Great feature in Walesonline and the Western Mail today on how art therapy is helping me to recover from Post Traumatic Stress Disorder (PTSD) and how painting still helps me therapeutically today. I do not know where I would be if it was not for art and painting. Also I am thankful for my husband, Seamas, who runs all the art business side of things, as well as being my agent.
This frees me up and allows me the time to simply paint and nothing else. I paint when not teaching as I need to, it is an essential element of my therapeutic recovery from Post Traumatic Stress Disorder. PTSD is a condition that can only be managed and is unlikely to ever return to “normal”. As the article states, it has left me with reduced energy levels and things can threaten to overwhelm me sometimes so I need time out with my oils!
As I paint so much the paintings obviously started stock piling so my husband decided to try and sell them. He contacted Artfinder and went online there. As we started selling from the start, we have kept going although I would paint regardless and I need to. So there you have it. That’s me. Thanks to you too for all your support, likes, comments, well wishes and friendship. It means a lot to us.
This is an oil painting of the Table Mountain in Mid Wales. I painted this because I loved the colours of blues, turquoise and purple which blend pleasingly with the blue-greens and terracottas of the trees and land.
Nature unearths such lovely rich colours and casts them wide in lovely complementary chromatic patchworks.
I would say this painting is inspired like so many of my mid-Wales landscapes by one of my favourite painters, Robert Bevan, whose landscapes have influenced how I paint this type of hilly upland landscape as opposed to the landscape I paint of Gower Peninsula which is usually in my own unique refractionist style which in itself influenced by expressionism.
I love the idea that colour expresses emotion, transports and alleviates the self and a creates an emotional response to a place depicted in a painting. Ideally I like to transport the viewer to the place so that the viewer somehow feels they are there or have been there in some sense. That is somehow familiar to them. In this painting I hoped to transport one to soft lazy warmnesss of summer in the fields of Mid Wales. The velvety feel of the Table Mountain helps heighten this feeling of softness. The warm summer breeze can often give this sense of snoozy softness and I hope some of this is conveyed in this painting with the manicure trees like hairdryed Bouffants and the dusty dryness of the terracotta.
A selection of some other limited edition Giclee prints which will be for sale (mounted and wrapped) at Brynmill Park – at the Kiosk stall from now on with postcards and greeting cards also available soon – A4 size prints are £35, A3 are £49
I have just sold this mounted Giclee print to a lovely couple who run the excellent kiosk in Brynmill Park, Swansea which also is the subject of this painting/print – they also kindly asked me to join them tomorrow on their stall by the kiosk, which is very kind of them. So if you would like a mounted print, greeting card or postcard depicting various parts of Brynmill, Uplands and Mumbles areas contact me and I can send you one in the post, free of charge!.
I am very excited to have an article in today’s Irish Independent on Sunday about me and work by Niall McMonagle. Below is my expanded Q & A interview that was much edited to feature in Niall McMonagle’s What Lies Beneath feature . It’s interesting to see that the online version had a different […]
This is the second part of my expanded Q & A interview with Niall McMonagle of the Sunday Independent. Read part one here This section is more about how I work, my style and influences. Q: How do you choose your places to paint? And is there a particular time of year that […]
I am delighted to have another of my painting adapted for a novel cover by an Irish writer. This time my painting “Cottage on Bunbeg Harbour” (2019) has been used for the Spanish translation of Donal Ryan’s “Strange Flowers” or rather “Flores Extrañas”. I have started reading the original and I am thoroughly enjoying it. […]
In my last post I decribed visiting the abandoned fishing village of An Port tucked away in a remote corner of the Donegal shoreline (read it here). We were inspired to seek out this very remote spot by American artist Rockwell Kent, who visited and painted the area in the 1920s. I was waiting for […]
New Work & Recent Sales
Washing Line, Arranmore _Emma Cownie
Inishcoo (To The Fore of Arranmore) – Emma Cownie
Kinnagoe Bay (Inishowen, Dongal)
Over Glenlough Bay, Donegal-Emma Cownie
Still, On Gola (Donegal)
An Port, Donegal_Emma Cownie
House on Ishcoo, Donegal-Emma Cownie
On Rutland Island, Donegal -Emma Cownie
Spring on THree Cliffs Bay, Gower_Emma Cownie
Sun on the Reeds (Glentornan, Donegal)-Emma Cownie
View from the Pier (Portnoo)-Emma Cownie
From Port to Glenlough (Donegal)
Fishing Boat at Port Donegal-Emma Cownie
Portnoo Pier, Donegal_Emma Cownie
Down to Rossbeg Pier, Donegal
Errigal reflection (Donegal) _Emma Cownie
Errigal from Cruit Island. Donegal _ Emma Cownie
Over to Fanad Lighhouse (Donegal) _Emma Cownie
Errigal painting – A Commission 2022
From Arranmore (Donegal)- Emma Cownie
Abanoned (Glentornan, Donegal) -Emma Cownie
Ferry Home (Arranmore, Donegal) by Emma Cownie
Summer Morning on Pobbles Bay
On the Way to Kinnagoe Bay (Drumaweer, Greencastle)
Down to Doagh Strand (Donegal)-Emma Cownie
Lambing Season at Fanad Head
Fanad Lighthouse (Donegal)
Down to the Rusty Nail
Carrickabraghy Castle, Inishowen
Upper Dreen_Emma Cownie
Portmór Beach, Malin Head, Donegal
Down to the Rusty Nail, Inishowen
The Walls of Derry
Painting of Derry City
Derry Walls by Emma Cownie
Shipquay Gate by Emma Cownie
Over to Owey Island (Keadue) Donegal
Lighting the way to Arranmore
Old Stone Cottage in front of Errigal (Donegal
Boat at the Pier, Gola
House on Inishbofin, with distant Seven Sisters (in studio)