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PTSD Creates the Need to Paint

How Art helps soothe my soul

I have a mental health condition that I have had to learn to live with, which I can forget about for days at an end when things are going well, but it continues to limit my life and my career both as an artist and as a teacher. I face difficulties because I look and sound reasonably normal in conversation, I can do a lot, like teach 5 lessons in a day or paint a picture over three days. However, I suffer anxiety and I have difficulties with fear-based thoughts. I can also run into “brick walls” energy-wise. I have to have “rest days” in the middle of the week.

I need to sit at home and paint to restore my energies and spirits. The repetitive movement of the hand somehow calms me, as does familiar actions. I have met others who are going through traumas who cut up magazines for collages or build structures to occupy and calm their frayed nerves. I have always painted so this soothes me.

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“Passive Smoking”

 

I am usually pretty shattered by the end of my third day of teaching. I cannot travel far because of limited energy levels and this has limited me to do exhibitions to within a 2 hours driving limit on A roads (I can’t do motorways because of panic attacks).

When I first developed PTSD 4 years ago, I was totally bewildered by the experience. I had been involved in a minor car accident and had briefly lost consciousness. This was the “straw that broke the camel’s back” and over a matter of weeks I came apart at the seams in way that that seemed as comprehensive as it was unexpected. Looking back I can see that I had lived under enormous stress in my personal and professional life for many years and an earlier traumatic incident when my dog had been killed on a busy main road provided the “crack in my psyche.”

At different times I shook like a leaf, cried most days, experienced the blackest despair, experienced flashbacks, had nightmares, and became very emotional at anything to do with death or war. I could not bear horror on TV and “The Walking Dead” gave me nightmares after I watched it once. Never again.

I was hyperviligient, I no longer felt safe; every car on the road was coming directly towards me. I flinched at minor accidents (I remember leaping out of my chair when someone dropped a cup on the floor in the staff room), and mis-saw things out the corner of my eyes (I mistook a hoverfly for a zeppelin in the sky).

I also felt utterly and completely exhausted.

Social interactions were very difficult, except with the kindest and most sympathetic people. I avoided people. I remember panicking when I saw a work colleague out in town and hid under a table in a cafe to avoid them!

I found it extremely difficult to trust people and felt very alienated from people who had been friends.

Painting was the only thing that gave me hope. I felt like such a failure and it gave me a tiny measure of achievement. It has been a Godsend and I can honestly say that I cannot live without it.

I remember experiencing utter exhaustion for about a year after I’d had EMDR therapy (which was extremely tiring in itself but thankfully it helped “plug in” the wire in my head that had become unplugged”). The following year I was just exhausted all the time, in the third year I improved to tired all the time and now I have days when I am not tired but I have to careful to marshal my energies wisely.

I went back to teaching after counselling but I could only cope with working three days a week. It has been a tremendous struggle and I was very proud that I managed to keep my job, even if it was only part time.

I have been devastated, recently as I have recently been given notice of redundancy. My union is very helpful and supportive but the future remains very uncertain.  Painting is helping me cope on a day-to-day basis.

The popular perception of PTSD is that you have to be in the army or the emergency services to develop it, but I think that its more common than people realise; years of bullying as a child, rape, domestic abuse, living with an addicted partner/parent, even the distress of nursing a loved through a terminal illness can trigger the condition.

However, that’s not to say that everyone who has had trauma in their life will develop PTSD, I think it depends on how long they have endured stress and their sensitivity as a person. Two people may experience the same event and react differently.

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Exhibition in Hereford – a review

 

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Thank you to Hereford City-Centric Local Culture & Retail Community  for this lovely review of our exhibition at Gallery OMP. Old Mayors Parlour, Hereford.

“Emma Cownie’s paintings have tremendous visual impact…painted on both larger and smaller canvases, and each piece is as vibrant as the next. Her choice of colours represent mother earth in all her glory. She tends to go for more exaggerated hues..; it is what makes these paintings memorable. She also did a seasonal series with a viewpoint from Symond’s Yat, a place of natural beauty. The paintings that stood out to me were ‘The Mossy Beach’, ‘Down by Killy Willy’ and ‘Pennard Pill’ on the larger canvases. I pictured her sitting amongst all that beauty painting away in her unique sense of reality. I would be surprised if she didn’t sell one of her pieces at this exhibit. They are quite grand.”

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Sowing the Seeds of Change!

Hi everyone, it’s been a while, a long while since I last blogged, some 4 months or so. I have been very busy. I will bring you up to date with what has been happening with my art and art business in the next few blogs.

Here I just want to mentioned that I am currently exhibiting in GalleryOMP which is at the Old Mayors Parlour, Hereford. I will exhibiting with some other great artists until the 24th April 2016.

Here are some images from the exhibition “Seeds of Change”!

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A Bar At Noah’s Yard

“A Bar at Noah’s Yard” – a centre piece painting, painted especially for my art exhibition in Noah’s yard in two weeks time!

This painting of a well known bar in Uplands Swansea called Noah’s Yard, is modeled on the famous Manet painting “A Bar at the Folies-Bergère” but with two differences. The scene is now down town Swansea and the work is expressionist not impressionist. I love the use of expressionism in urban scenes as it can seem more vivid and dynamic, muscular and rhythmic, more funky even.

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Bar at Noah’s Yard (SOLD)

Click here to buy prints

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Further Round

New painting – “Round from Rhossili”

One day my husband and I walked up this steep hill overlooking Cheriton in Gower Peninsula and when we arrived at the top we were amazed at the view which was a view of practically all of Gower.
We walked on and on and eventually walked to where we could see the world famous “Worms Head” peaking it’s head and neck out of the water like a rising dragon, with it’s humped back submerged behind.

I thought this would make a lovely and unusual painting, this view and perspective.
Most paintings of Worms Head are from the perspective of glorious Rhossili or from the great beautiful expanse of Llangennith beach but this view has something else. It looked like Worm’s head was a great beast swimming round the corner of the hill in the distance. I loved the patchwork of fields and colours, especially how they flowed down the hill and twisted around it, giving a really pleasing fluidity of movement. I tried to catch this fluidity in this painting.

 

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Round from Rhossili (SOLD)

Buy limited edition signed mounted prints here 

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The Cloud Vanishes

 

Delighted to say I have just SOLD the painting “The Cloud Remains” via Artfinder !
Now off to live in Leicestershire, England!

https://www.artfinder.com/…/emma-cownie/product/the-cloud-…/

“This painting is of the straggling wisps of cloud left on the hills in the Black Mountains after a passing storm. It was an amazing scene, this steam-like vapour rising out of the backs and humps of the hills. It looked as if the hills had just had a shower and the appearing sun was drying them off. I loved how the low lying clouds combed the trees and hedges as they floated past. The sun, shining through to illuminate this effect, seemed also to grow patchworks of colours from the fields around the surrounding landscape, as if the light was a nurturing spectral beam. The colours in the Black Mountains after the weather breaks on the hills are heavenly and this is what I hoped to convey. ”

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Autumnal Rhossili Bay

 

A new oil painting “Autumnal Rhossili Bay” –

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An expressionist oil painting of the world famous Rhossili Bay at the far end of Gower Peninsula, itself the first designated Area of Outstanding Beauty in Great Britain. Autumn has draped a coppery red blanket on the hillside and the windy waves have etched patterns of light mauve and blue in the sand.

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Two’s Company

Delighted to say I have just SOLD the original oil painting of “Langland Beach Huts” which will be going to the same loving home as “Pobbles Bay” – they will look lovely together in their vibrant hues!

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Artist’s description: I love these cheerful summer colours, representative in their way of Swansea and the Gower coastline, painted across these quaint beach huts, looking onto the glorious bay at Langland, near Swansea, Wales. There is a touch of the 1930s postcards and tourist posters about this painting’s graphic feel and joyful colouring; unconsciously inspired by them no doubt.
Materials used: oil painting on linen canvas

 

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It’s a Wonderful Life?- a Snowy painting

 

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Delighted to say I have just SOLD this oil painting “Winter Wonderland” via Artfinder – my friend loves this painting and says it looks like it’s from the classic movie “It’s a Wonderful Life”

https://www.artfinder.com/product/winter-wonderland-d216/
“Nothing looks as magical as a park smothered in winter snow, especially at night time where the snow hues a blue tinge and the street lights seem to become more orange warmed in contrast. The specks of snow falling making you want to run and catch them in outstretched hands. Snow transports us back to the pure innocent play of childhood.”

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That Friday Night Blur

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Friday Night Blur

A new oil painting – “Friday Night Blur” – This expressionist oil painting catches three University students on the their way to some Friday night revelry. It is at some street traffic lights and as I went to take a photograph of them, the traffic light changed to green and they were off, as if on starter’s orders, half running across the street, as if they had no time to lose.

Their mutual excitement propelling them on. There was their sudden movement as the lights changed and this blurred the background as they hurried off. I like the blurred affect which trailed off behind them as it caught the excitement of a Friday night out on the town, on their way to ensuring the night would end up as a Friday night blur.  I love the amber street light spilling across the road, and the intense bright white light in the distance, beckoning them three students onwards to good times.