma Cownie
Errigal from Cruit Island. Donegal _ Emma Cownie

 

Buy the painting here

Gentle Artie came from AnimalsinNeedDonegal – They found him a home because long-haired stray cats don’t live long lives outside in Donegal, their long coats are hard to keep fully dry.

Here’s their facebook page here  They also have a charity shop in Donegal Town and you can make donations here. You can also follow them on Instagram

Artie - He a wee dote
Artie – He’s a “wee dote”

 

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Oileán na Márbh – Isle of the dead, Donegal

Oileán Na Marbh, Donegal

Maps of ireland Some places cannot be found on google maps. Sometimes you have to get out an old fashioned paper map and look for yourself. I have a small collection of Ordnance Survey “Discovery Series” maps of North-West Ireland. I spend a lot of time looking at them and familarizing myself with an unfamilar landscape. Up until last year, I spent more than half of my life in Wales,  and I have so much to learn about Irish Geography and History.  My favourite map is number 1. Where I am right now.

I have noticed that there are a lot of “Tramore” beaches in Donegal, – its probaly not that surprising that it means “Big Beach” in Irish. There’s a Tramore beach opposite Dunmore Strand at the north end of the peninsula they build Donegal Airport on. Just to the north of the long beach that lies to the west of the runway, there’s a tiny island that can be reached at low tide. It’s called Oileán na Marbh, Isle of the Dead. I was intrigued. So we went to visit yesterday, on a blustery day.

It is a poignant island on the edge of the land; it is in a windswept and wild place. In accessible at high tide. Both beautiful and very sad. For it was on this island that over 500 stillborn and unbaptised babies were burried between the time of the Great Famine in the 1840s, and 1912. For centuries, until 2007, it was taught by the Catholic Church (and also by the Anglican Church) that unbaptised babies did not go to heaven when they died, but to a place called “Limbo”, and therefore could not be buried in consecrated church land. In other communities it was common to bury these unbaptised mites on the outside of churchyard walls, or in even farmer’s fields. In this part of Donegal, however, this island, served as the final resting place; in limbo between the watery world and the mainland. It was also where the local community buried the bodies of sailors that would sometimes get washed up on their shores.

Today, it is a popular spot for wild swimmers and campers. And yes, in case you are wondering, the sea really is that incredible shade of blue. In the distance you can see the islands of Gola (to the right) and Inisfree Lower, and behind that, Owey (to the left). A truly liminal space on the margins of the physical and spiritual world.

OileanNa Marbh, Donegal _ photo credit James Henry Johnston
Oilean Na Marbh, Donegal _ photo credit James Henry Johnston

OileanNa Marbh, Donegal _ photo credit James Henry Johnston

Oilean na Marbh, Donegal _ photo credit James Henry Johnston

OileanNa Marbh, Donegal _ photo credit James Henry Johnston
Oilean Na Marbh, Donegal _ photo credit James Henry Johnston

 

Find out more about OIlean Na Marbh

https://www.irishtimes.com/opinion/oilean-na-marbh-1.603911

A Short film about the isalnd with footage from the island (in English)

 

A longer film from TG4 about the island in English and Irish (with subtitles)

 

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Exciting New Development near Riverside Walk, Dungloe- its quite magical

This is a follow up on a recent blog of mine.

If you are wondering, Kenneth Campbell is a real estate agent/realtor/auctioneer. We bought our cottage from him several years back.  He’s very good at his job and a natural performer!

You can read about my recent visit to this charming installation here  

Kenneth Campbell’s website here  

This was originally published on facebook here https://www.facebook.com/Campbells.ie/videos/336882011887081

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Summer Newsletter

Emma Cownie Newsletter Summer 2022

While many of you are baking in England and dealing with a hosepipe ban, in Donegal it’s cloudy with occasional showers. I thought I would share you my recent newletter. They have ended up being quarterly. It depends of how much news I have and how busy I have been. I always make it strong on the visuals and light on the words! I also make the typeface large for reading on smart phones!

Emma Cownie Newsletter Summer 2022
Emma Cownie Newsletter Summer 2022
Emma Cownie Newsletter Summer 2022
Emma Cownie Newsletter Summer 2022

 

Emma Cownie Newsletter Summer 2022
Emma Cownie Newsletter Summer 2022

 

Emma Cownie Newsletter Summer 2022
Emma Cownie Newsletter Summer 2022

 

Read More

More about greyscaling 

Buy Paintings 

Visit our viewing gallery

Commission a landscape painting 

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“The Quiet Girl” – my painting, the book and the film

The Quiet Girl Curzon Film

No sooner than I arrived in Donegal and made a start on two large paintings than Seamas and I came down with Covid 19.  Apparently the current wave has been mopping up many of the people who  had thus far avoided the horrible virus. I never gave up wearing my mask in shops but I still caught it. Darn! So I have spent most of the last two weeks sleeping and lying in bed trying to do very little, in the hope that my immune system will bounce back and my energy levels will return to normal.

Book Cover - Foster by Claire Keegan
Book Cover – Foster by Claire Keegan

 

I am also feeling faintly stupid but very delighted  because I only just realised that Claire Keegan’s novella “Foster”, is the basis for the film “The Quiet Girl”.  My oil painting “The Traditional House, Gola”  has been used for the cover of the reprint of “Foster”. Actually, never mind the covid, I nearly fell over when I made the connection.

Oil painting of Gola Donegal by Emma Cownie
My painting – The Traditional House, (Gola)

 

I must have seen these adverts on TG4 (the Irish language chanel) because I thought of this film by it’s Irish language title  “An Cailín Ciúin” – as just about all the dialogue is in Irish. I didn’t realise that it was the same story as “Foster”.

It’s story about a nine-year-old girl,  Cáit, who is sent to spend the summer with her aunt Eibhlín (Carrie Crowley) and her husband Seán, who live in the Rinn Gaeltacht, County Waterford. The film is directed and written by Colm Bairéad , based on Claire Keegan’s story “Foster”.  It has won a whole pile of International awards, rave reviews and has been breaking box office records in Ireland and UK. I am really excited and greatly honoured to be connected, even in a tenuous way, to such an amazing project!

I am now going back to bed, in the hope that I haven’t over done it.

The Quiet Girl Curzon Film
The Quiet Girl – Curzon Films

 

More about the film

https://www.theguardian.com/world/2022/jun/12/the-quiet-girl-irish-language-film-box-office-ireland-uk-an-cailin-ciuin

https://en.wikipedia.org/wiki/An_Cail%C3%ADn_Ci%C3%BAin

https://www.theguardian.com/film/2022/may/11/the-quiet-girl-review-beauty-and-pain-in-rural-ireland

https://www.audible.co.uk/pd/Foster-Audiobook/057137350X

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Back in Donegal

I have decided that perfect is the enemy of good, and I need to give up on the idea that I should write lengthy blogs posts, as I end up writing nothing! So here goes,

Donegal Paintings
Two grey scale paintings

One of the many great things about being back in West Donegal is that I can paint much larger paintings as my art studio is much bigger here than in Derry. So I now have two on the go!

Donegal Greyscale #1
Donegal Greyscale #1

These are both painted in acrylic paint. I find it easier to make adjustment in the value/tones in acrylic before I move onto a layer of oil as a final layer. Acrylic can act as a foundation layer for oil, but not the other way around. I had forgotten how physically tiring painting a large painting is.  My arms are tired!

Donegal Greyscale #2
Donegal Greyscale #2

 

If you want to know about Greyscaling and why I have adopted this technique since moving to Ireland please see my post “Adventures In Acrylic Paint” 

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Recent work (of Derry and Donegal)

Recent work - Emma Cownie

We are about to decamp to Donegal for the summer/early autumn. I have mixed feeling about returning to oil paints. It’s been a quite a steep learning curve getting comfortable with acrylic paint but I feel like I finally got there. I am not sure what it will be like to paint in oils again; oh the the joy of easy blending! I am looking forward to being able to paint larger canvases. I will continue my practice of laying down an underpainting in grey-scale paint, regardless.

Here are some of my recent acrylic paintings, mostly of Inishowen Penisula (Donegal)

Kinnagoe Beach - Emma Cownie
Kinnagoe Beach – Emma Cownie
Down to the Rusty Nail, Inishowen_Emma Cownie
Down to the Rusty Nail, Inishowen_Emma Cownie
a painting of Fanad Head and lighthouse
Fanad (SOLD)
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
On the Way to Kinnagoe Bay (Drumaweer, Greencastle) (SOLD)
painting of Doagh Strand, donegal_Emma Cownie
Down to Doagh Strand, Donegal

Painting of Lambing season at Fanad Head (Donegal)

Lambing season at Fanad Head (Donegal)

Carrickabraghy Castle, Inishowen
Carrickabraghy Castle, Inishowen
Acrylic painting of Portmór Beach, Malin Head, Donegal
Portmór Beach, Malin Head, Donegal

 

Also of Derry city – what a great little city.

The Walls of Derry painting by Emma Cownie
The Walls of Derry

 

The Sperrinspainting Upper Dreen_Emma Cownie

Upper Dreen_Emma Cownie

And finally a few also of my favourite, Gola Island.

painting of house On Gola (Donegal)
Still, On Gola (Donegal)
The Turn in the Road, Gola - Emma Cownie
The Turn in the Road, Gola – Emma Cownie
A Sandy Road Through Gola-Emma Cownie
A Sandy Road Through Gola-Emma Cownie

The weather forecast is for cool weather, so I will be packing some light jumpers. I have found, however, that forecasts are pretty unreliable for Donegal so it could be very pleasant. I am looking forward to the sweet breezes!

 

 

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Adventures in Acrylic Paint

Acrylic paint by Emma Cownie

You probably think that artists are good at creating paintings/images in all mediums; oil, watercolours acrylic paints. Many probably are, but I am not.  I need to work at it. It’s a bit like being an athlete. You might be great at football but it doesn’t automatically mean you are a great sprinter, tennis player or swimer. Although there are athletes who have successfully switched disciplines, like Usain Bolt, who started his career as a footballer; extra training is needed. I think painting is like that. Almost all of my experience up to now has been in working with oil paints but in the last six months I have been working hard at painting in acrylics.  Why? I knew that in our small house in Derry, until we got stairs put into the attic space, that oil paints and with their associated mess and fumes weren’t going to work.

Unfortunately I feel like I have been hitting my head against a brick wall for several months. I have learnt a great deal, using acrylic mediums and varnishes is very technical, but I won’t go into all the detail of what I have learnt. The strange thing is that the finished paintings looked good but the process of creating them was slow and frustrating. Here are some early examples;

Painting of fram buildings in Donegal
Shadow on the Entrance, Bloody Foreland
House in Inishbofin
House on Inishbofin

 

Stony Wall, Cnoc Fola (Donegal)
Stony Wall, Cnoc Fola (Donegal)
Painting of the view above Magheraroarty_Emma Cownie
Above Magheraroarty_Emma Cownie

This last one is my favourite but it took weeks to complete rather than days. I just don’t have the patience to spend that long on one smallish painting.

I also used acrylic paint for underpaintings for my oil painting, which worked better for me. It enabled be to paint faster, but this approach would be no good in Derry where I couldn’t use oil paints.

Boat at the Pier, Gola_Emma Cownie
Boat at the Pier, Gola (Donegal)
From Magheraroarty to Muckish
From Magheraroarty to Muckish (Donegal)

 

So why was I taking so long to complete these acrylic paintings? Acrylics don’t act like oil paints, that can be a good thing as well as a bad thing. You can correct mistakes easily. Acrylic paint is a relatively recent invention of the 1950s. It’s essentially a plastic. It is amazingly versatile but it’s origins as a polymer  presents a couple of challenges that I have struggled with for some time.  The first issue is that it dries fast. Really fast. I found that it dried on my palette within minutes. I hate wasting paint, so I made my own wet palette, so that the paint on my palette dries within days and not minutes.

It still dried very fast on the board/canvas on which I was painting. That meant that large areas, such as skies, werevery difficult to paint without looking patchy. I learnt to mix up large quantities of paint so that if I needed to, I could repaint a small area of the sky. Otherwise,  the whole sky had to be repainted.

The second big issue I had was somehing called “colour shift”. Acrylic paint dries dark. This is because most makers of acrylic paint use white binder that dries clear, so it looks light when you apply it, but goes dark as it dries. It seems to affect blues and browns particularly badly. I tried painting patches of colour to see who was the worst offender.

Colour Shift
Colour Shift (these are all dry so you cant see the colour shift but my notes tell you what I saw)

 

Although Windsor & Newton’s paints use clear blinder and have little colour shift, I didn’t particularly like them as a paint. I am not sure why I didn’t like them, possibly I just prefered to colour range of other manufacturers. Anyway, in the end I bought lots of Schminke PrimAcryl paints which also use a clear binder and results in only a small colour shift.

Finally, I decided to experiment with indirect painting. This is a method where by an underpainting in grayscale is done first and light layers of colour are applied as a glazes.

Again, its’s not as speedy as painting in oils (although I have used brown-tonal underpaintings in the past – with oil paintings, see here).

So here are two paintings I painted tonal underpaintings, and then added colour through a series of glazes.

Greyscale study of lambing Season at Fanad Head
Greyscale study of lambing Season at Fanad Head
Work in Progress - Lambing season at Fanad Head
Work in Progress – Lambing season at Fanad Head

Painting of Lambing season at Fanad Head (Donegal)Lambing season at Fanad Head (Donegal) – Final version

Greyscale study of Fanad LighthouseGreyscale study of Fanad Lighthouse – painted on a blue ground, which I left in the sky area of the painting.

Fanad Lighthouse (Donegal)
Almost done – Fanad Lighthouse (Donegal)
Lighthouse at Fanad Head (Donegal)
Lighthouse at Fanad Head (Donegal) – Final version with lightened sky

 

This approach seemed to work well for acrylics. Although I am still not as quick as I am in oils, this process enables me to produce paintings with greater depth of colour and more accurate tonal values. It is especially good for getting distant mountains right, something I have struggled with in the past. I am hoping that I have finally got the hang of working with this medium. I think it’s the end of the beginning rather than the beginning of the end. There’s always so much to learn with painting no matter which medium you use!

 

Some of my resources

Indirect painting and Glazing https://thevirtualinstructor.com/how-to-glaze-acrylics.html

Willaim Kemp’s Art School https://willkempartschool.com/acrylic-tonal-study-using-colour-strings-glazes/

UK stockist of PrimAcryl https://www.jacksonsart.com/schmincke-primacryl-acrylic

 

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Ramelton, Donegal (The town with two names)

Ramelton- a Blog by Emma Cownie

We visited Ramelton several times in this summer. It is a fascinating and historic town tucked away in the north-eastern corner of Donegal.  Ramelton, (Irish: Ráth Mealtain)  is also known as Rathmelton, this caused me great confusion when map reading.  Yes, we have a sat nav but I am an old-fashioned girl and I like the immediacy of the map book. I thought Ramelton and Rathmelton were two different places. It is also not too far from another village called Rathmullan. I got very confused. We also didn’t know how to say the name properly to ask directions; we put the emphasis on the first syllable “RAMelton” but it’s said “RamELton”, if you look at the Irish Ráth Mealtain (bearing in mind you don’t say “th”s in Irish) it makes more sense.

Map of Fanad
Rathmelton/Ramelton
Bridge over the River Lennon in Ramelton
Bridge over the River Lennon in Ramelton (wikipedia)

 

Ramelton is a pretty and interesting place to visit. We entered from the north end, over the narrow stone bridge that crosses the flat, slow-flowing River Lennon. There are many fine Georgian-era houses to look at.  The Mall runs along the south side of the river from the Bridge to Gamble’s Square. We enjoyed a very pleasant walk along the Mall towards the old buildings that form the Quays.

The Mall, Ramelton_Emma Cownie
The Mall, Ramelton_Emma Cownie

 

Gamble's Square, Ramelton - Emma Cownie
Gamble’s Square, Ramelton – Emma Cownie

 

Ramelton, Donegal
Ramelton, Donegal – looking towards the Quays – Emma Cownie

Further to the east lie the the Quays and the old warehouses, once commercial buildings, some of which are quite neglected, once formed the historic commercial centre of the town.

Old Warehouses, Ramelton-Emma Cownie
Old warehouses, Ramelton Quay – Emma Cownie

The town was founded in the early 1600s as a plantation settlement, on the site of an O’Donnell Castle by William Stewart of Ayrshire.  Stewart was professional soldier (in otherwords, a mercenary) who had fought for kings of Sweden and Denmark before coming to Ireland for James I (VI of Scotland). He built and gave his name to fortications at Fort Stewart and Newtownstewart. In 1623 he was made a baronet and granted the castle of Ramelton, becoming the biggest landowner in the town. He also gained valuable fishing rights on Lough Swilly.

Ramelton, Donegal
View towards the Bridge – Emma Cownie

The word plantation has a special meaning in Ireland. This may cause confusion for some North American readers. In the South States of the USA the term is used to mean a large farm. In Ulster, the northern most province of Ireland, however, the plantation was the mass conviscation of land from the  native Catholic Irish by the crown mainly under King James, from c.1609 onwards, and continued under Oliver Cromwell. The conviscated land was “settled” or colonised by Scots Protestants, like William Stewart’s followers.  In this sense Ramelton, was a town planned and “planted” by Scots and English settlers.

A sailing ship on the River Lennon, Ramelton
A sailing ship on the River Lennon, Ramelton

Ramelton was built where the River Lennon flows into Lough Swilly. We approached the town from the north, over the narrow stone bridge.  Unlike many other Irish towns, who seem to turn their backs to their rivers, Ramelton is focused on the River Lennon. In fact, the town is dominated by the wide flat river, with a good part of the  old town being built along its shore.

Map of Ramelton, donegal Map of Ramelton, donegal

The location of the river helped the town develop into an important port and a prosperous centre for industry, trade and local government. In the 18th and 19th centuries Ramelton became the biggest linen bleaching town in County Donegal. Linen was a booming industry in Ulster. By the 1720s flax growing and linen weaving replaced food crops as the staples of Ulster agriculture. In the 18th century the domestic linen industry had expanded so rapidly that annual exports of linen cloth increased 40-fold! The peak period of flax cultivation was the decade of the 1860s (when there was a “cotton famine” in England) during which more than 200,000 acres were grown across Ireland. In the second half of the C19th Ulster produced at least ninety per cent of the national crop. Boats from all over the world docked in Ramelton to trade their wares in return for the Irish linen.

Workers harvesting flax, 1897
Colourised photo of Irish workers harvesting flax, c.1897

The flax for the linen was grown locally and then treated at the tanyard. Some of the linen was fed into voracious shirt-making industry based in nearby Derry City. The booming trade in linen for the export market helped provide much of the money needed to knock down old plantation houses and replace them with impressive new town houses. These spread westward and eventually grew into a riverside promenade lined by trees, known as The Mall.

Unfortunately, for Ramelton, there was a decline in the linen industry in the 1840s due to competition from Belfast. Although Belfast became firmly established as the linen capital of the world, the bulk of the raw material, however,  was no longer produced in Ulster but imported from Belgium and Russian the majority of its production was destined for export too.

The Bridge, Ramelton
The Bridge, Ramelton

In the 1850s the town decline began in earnest as as the port began to silt up although a steam boat would leave from Ramelton to Derry and on to the emigrant ships that left from Derry. Later a new railway line was built in Letterkenny in the early years of the 20th century. This all  contributed to the decline in industry in Ramelton. Its role as a centre for local government also ended with the abolition of the Grand Jury system in 1898.

Riverside Promenade, Ramelton - Emma Cownie
Riverside Promenade, Ramelton – Emma Cownie

 

Map of Ramelton (Ramelton Action Plan pdf)
Map of Ramelton (Ramelton Action Plan pdf)

The town is home to McDaid’s, a soft drinks manufacturer, whose drinks are sold throughout Donegal and further afield.  Its most famous drink is the Football Special which was originally produced to celebrate the successes of Swilly Rovers Football Club.

Painting of Mc Daid's Football Special Building, Ramelton Donegal
Drink Football Special, Ramelton Donegal – Emma Cownie

 

The quays, Ramelton
The quays, Ramelton – Emma Cownie
Outdoor cafe, ramelton
Outdoor cafe, Ramelton – Emma Cownie

 

Ramelton, Donegal
Ramelton, Donegal – Emma Cownie

We ambled passed the end of the Quays and then looped around and  then past some very derelict buildings in sore need need of rescue, to walk back up Castle Street past the old centre of the town. The space which once formed the very centre of the town, is completely given over to a large tee-juntion and cars. Ramelton was also once a “Market Town” with a market cross, which signified the right to hold a market granted by the monarch, or local barony. In Ireland, market crosses were often located in a space, mid-way between church and castle. this was once the case at Ramelton but the market cross itself is long gone.

Market Square, Ramelton
Market Square (with the market cross to the right of the image), Ramelton

 

View from the former Market Square
View from the former Market Square (looking north) – Emma Cownie
Conway's Bar, Ramelton
Conway’s Bar, Ramelton – Emma Cownie
Oil painting of Ramelton Donegal by Emma Cownie
All Roads Lead to Letterkenny (Ramelton, Donegal) – Emma Cownie. This is the west view from the former market square

 

Painting of shops in Ramelton (Donegal)

Open for Business, Ramelton (Donegal) – Emma Cownie

Postcards, drawings and numerous photographs from the 19th century show how prosperous and picturesque the setting of the town was. The town retained its importance as a rural business and market centre into the twentieth century.

Ramelton, Castle Street, Old Postcard View
Ramelton, Castle Street, Old Postcard View

 

The Mall, Ramelton circa 1900 Donegal County Museum
The Mall, Ramelton circa 1900 Donegal County Museum

 

Old Meeting House, Ramelton
Old Meeting House, Ramelton

 

At the beginning of the twentieth century, Ramelton had seven churches which is pretty impressive for such a small town. It was known as ‘The Holy City’ due to the religious diversity found in the town. These days there are just three churches. Crime writer Paul Charles, used this diversity as a backdrop for one of his Inspector Starrett detective novels “Dust of Death”.  which is based in Ramelton. I read this book, hoping to find out more about the town but apart from the odd mention of the Conway’s Bar and Bridge Bar, there was little background information.

Painting of house on steep hill (Ramelton, Donegal)
A Cute Disposition (Ramelton, Donegal) – Emma Cownie

 

We passed a very modest old end terrace cottage on Bridge Street in Ramelton, Donegal. We didn’t realise it at the time buy this the house where Patsy Gallacher (1891–1953) (also spelt Gallagher), Celtic legend, known as “the Mighty Atom” lived as a child. Patsy’s family were desperately poor, he had been born in the workhouse, and later they moved to Scotland.

Patsy Gallacher, Celtic legend, aka “the Mighty Atom”
Patsy Gallacher, Celtic legend, aka “the Mighty Atom”

 

Ramelton, Donegal
Ramelton, Donegal – Emma Cownie

On the north side of the river, Bridge End was developed around the large mill sites and bleaching green which is County Donegal’s largest surviving industrial heritage site associated with the linen trade. Although we passed Bridge End on the way into the town, we didn’t cross back over the river to visit this area. If I had known about the mills and bleaching green, I would have made the effort to see it. Next time we certainly will.

 

View towards The Green (From Ramelton Action Plan pdf)
View towards The Green (From Ramelton Action Plan pdf)

 

Find Out More

Most of the information about the History of Ramelton was taken from “Ramelton Action Plan for Donegal County Council” here  .

More about Ramelton here and Rathmelton here  (yes, it’s the same place but there are two entries)

Look up individual buildings here

Read more about the Irish Linen Industry 

https://en.wikipedia.org/wiki/Irish_linen

https://www.culturenorthernireland.org/features/heritage/shirt-industry

Chapter on Flax in Ireland here

A History Of Irish Linen In 1 Minute

Find out about the people who used to live in this parish in 1901 and 1911 census information here  

http://www.welovedonegal.com/ramelton.html

Read more about Football Special here