After working on my New York interior, I felt ready to return to the theme of rocky coasts. I was revisiting Mewslade Bay again, but a more panoramic composition with the tide coming in. My previous painting had been all about majesty and rocks but this one was different, it was more about colour and light. In particular I wanted to revisit some of the shadows that I’d found hard work in my previous painting and find out if I had left the “difficult bits” too long and whether I should have tackled them sooner.
Unfortunately, this painting fell into place a lot quicker than I expected and I only remembered to take a work-in-progress photos after I’d “solved” the rocks. I think that the addition of the grassy promontory, called “Devil’s Truck”, helped add a lot of interest and colour to the composition. It draws the eye to the left of the painting and away from the less interesting (in my opinion) shadowed part of the cliff in the centre. In the early stage of the painting, the foot of Jacky’s Tor (the peak on the right of the painting), is too light but I will adjust that later.
I paint the sand/reflection that will be partially covered by an incoming wave. I leave it to dry over night.
I darken the foot of Jacky’s Tor. I am a bit nervous about painting the incoming sea but my artist husband just advises me not too “think” about it but just paint it. He’s right and I consciously shut off my critical voice (or is that the left hand side of the brain) and get on with it.
I complete the sky. It passes the view-from-the-other-side-of-the-room test. I am pleased with it. It is less monumental than my previous Mewslade painting of Jacky’s Tor but I like its colourful energy. The warmth of the beach brings a lot of elements of the painting together.
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One thing I will say for Swansea Tourism is that they provide excellent free maps of the Gower. You can pick them up at “Information Points” around the city. I invariably have one folded into my pocket or in the front of my rucksack. They are small enough to be folded and stored easily like that. Not like my massive Ordnance Survey Explorer map of Gower. It’s about 20 years old so I don’t like to get it out unless I really have to. I am not very good at folded maps back into their original shape. Even the free map when is essentially a A2 sheet of paper (42 x 60 cm or 16.5 x 23.4 inches) printed on both sides causes me trouble in a good breeze.
I don’t really need my map today as the path follows the sea in a logical manner. The coast path signs appear at all junctions to make it clear which way I should be going. I do need the map to work out where something called the Knave is. The knave is a triangular slab of rock. I had come across a beautiful photograph of the Knave by Paul Edwards and was quite intrigued by it, as I had never come across it before.
I did not get to see the Knave from the same angle as Paul’s photograph on this particular walk.
From the coast path the Knave looks a bit like a dragon beginning to unfurl itself. I say that because there is a much larger dragon ahead, I am looking forward to seeing close up. I don’t have the time or energy to walk down to the Knave beach, today, I will leave that for another time.
I carry on the path towards Rhossili and my attention is drawn to the houses and farms that lie away back from the cliff edge. You can see them from miles away and I wonder what they are like inside, looking out at the sea.
There is lots of wildlife to observe. I can hear a lark’s rising song and I see black crows. Dylan Thomas probably would described them as “bible- black”. I see a robin. I think on every walk I have been on I have seen robins, whether I am in woodland, by a wooded stream, on heath land or on on the clifftops, they really must be very adaptable little birds. I even see a rabbit; his white tail vanishing into the gorse. Apparently rabbits are a vanishing species in the UK, their numbers have fallen by 80-90% in the past 20 years so I am happy to see one out here today. I also see and manage to photograph a solitary tortoiseshell butterfly. Although, it is one of the most widespread butterflies in Britain, it too has suffered a decline in numbers.
It is lambing season and the path is littered with sparkling white-fleeced lambs, twins and singletons sunning themselves along side their mothers. Maybe it’s my imagination but many of them seems to be smiling as they relax in the sun!
The path passes a series of narrow gullies down to the sea, Foxhole and Butterslade, and then the magnificent Thurba Head, a headland with 200 foot sheer cliffs down to the sea.
Mewslade. Here there is a path down to the sea, there is also a long dry stone wall that trails down to the sea. It is in the process of being repaired. I stop to look at the stones and marvel at the craftspeople that know how to arrange the stones to make a sold wall, all without cement.
If you go down to Mewslade, at low tide there is a beautiful sandy beach but at high tide there no beach at all, just rocky cliffs.
Mewslade – tide’s coming in!
At low tide, you can supposedly walk from Mewslade to Fall Bay around the next headland. I think some rock climbing might be involved. When I tried it from the other direction (Fall Bay to Mewslade) I ended up with wet boots (it’s a long story.)
After Mewslade I am getting excited as I can see Tear Point at the far end of Fall Bay. I have walked this part of the path quite recently and although I am getting very tired, I have a sense that I can do this. This long walk will be completed.
Now onto the climax of this long walk; Worm’s Head. As historian Wynford Vaughan Thomas called it “the Land’s End of Gower”. Its still quite a way until I reach the bus stop in Rhossili but I am now powered on by the sight of the Worm (in Old English “Wurm” means dragon).
This curious dragon-like, tidal island snakes off into the sea. I have seen seals on the leeward side of the island. Between the cliffs and the Worm is the causeway, it is visible this afternoon. It is a rocky mess of rocks and rock pools, which is open for 2.5 hours either side of low tide. At low-tide, the causeway can be crossed to the island. It is usually fatal to attempt to wade or swim to from back from the Worm when the causeway is flooded or partially so. Sadly, people have died tried to do so.
It’s one of the jobs of the little Coastwatch station, perched on the headland, to stop people from risking their lives doing this. It’s a stout and sturdy single story building is made of granite. It has been sitting alone at the top of the high cliffs that look out towards Worms Head and beyond to Lundy Island and to the Celtic Sea for well over a century. It’s also looking out for fishing and leisure craft who might experience difficulties off the rocky shoreline. A team of local volunteers look after from the coastwatch station; from 10am till 4pm in the winter and 10am till 6pm in the summer. If at the end of watch the Causeway has not yet flooded and there are members of the public still out on Worm’s Head, the watch is kept open until everyone is safely back on the mainland.
Kitchen Corner is a small bay to the right of the path that leads down to the Worm’s Head causeway. The boathouse was built in the 1920s and is often used as a location for fishermen although there was no one here today.
That little white building in the middle of Rhossili Bay is the old rectory. I will come back to it in my next post on my walk across Rhossili Downs.
I had looked at my watch and discovered that it had just gone 2pm. According to the notes on my post-it note there was a bus back to Swansea at 2.32 pm and then at just before to 4pm. I decided I would try and make the first bus.; It would involve a bit of a speedy march and by now I had a ranging thirst and I knew I would need to refill my lone water bottle somewhere. So I put my head down and forced my limbs to move as fast as I could along the long smooth concrete path from the Worm back up to Rhossili. A classic case of just because you can see it, doesn’t mean it close. It’s actually about a mile in distance.
Even as I am steaming along the path, I still have to pause and take a few photos of the incredible view across Rhossili Bay of Llangennith Beach. I pass people on the way, many different foreign languages floating on the breeze; German, Spanish, Chinese, Hindi. Of all the places on the Gower peninsula, this is the one that draws vistiors from all over the world, everyday, even on a day with bad weather. I love the international aspect of the place. It make me feel like I am citizen of the world.
I finally make it up the long path into Rhossili village. I also had time to stop off at the National Trust Conveniences to refill my water bottle. I am relieved to see that there is someone else waiting for the bus too. Always a good sign. An empty bus stop always has me wondering if I have just missed the bus.
It took me four hours to walk from Port Eynon to Rhossili. Was it 6 or 8 miles? It was probably 6 but it felt like 8, will all those ups and downs. I started the walk thinking about a slight twinge in my right knee – latter on I had forgotten that twinge in favour of my aching upper thighs (from going up and down hills), then it was aching calfs and finally whilst sitting on the long bus journey back to Swansea it is my feet that are throbbing.
So what did I learn today?
1. Remember suntan lotion. I should have put on suntan lotion. My right arm is burnt My left arm is fine. I now have a small tube at the bottom of my rucksack.
2 Water. Bring more water. Two bottles. Bringing enough water is more important than bananas, plaster, handbags and so on. I will bring two bottles on my next walk.
3. Finally, “Just because I can see it, doesn’t mean it’s close”. It’s now my walking mantra. However, it can be encouraging to see the end of your journey even if you are not there yet. This can be metaphorical as well are real – I can see the end of this journey now. I am over half way. I have walked over 18 miles out of the 32 or so I will need to do to complete this coast walk. I am buoyed by this feeling.
I have to pause in my journey around the Gower Peninsula because I have exam invigilation work for the next three weeks.
I was delighted to see my two Donegal paintings “Up Bloody Foreland, Donegal” and “The through Road, Donegal” on the walls of the London Irish Centre (Camden, London). These two oil paintings form part of a “real room” of an Irish family in 1950s Britain installation. The exhibition, which is on during August through to […]
Donegal is a big mountaneous county in a big country. Imagine my shock when I discover that it’s only the 4th largest in Ireland (after Cork, Galway and Mayo) at 4,860 km2 (1,880 sq miles). It seems even bigger as there is no railway or motorways here, so it takes a long time to travel around all the mountains. One of joys of the county is that it’s relatively empty (the 5th least populated in Ireland) with 32.6 people per km2.
There’s a good reason why landscape painters use the “landscape” orientation for their canvases – i.e. the longest side is horizontal – and that’s because you can fit more landscape in that way. I have recently discovered another good reason – social media and wordpress thumbnails don’t like tall narrow paintings and crop them.
Everybody loves the Georgian Houses It seems like certain styles never go out of fashion. Last year Georgian-style houses topped a poll of the most popular home styles. I suspect that people like scale of the house as well as the the pillars and generous sized windows. Nothing says lord of the manor like a […]
New Work & Recent Sales
Arch at Whiterocks Beach, Portrush
The Peace Bridge (Derry) by Emma Cownie
St Eugenes, Derry City
Polite Houses of Maghery- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Low Tide, Summer Morning on Three Cliffs – Emma Cownie
Boat on Inch Island Donegal
Across Whiterock Beach, Portrush
Dunluce Castle from Whiterocks Beach
Towards Bloody Foreland (Donegal) _ Emma Cownie
Houses at Port na Crin, Gola
Errigal reflection (Donegal) _Emma Cownie
Washing Line, Arranmore _Emma Cownie
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
A Road through Chalford (Cotswolds)
Painswick Yews (Cotswolds)_Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Errigal from Cruit Island. Donegal _ Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)