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The Sight, Smells and Sound of Art

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Abertawe 2021 Bloc (Outside Swansea Train station)

Back to Cardiff again to see some more art and collect my paintings from the madeinroath festival.

The madeinroath 2017 festival has Art has installations/happenings across almost 80 different locations across the suburb of Roath, Cardiff.  The wonderful thing is that it’s all free to visit. The weather was grey with a cold biting wind. The day before Storm Brian had lashed the streets with rain and all the outdoor events had been cancelled. Seamas and I meandered down the streets of Roath to the “Old Laundry” which was in a ramshackle  courtyard tucked away at the end of of a dead end street.

The first installation was that of Tanya Dower called “Thrill Seeking, Dirty”. The photo only captures a tenth was it was like. The installation filled two small rooms. The air of neglect was palpable. Firstly there was this thumbing, squealing, soundscape which reminded me of  a playful crazy version of BBC Radiophonic Workshop  noise.  There were a series of black and white photos of an industrial landscape and fragments of charred rubbish laid out on the floor but most importantly was the stink. Oh the smell. It repelled some people at the door. I initially thought it was incense being burnt to cover the smell of damp. Tanya and the festival volunteer with her spoke to us enthusiastically about the installation. It turned out that Tanya had “designed” this smell to comprise wood smoke, coal and urine. The whole installation had been inspired by her youth spent playing in the ruins of abandoned pithead building in Merthyr Tydfil.

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Me trying to work out what the smell is!

Upstairs there were several rooms with exhibitions/installations. Seamas found Lynette Margerison’s huge charcoal drawings  very moving.

I was fascinated by Ian Watson’s sound installation  “A Complex and Increasingly Important Announcement from an Extremely Limited Vocabulary”. The row of mini  solar panels drew their energy from the sun (what there was of it that afternoon) and produced a layers of clicks, drones and tones that oscillated and wavered. Ian generous spent time explaining to me and Seamas me how the solar panels generated the sound and how he adjusted the layers of noise.

 

We spent the rest of the afternoon at the Inkspot Centre.

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Flags and my exhibition upstairs in the Inkspot

I finally found out the names of the third year ceramics students we had chatted to last Sunday evening (Morgan Dowdell, Lucy Fielden, Marek Liska and Magda Strydon). They had also added to their work on display in the hall.  Just to warn you that Morgan’s work (at the bottom of these photos) (which is excellent) is also very explicit so look away now if you are of a sensitive nature!

 

I really enjoyed being part of this arts festival and I wish I could have seen more of the art across Roath.  I think you would have to stay in Cardiff for the whole week to explore and to get a good sense of the breadth of what was going on here. There’s always next year!

 

 

 

 

 

 

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Setting up at Inkspot in Cardiff

On Saturday we traveled to Cardiff on the train carrying several large bags of carefully wrapped paintings. I had been feeling tired and anxious about driving there so we decided to go by train instead. Over a decade ago I started having panic attacks on the motorway and despite hypnosis and therapy, I still cannot face the thought of driving on motorways. Or even the thought of accidentally ending up on an motorway, which is what happened when I had my first panic attack in Port Talbot. It’s worse when I am tired. So Seamas (my husband and fellow artist) and I, traveled by public transport.

Seamas arranged the paintings across the 3 windows and they looked even brighter than usual in the slight gloom of the hall. My paintings shared the upstairs hall with Charlotte Formosa’s “Fluro” exhibition.  Her duo of very large paintings and decorated objects were a riot of luminous colours, textures and materials.

Poet Lucy Corbett had an exhibition called “poetry in a Bottle”. Her poems were bitter-sweet and thought provoking. She explained to me that she wanted to make poetry as ubiquitous as the advertising slogans we are bombarded with everyday. The idea being that people would take away the poems (not the bottles) and pass them on to others. I liked the ideas of the poems in bottles, as they reminded me of messages or distress calls launched by strangers from afar.

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Lucy Corbett’s Exhibition

Three Cardiff ceramics students were also exhibiting their works upstairs in in the hall and in the stairwell. Their works were very distinctive and rather beautiful.

 

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Downstairs was the intricate and fascinating work of Sheila Vyas. I could have looked at her mixed media work for hours. It was very powerful and emotional work. She also had the most gorgeous little dog with her that I wanted to take home with me!

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Shiela Vyas (in red)  with her fab dog

 

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Detail from one of Shiela Vyas’s pieces