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A MEDITATION ON ART, PAINTING AND PLACE.

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In a meditative manner, to the music of Eric Satie’s gorgeous “Trois Gymnopedies”, I attempt to describe how working close to nature but in the city is a major influence on my painting, blending with my technique to create my artwork. In fact, place and painting are inseparable. I am greatly influenced by the light and beauty in Wales and around the Swansea area in particular. Most of my paintings inspired by the bountiful beauty that surrounds me, the sounds as well as the images. You might even notice the odd inspiration that made it to be a painting too (as well as the odd painting of my inspirational Swansea). Welcome to my Attic Art Studio and the place and surrounding area that inspires much of my artwork.

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It’s All About Me!

Emma Cownie Exhibition
Me at the Glynn Vivian, Swansea

I was born in Hereford, and educated in Cardiff. I am a professional artist, specializing in oil paintings of the landscapes of Wales and Donegal, Ireland. I have exhibited in various galleries, online galleries, in print and on digital LED screens throughout London, UK.

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I have one of the top best selling artists on Artfinder over the last five years and have sold widely on other online galleries. I have sold hundreds of  pieces of artwork online. I have had hundreds of happy collectors and my artwork hangs in homes across the world and in numerous countries.

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I love light and colour. In my art, I am drawn to light and shadows and how they shape our emotions. I remember visiting the South of France as a teenager and being mesmerized by the dazzling light, I have been attempting to capture that excitement about light in my paintings ever since.

A Gap in the Clouds
A Gap in the Clouds (Gower)

I try and make my colours bold and bright but as realistic as possible. I aim to make people look at the ordinary and see the extraordinary beauty in it.

I offer a personalised approach to art for business and I sell affordable, original and limited edition artworks to companies, such as John Lewis, across the globe.

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Whether you would like a single piece for your office or boardroom, or are looking for larger numbers for a hotel or restaurant chain, I can help provide the right art for you.

The paintings are wrapped securely in bubble wrap and cardboard packaging. All paintings also have a Certificate of Authenticity. Most of my paintings are sold unframed. This is to lower delivery costs. If the paintings have been framed it will be stated. 

 

In my paintings the effect of light is often ‘heightened’ and similar to the sophisticated, precise ‘Pixar’ like animated light. I seek to paint the ‘experience’ of light on colour and form.

Donegal Painting
From Cruit Island, Ireland

To achieve this requires the heightening of the effect of light otherwise light can often be dampened or subdued by the absorbing colours. I am much more interested in how light invigorates, resonates, generates or dare I say it animates colour and form, rather than simply dressing it. This effect is underscored by my use of drawing lines around colours and form, as with the fauvists, and others have suggested this too gives off an animated feel or quality.

Over To The Lighthouse And Pier
Over to the light house and Pier (Mumbles)

I want colour to be the product of being generated, animated by light as if light was the genesis of colour. Thus light creates the colour in a sense rather than colour simply being illuminated by it.

Donegal painting of house on Arranmore

Rusty Roofed House (Arranmore)

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Over the Mantelpiece.

This painting “A Summered Garden” is one of my favourite paintings, recently painted a few weeks ago. As such, it takes “pride of place” above the living room mantelpiece, beside my recent portrait of my husband and a small photo of our wedding, although Hattie, one of my cats seems unimpressed.
I like to show my paintings in lived in environments so that artlovers can see how they may look on their walls too!

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My Attic Art Studio

I work mainly from my attic art studio as the sky light enables me to paint most of the day, normally from 6.30 am onwards. When the light fades I switch on a combination of blue artificial “day” lights so that I can squeeze a bit more painting time in the evening too. My house and art studio overlook two parks, Singleton and Brynmill, here in Swansea, Wales. I can hear swans, ducks, various birds from my attic studio as well as magpies, seagulls and ravens scurrying across the tiled roof of the house. I love the sounds of nature and the sounds of children playing as I paint. It is very relaxing and conducive to painting, listening to these sounds amid the bustle of a city. My husband has started to build the foundations of a logged cabin art studio which will be in the middle of the back garden. I hope to move into it in a few months. My paintings are getting bigger as I need more room to work (and store canvas). Hopefully I will be even more immersed in the sounds of nature from my new studio.

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