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“The Quiet Girl” – my painting, the book and the film

The Quiet Girl Curzon Film

No sooner than I arrived in Donegal and made a start on two large paintings than Seamas and I came down with Covid 19.  Apparently the current wave has been mopping up many of the people who  had thus far avoided the horrible virus. I never gave up wearing my mask in shops but I still caught it. Darn! So I have spent most of the last two weeks sleeping and lying in bed trying to do very little, in the hope that my immune system will bounce back and my energy levels will return to normal.

Book Cover - Foster by Claire Keegan
Book Cover – Foster by Claire Keegan

 

I am also feeling faintly stupid but very delighted  because I only just realised that Claire Keegan’s novella “Foster”, is the basis for the film “The Quiet Girl”.  My oil painting “The Traditional House, Gola”  has been used for the cover of the reprint of “Foster”. Actually, never mind the covid, I nearly fell over when I made the connection.

Oil painting of Gola Donegal by Emma Cownie
My painting – The Traditional House, (Gola)

 

I must have seen these adverts on TG4 (the Irish language chanel) because I thought of this film by it’s Irish language title  “An Cailín Ciúin” – as just about all the dialogue is in Irish. I didn’t realise that it was the same story as “Foster”.

It’s story about a nine-year-old girl,  Cáit, who is sent to spend the summer with her aunt Eibhlín (Carrie Crowley) and her husband Seán, who live in the Rinn Gaeltacht, County Waterford. The film is directed and written by Colm Bairéad , based on Claire Keegan’s story “Foster”.  It has won a whole pile of International awards, rave reviews and has been breaking box office records in Ireland and UK. I am really excited and greatly honoured to be connected, even in a tenuous way, to such an amazing project!

I am now going back to bed, in the hope that I haven’t over done it.

The Quiet Girl Curzon Film
The Quiet Girl – Curzon Films

 

More about the film

https://www.theguardian.com/world/2022/jun/12/the-quiet-girl-irish-language-film-box-office-ireland-uk-an-cailin-ciuin

https://en.wikipedia.org/wiki/An_Cail%C3%ADn_Ci%C3%BAin

https://www.theguardian.com/film/2022/may/11/the-quiet-girl-review-beauty-and-pain-in-rural-ireland

https://www.audible.co.uk/pd/Foster-Audiobook/057137350X

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On the cover – Eugene Vesey

Eugene Vesey
I was delighted to give permission to Eugene Vesey, poet and author, to use my artwork on the back of his book “Opposite Worlds”.  In the story, the main character Frank spends his honeymoon with Mary on Gola island.
My painting,  “Up From the Pier, Gola” looks great on the back of this edition -You can get a print of my painting here https://www.artmajeur.com/…/12510206/up-from-the-pier
Eugene sent me two copies of the book, which I am half way through and enjoying a lot. See the book on Amazon here https://www.amazon.co.uk/Opposite-Worlds-Eugene-Vesey/dp/1461075874 and on Barnes and Noble https://www.barnesandnoble.com/w/opposite-worlds-eugene-vesey/1104007157
Back Cover of Eugene Vesey’s book with my painting on it.
Me in front of the study and large scale version of “Up from the Pier, Gola” in my old Swansea studio
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Fall, Bay?

Fall Bay, Gower.

Before our visit to Fall Bay, Gower, I’d read online that it was “one of the hardest bays to reach on the Gower Peninsula”.

My curiosity was piqued. The walk from old Great Pitton Farm, to Mewslade seemed easy enough. The coastal path climbed up past Jacky’s Tor, Devil Truck and Lewes Castle until it reached Fall Bay. Not so difficult, I thought. That was until I attempted the climb down to the beach!

The beaches at Brandy Cove and Great Tor Bay also require you to clamber down some limestone rocks before you reach the sandy beach. This path, however, was much more difficult to navigate, though. The way became very narrow and I had to wait several minutes to let two energetic families come past. Still, I have this idea that one must suffer to some degree in the creation of your art so I carried on. As I started my climb down, the “path” became much tighter and steeper as the way down twisted and the rocks were worryingly smooth. The final descent was very difficult, made much more treacherous by slippery rocks. I was amazed that I didn’t twist my ankle! So no wonder, the “beach is never crowded”.

The day had become overcast by the time we reached the beach. Tears Point rises above the beach at the west end. Worm’s Head and Rhossili, is just round the corner, but out of view. The grey light meant that the waves looked greener and the cliffs more red/orange. I was drawn to painting the light through the breaking waves, where the sand and sky is reflected in the narrow part of the wave. I also loved the chunkiness of the cliff where it meets the sand and how the surf swirled around it. I got my feet and trousers wet more than once!

Thankfully, it was much easier to climb back up the path than it was coming down.

Fall Bay Rocks, Gower
Waves at Fall Bay, Gower

© Emma Cownie Art