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Friction is Necessary

Friction is Necessary

When I was a Secondary School teacher (please note this was a decade ago ) I used to want “easy” classes. You know, classes where the pupils were polite and enthusiastic. They did exist; classes where they’d put their hands up and waited to be called upon to make their interesting point. However, there would be plenty of classes where the pupils were chatty, called out, argued back (known as “chopsey” in Swansea) or worse, were silent and didn’t say anything. There weren’t so many of those classes but I did have a couple. The thing was, that the so-called tough classes challenged me and made me think about how to engage them and focus their energies towards learning. I learnt more as a teacher from trying to shut them up/or getting them to talk. Convenience wasn’t good for me and it was probably dull for them too.

I can think of a few idioms but they dont quite fit; “No pain no gain/ Its all grist to the mill”. I also pondered over ‘inconvenience is the cost of community’ 

Some inconveniences are annoying. Actually all of them are. My mouse stops working when I roll it over my mousepad. It stops me typing as fast as I would like. Many blog posts have been shorter than the might have been beacuse I struggled with WordPress. I can never decide whether using Elementor is easier than the WordPress editor.I have tried to edit and publish this post several times. I usually have one of my cats trying to lie across the keyboard. Today it’s Nellie. Yesterday it was Flossie.

Nellie and Flossie love getting in the way

Maybe rather than asking why I struggle with my PC and the mousemat I should ask why am I in a such a hurry? Why not stroke the cat? Is it because I dont actually want to be doing this? Yes and no. Writing gives my head exercise. Like going for a short walk. But I am tired. I have been awake since 3.30 am. The clocks went back last weekend and my body is still on British Summer Time. I keep looking at my watch and thinking “Is it only 11.30!”

I have closed my Creator account on Facebook and Instagram. That means I no longer have a professional page on either site, just personal ones. That way Meta cannot crawl my pages or website in order to train its AI. My paintings will be posted here and on substack, I will also send more frequent (but shorter) emails to my subscribers. Setting up on Substack is very inconvenient. There’s a lot to get my head around, I just try to do a bit and look to see what other artists have done. It’s going to take quite a while to get up and running. 

But that’s OK. I am coming across a lot of interesting artists and writers. I am thinking about how I present myself to an audience that has probably never seen my work before. It’s giving me a bit of a kick up the proverbial and I probably need it.  

I came across this quote “Modern man thinks he loses something—time—when he does not do things quickly. Yet he does not know what to do with the time he gains—except kill it.” (Eric Fromm’s 1956 book The Art of Loving).

Yet some inconvenience and effort are essential to a sense of satisfaction.  In Art as well as writing. We need to put some effort into a thing for it to be worthwhile. If I dont exercise my brain it will get flabby and lazy.

I aim to hide the effort.  When I paint, I try to hide the brush strokes. Reduce them. Dont over work the image. Muddy the colours. To simplify, reduce, cut the details. I have to empty my mind and just paint. Each painting is a failure but still I try. I never quite get there. I never will. That’s the whole point. The effort is the whole point of the thing. 

 o now I will attempt to publish this post for the third time. I started yesterday and lost my new and improved version. So here’s my shorter, worse version. Nellie has just arrived so I must stroke her/feed her.

 

Read More

https://philosophizethis.substack.com/p/how-love-became-just-another-thing

https://www.seenandunseen.com/art-being-inconvenienced

Subscribe on substack here

 

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All about my work

All About My Work - Emma Cownie

I recently spent a morning writing about my influence to someone in a gallery in New York, whom I thought was interested in representing me. Sadly, after sending some images and putting these words together he asked for 150 dollars to feature in some catalogue of theirs. So that was that. I am used to being sent scammy messages, like this one I got this morning from so-called “Mr Beast” which read ‘Hi, You have some pretty amazing works, all I can say is Awesome! It must have taken a lot of time to put these magnificent pieces together..they are so unique..I’m so in love with then. I’d love to purchase some of them if i can be informed about them. Looking forward to hearing from you. Best Regards Mr Beast’. I just ignore those sorts of messages.

I suppose I was annoyed that I spent sometime answering this one. Why did I bother, well despite some misgivings, the Instagram account associate with ethe gallery had some really good artists on it. Anyway, I thought I’d publish the summary here in case people would appreciate an overview of my work as a whole.

My work is influenced primarily by US artists especially post-Edward Hopper American realists who revere light shadow and the sense of stillness and quiet. One of my favourite contemporary America Artists is Jessica Brilli who I traded paintings with a couple of years ago.

The only British artist I am influenced by is the late David Hockney, who obviousy was greatly inspired by American art. I include a few paintings to illustrate how I attempted to bring an American sensibility to the Irish landscape and more recently to the Welsh landscape in the UK. Here some examples

This composition was inspired by Fairfield Porter

In this series I attempted to pare all detail down – I called this style rural minimal.

A number of these paintigns have become book covers.

Recent innovations to this style have involved a more obvious use of texture inspired by the Bay Area artists, among others like Mitchell Johnson.

Rocky Ground, Bun An Inbhir (Donegal)
Rocky Ground, Bun An Inbhir (Donegal)
Painting of Houses on Bloody Foreland
Up Bloody Foreland, Donegal
Painting of Narin Donegal by Emma Cownie
Narin Rise, Donegal by Emma Cownie

A recent development in my work has concentrated on another US inspiration, Richard Diebenkorn particularly his Ocean Park series of paintings. Using my husband’s drone photography I have been interested in exploring texture and composition primarily. These recent paintings show this style and they are still available to buy.

A Change in Direction
A Change in Direction (Reynoldston, Gower)
A Fork in the Road (Inishowen, Donegal) by Emma Cownie
A Fork in the Road (Inishowen, Donegal) by Emma Cownie
Llanrhidian (Mill Lane) by Emma Cownie
Llanrhidian (Mill Lane) by Emma Cownie

Finally I have occasional detours into acrylic gouche which seems to allow me to paint in a slightly different way to oil and acrylic – normally on hard board but I have really liked the results. I have tried to bring an American sensibililty to Irish and British landscapes.

New Direction - Acrylic Gouache by Emma Cownie
Acrylic Gouache by Emma Cownie

 

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Ardara – One of the best (and most colourful) villages in Ireland !

ardara 1

Ardara is pronouced “Arr-drahh” sort of prirate-like and not “Ar-dara”. It means Height of the Fort in Irish. I have heard Irish people (on the National TV weather forcast) get it wrong but they lived in far away Dublin. It is a busy little village near the Bluestack mountains in Donegal. Just over 700 people live there but thousands visit, especially in the summer time and many more pass through on the main road from North to South Donegal.

Map of Donegal – Ardara is to the South
Artie our cat from Ardara
Artie our cat from Ardara

Our cat, Artie, was once a stray in Ardara until the Animals in Need Donegal charity, trapped him, neutured him and found him a home with us. They had prioritised rehoming him rather releasing him back onto the mean streets of Ardara because long-haired cats find it difficult to get dry after rain and so they don’t live very long. Thankfully, he’s living a cushy dry indoor life with us and I hope he has a long life ahead of him.

Ardara’s main street rolls down a long hill and turns right – then that’s about it. Before you know it you are back in the countryside. Like a lot of Donegal townlands, or villages, it is small but condensed. There is a lot in a small area. We had previously sat at a junction outside Ardara for 20 minutes and watched as what seemed like hundreds of tractors “zoom” past on a “Tractor Run”, a popular rural fun raising activity in Ireland (and Wales too). When I say “zoom” I mean relatively speaking, as a lot of the tractors were vintage ones that did not really zoom so much as chugg past.

The main street is dotted with lots of cafes, bars and wool/tweed shops. Ardara people are very friendly and welcoming. This is a regional centre for the dyeing and weaving of Donegal wool. This seemed to rub off choice of the colours of the walls of the village itself. The villages in the south of Donegal are a lot more colourful than the ones in the north. They favour white houses. I don’t know why, but I was surprised by the vibrancy of the colours of wool and cloths. They were the exactly same as the colours you see all around your in the Donegal landscape: greens of the grass, browns of the bogs, the pinks, purples, yellows and oranges of the flowers. Some cloths were flecked with an array of lush colours. As an artist it was very inspirational to see these colours.

A couple of years ago we visited the Triona Visitor Centre where a very patient lady answered a lot of my questions about weaving. There is also Campbell’s, Eddie Doherty’s and John Molloy’s to the south of the village. I would happily taken armfuls of coats and jumpers but in the end we limited ourselves to a tweed flat cap for Seamas and a pair of Donegal socks for me! Last of the big spenders, eh? This little village is well worth a visit and the list of upcoming festivals it hosts gives a good excuse call by if you are ever in the north of Ireland!

See more of my paintings of West Donegal here and Arranmore here

Find out More about Ardara

https://www.welovedonegal.com/ardara.html

https://www.govisitdonegal.com/things-to-do/places-to-see/ardara-heritage-town

https://www.donegalcottageholidays.com/join/images-of-ardara/

https://www.ardaradistillery.com/discover-ardara

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Three Donegal Paintings

Three Donegal Paintings by Emma Cownie

Grief has made me stupid. I struggle with new or complicated things. I am really struggling with writing anything longer than a couple of sentences. WordPress keeps changing how it works too.

 So I am just going to present you with three paintings of beautiful Donegal I have finished recently. I have a small collection of Gower paintings to come too. 

Waiting for the Tide, Rossbeg (Donegal)
Waiting for the Tide, Rossbeg (Donegal)
Misty Morning on Rossbeg (Donegal) by Emma Cownie
Misty Morning on Rossbeg (Donegal) by Emma Cownie
Quiet on Arranmore, Donegal by Emma Cownie
Quiet on Arranmore, Donegal by Emma Cownie
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Country Road, Winter Sun (Inishowen, Donegal)

Country Road, Winter Sun (Inishowen, Donegal) by Emma Cownie

Today is the shortest day of the year. Its very dark up north here. The morning are very dark yet I find it hard to sleep. When the sun appears it illuminates and reveals a verdent but slummering landscape. I am always looking for flashes of red to paint in the deepest winter. In the past it might be a coat, or a door. Today it is a red roof on an old stone cottage. The old houses are disappearing fast here.

This part of Inishowen near Dunaff feels remote. Maybe that’s because we drove through up and through the Urris Hills and Mamore gap to get here. It’s all small long roads like this one. Its tucked away in a north western corner of Inishowen, Malin Head is to the north, close by. I look forward to the days slowing getting longer.

https://emmafcownie.com/product/country-road-winter-sun-inishowen-donegal/
Country Road, Winter Sun (Donegal) by Emma Cownie
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Patterned Fields, Rossbeg (Donegal)

Patterned Fields, Rossbeg by Emma Cownie
Patterned Fields, Rossbeg by Emma Cownie
Patterned Fields, Rossbeg by Emma Cownie

One of the joys of acrylic gouache is that it dries very quickly and is opaque – so it lends itself to this sort of mark making.

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Cruit Lower, Kincasslagh

Cruit Lower, Kincasslagh

Summer in Donegal is full of light. Even if its damp summer there is still lots of light. The northly latitude sees to that. It only seems to get properly dark for a couple of hours after midnight and dawn comes impossibly soon. So its great for painting and getting out and about but the light is not so interesting for photography or sketching, especially if, like me, you like lots of strong shadows. So my paintings are usually based on images that are captured in the autumn months. Otherwise, mornings and evening are best for interesting colours and shadows.

Autumn Light on Cruit Island, Donegal _ E,mma Cownie
Autumn Light on Cruit Island, Donegal _ Emma Cownie SOLD

Cruit Island is one of my favourite places in Donegal. It’s rocky and sparsely populated but is accessible by a handy bridge.

Donegal Cottages, Cruit Island _Emma Cownie
Donegal Cottages, Cruit Island _Emma Cownie SOLD
Over Cruit Island by Emma Cownie SOLD

We have driven past the collection of farm buildings at Cruit Lower many times but I only managed to capture an image I liked enough to paint this spring. It was an uncharacteristically warm and sunny run of days this May.

The farm has long fascinated me as you have to drive through it. These through roads through farms are not unusal in rural areas in Ireland (and Wales). Informal tracks through a collection of farm buildings, now divided by tarmac.

Lower Cruit was for sale last year and I had a good look at it online. It was interesting as you can only glimpse some of the buildings from the road. I cant remember how much the asking price was. Getting on for a million Euro, maybe. Way out the reach of a poor artist! You got a lot for that; a collection of beautiful historic buildings (some pre-famine era) and access to a beautiful beach and some really incredible views of the West of Donegal. Here are some of the photos from the website. I dont know who bought it but I really hope they look after the beautiful old buildings.

Cruit Lower From the Air
Cruit Lower with Beach behind
Prefamine house at Cruit Lower
Prefamine house at Cruit Lower
Cruit Lower – the view you cant see from the road!

More information about Cruit Lower

https://www.buildingsofireland.ie/buildings-search/building/40904015/cruit-lower-co-donegal

1901 census information http://donegalgenealogy.com/1901cruitlowr.htm

Kinclasslagh wikipedia

https://www.donegalcottageholidays.com/cruitisland-cruitisland

https://www.booking.com/city/ie/kincaslough.en-gb.html

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“Fast” painting

Near Rossbeg

“Is this a fast painting or a slow one?” My husband asks.

This question gives me pause.

“A fast one” I reply.

Painting of Portnoo, Donegal by Emma Cownie
Portnoo Colours (Donegal) by Emma Cownie

My paintings usually take days to complete. On average three days. A smaller one quicker. Commissions are still “slow” paintings.

Lately, though I have taken to completing paintings in a single sitting. This may well be several hours, but its a single sitting.

Rocky Ground Bun An Inver
Rocky Ground Bun An Inver by Emma Cownie

The results are more sponanteous-looking. The process feels slightly out of control. Often I think “I have bitten off more than I can chew” here. But I stick with it. Years of painting have taught me to ignore the impulse to give up. To push on, even when when it looks a bit ugly.

There may well be things wrong; colours or details but they dont matter too much. I will alter them if they really bug me. Mostly I dont. The brush strokes are broken and incomplete. In some places they are deliberately rough. The canvas shows through in places. Often I am uncertain if I like the painting when I stop. Its usually a bit of a surprise. I have to fight my perfectionism.

Painting of Narin Donegal by Emma Cownie
Narin Rise, Donegal by Emma Cownie

I am racing ahead of my thoughts. Ahead of my critical mind that tells me its not good enough and to keep painting. Now I refuse to listen and keep going. It’s intense and exhausting.

Over Cruit Island, Donegal and painting by Emma Cownie
Over Cruit Island, Donegal and painting by Emma Cownie

My father died in June this year. He was 92. My heart is broken. He was a lovely, funny and kind man and I miss him terribly.

Me and my father
Me and my father (and Tiffany the cat)

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New Year Sale – 30% off

30% off website

To Celebrate the New Year I am giving 30% off all work on my website – to get the discount you have to enter a code at the checkout. Where’s the code? Join my email list and it will be sent to you, automatically. The sale ends on 15th January.

View from the Pier (Portnoo)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie SOLD

If you have already joined my mailing list and haven’t had my latest newsletter with the sale code check your SPAM folder.

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Timelapse of a Commission (with Nellie)

Timelapse Film of Work on a Commission

It’s not until you film yourself painting that you realise just how long a painting takes. I *know* how long they take, usually several days, sometimes longer. Actually seeing the process makes you realise how painstaking and slow the whole process is. Its taken me a while how to work out how to do a timelapse film and its a joy to see the work “fly” along. This is how it feels to me as I am painting (when its going well). Of course, a film can’t capture all the standing back, breaks to change the water, to clean the palette, or just to *look* at the painting. That is a dedicated painting shirt, by the way. There’s a lot of paint on the front of it.

Nellie had been lying on the bed whilst I was painting and came over when I put the palette down. Flossie and Nellie have always taken a great interest in my painting. So much so that I have been reduced to using a small camping stool as they insisted on walking along the back of the chair I used. My water is in a small jam jar with a scew-on lid as Nellie frequently tries to drink the (probably toxic) paint water if I leave it unattended. The palette also has a lid to help keep it damp and keep playful paws away from the paint. They are a large part of the reason I paint in water-based acrylic paints these days instead of oils.

Flossie and Nellie
Flossie and Nellie (on the wardrobe admiring art)