Posted on Leave a comment

A Certain Something

Contemporary oil painting of Swansea man
A Certain Something – SOLD

 

A hot summer day on Oxford Street Swansea finds this old dude, sharply dressed for the summer heat.
The title again has two meanings – the man has bought a certain something for a precious loved one or he has a certain something as in presence or charisma, something not easily defined.

This is a signature type of painting for me – painting people walking around in their everyday lives. Painting moods, anticipations and atmospheres. Creating presence and pathos.

“Emma’s paintings paintings are lively and capture the fleeting moments of day and night in the Swansea streets. A very strong visual impact is derived from bold blocks of colours and an expressive palette that is widely used in modern art and pop art. The cinematic compositions and dramatic use of light and dark in her artworks, particularly in those night scenes where I observe some tranquility and alienation in a busy city, almost draw a subtle connection to the pieces of Edward Hopper.

I particularly like the figurative works which I think capture the everyday nuances of normal people going about their daily life”

Rise Art – Insiders Review

 

Posted on Leave a comment

Still Time

 

Oil painting of elderly Swansea man
Still Time – SOLD

Delighted to have Sold “Still Life” via Artfinder a day after adding to my store! Going to the USA! ‪#‎artfinder‬ ‪#‎swansea‬

“A jaunty elderly man, all dressed and booted on his way to the shops in Uplands, Swansea.
I loved his cheerful sense of purpose and his 1970s sunglasses, that slightly look at odds with the rest of his clothing.
The title of the painting has a double meaning as in still time to get to the shop and a moment of time frozen in time, made still. Still time.

 

This is a signature type of painting for me – painting people walking around in their everyday lives. Painting moods, anticipations and atmospheres. Creating presence and pathos.

“Emma’s paintings are lively and capture the fleeting moments of day and night in the Swansea streets. A very strong visual impact is derived from bold blocks of colours and an expressive palette that is widely used in modern art and pop art. The cinematic compositions and dramatic use of light and dark in her artworks, particularly in those night scenes where I observe some tranquility and alienation in a busy city, almost draw a subtle connection to the pieces of Edward Hopper.

I particularly like the figurative works which I think capture the everyday nuances of normal people going about their daily life”

Rise Art – Insiders Review

Posted on 2 Comments

With the Longer Days the Paintings get Bigger!

I work part time as a teacher and have 6 weeks of holidays in the summer.

These means I have more concentrated time to paint.

My paintings grow in size during the summer and I have a chance to explore different artistic themes.

So summer represents a time of greater experimentation and size of paintings, especially my “refractionist” landscapes that take about three days to paint as it is time consuming, breaking down light into colour segments. This has become a signature style although I spend increasing time painting urban portraits of city scenes and people portraits of city folk.

Here is a “refractionist” oil painting I painted this week called “Toward Pennard Pill” which is 92 x 73cmm and is £495 to purchase.

https://www.artfinder.com/product/towards-pennard-pill/

“This is a refractionist oil painting of a much loved inspiration for several of my works, the wooded area of Ilston in the Gower Peninusla, near Swansea. This brook or pill leads to the sea at Three Cliffs Bay, via Pennard Pill, hence the title.”

1008
SOLD
Posted on Leave a comment

The “Street” Series

 

I really loved painting this Triptych of elderly people walking in the street. Two are sold already, both from Carmarthen. The gentleman in the middle having his “Afternoon Trundle” is from Swansea. I like this type of painting because we have a tendency to give this type of painting a “back story”, where are they going and where and who have they come from or going to. We superimpose our feelings onto these elderly figures. I find I have much affection for them all, which may be because they all look like nans and grandads, our nans and grandads. I have an affinity with them, out excitedly on the way to shops, the sun sending glad tidings into their bones. All excited to be out on their afternoon quests. As they walk purposely into the facing sun, it gives the impression they all have plenty of life in them.

happed up011ccr029

Posted on 2 Comments

All Happed Up for the Road

Delighted to say I have just SOLD this lovely oil painting “Happed Up” of an old gentleman walking down the street in Carmarthen, catching the bright warming, descending sun on his face. I just loved the gentle warm colours on this sheep skin jacket and the inky blue of the door and the flaky, powdery colours of the damp wall behind. The title “Happed Up” is an Northern Irish expression meaning to dress up warm against the cold. Although the winter sun gives the impression of being warm, there was a nippy bite to the December air. The photograph that inspired this painting was taken on the same street and the same day as the one that inspired the painting “Saturday Shop” which has also been sold. My husband loves this painting so will be sad to see it go.

https://www.artfinder.com/product/happed-up/

happed up