Great feature in Walesonline and the Western Mail today on how art therapy is helping me to recover from Post Traumatic Stress Disorder (PTSD) and how painting still helps me therapeutically today. I do not know where I would be if it was not for art and painting. Also I am thankful for my husband, Seamas, who runs all the art business side of things, as well as being my agent.
This frees me up and allows me the time to simply paint and nothing else. I paint when not teaching as I need to, it is an essential element of my therapeutic recovery from Post Traumatic Stress Disorder. PTSD is a condition that can only be managed and is unlikely to ever return to “normal”. As the article states, it has left me with reduced energy levels and things can threaten to overwhelm me sometimes so I need time out with my oils!
As I paint so much the paintings obviously started stock piling so my husband decided to try and sell them. He contacted Artfinder and went online there. As we started selling from the start, we have kept going although I would paint regardless and I need to. So there you have it. That’s me. Thanks to you too for all your support, likes, comments, well wishes and friendship. It means a lot to us.
This is an oil painting of the Table Mountain in Mid Wales. I painted this because I loved the colours of blues, turquoise and purple which blend pleasingly with the blue-greens and terracottas of the trees and land.
Nature unearths such lovely rich colours and casts them wide in lovely complementary chromatic patchworks.
I would say this painting is inspired like so many of my mid-Wales landscapes by one of my favourite painters, Robert Bevan, whose landscapes have influenced how I paint this type of hilly upland landscape as opposed to the landscape I paint of Gower Peninsula which is usually in my own unique refractionist style which in itself influenced by expressionism.
I love the idea that colour expresses emotion, transports and alleviates the self and a creates an emotional response to a place depicted in a painting. Ideally I like to transport the viewer to the place so that the viewer somehow feels they are there or have been there in some sense. That is somehow familiar to them. In this painting I hoped to transport one to soft lazy warmnesss of summer in the fields of Mid Wales. The velvety feel of the Table Mountain helps heighten this feeling of softness. The warm summer breeze can often give this sense of snoozy softness and I hope some of this is conveyed in this painting with the manicure trees like hairdryed Bouffants and the dusty dryness of the terracotta.
A selection of some other limited edition Giclee prints which will be for sale (mounted and wrapped) at Brynmill Park – at the Kiosk stall from now on with postcards and greeting cards also available soon – A4 size prints are £35, A3 are £49
I have just sold this mounted Giclee print to a lovely couple who run the excellent kiosk in Brynmill Park, Swansea which also is the subject of this painting/print – they also kindly asked me to join them tomorrow on their stall by the kiosk, which is very kind of them. So if you would like a mounted print, greeting card or postcard depicting various parts of Brynmill, Uplands and Mumbles areas contact me and I can send you one in the post, free of charge!.
We visited Ramelton several times in this summer. It is a fascinating and historic town tucked away in the north-eastern corner of Donegal. Ramelton, (Irish: Ráth Mealtain) is also known as Rathmelton, this caused me great confusion when map reading. Yes, we have a sat nav but I am an old-fashioned girl and I like […]
I have been experimenting with different supports and media. The Jessica Brilli painting on wood got me curious about how it would be different from painting on canvas. I could find very little information about the experience of painting on wood panels (but lots of information on how to prepare them). So I realised that […]
I was delighted a while back to be asked by one of my very favourite artists of all time, Jessica Brilli, to trade paintings. Jessica has been a big influence on my own style of painting so I feel very appreciated and validated by her contacting me to say she loved my work and wanted […]
New Work & Recent Sales
Up Bloody Foreland, Donegal
Quay Street, Dungloe (Ireland)
On the Road to Maghera, donegal
The Yellow House, Bunaninver
Not a Cloud in the Sky (Bloody Foreland, Donegal)
View From Dunmore Strand (Work in Progress)
Winding Road, Bunaninver
The Old Shed at Marameelan, Donegal
On the Way to Arphort, Arranmore (Donegal, Ireland)
The Old House at Marameelan
Down to Magheraroarty, Donegal
On the Back Road to Dungloe, Donegal
Approaching Storm on Dunlewy
Three Chimneys Arch, Gower
Main Drag, Gola (Donegal, Ireland)
Up Through Gola, Ireland
Electricity Lines, Marameelan (Donegal)
The Pyramid, Three Cliffs Bay, Gower
Tidies Out, Tullyillion (Ireland)
With a Road Running Through It
Spring Tide, Three Cliffs Bay
The Incoming Tide at Great Tor, Gower
Lanmadoc, North Gower
Ship Cottage Pwll Du (Gower)
Across to Three Cliffs, Gower
Time Was, Gola (Donegal, Ireland)
Sally’s Loch (Donegal, Ireland)
Early Morning Shadows at Low Tide, Three Cliffs (Gower)
Down from Knockfola, Donegal
Down to the Pier, Gola (Donegal, Ireland)
Soft Light, Gola (Donegal, Ireland)
The Polite Houses of Maghery_Emma Cownie
Backlane Basketball (Swansea)
Back Lane, St Thomas (Swansea)(2021)
Side View, Brynmill (Swansea)
Meemacladdy, Donegal, Ireland
The Dusty Road (Gola), Donegal, Ireland
The Traditional House, (Gola)
Tormore Island from Rosbeg, Donegal
Autumn on Poolawaddy (Donegal, Ireland)
Tenby Quay, wales
Out of the Tenby Shadows
Donegal Thatched Cottage (Cruit Island)
Home Farm Penrice
The Day’s End, Ireland
Arranmore Donkey, Ireland
Jimmy’s House (The Rosses, Donegal)
Illion, Arranmore (Private Collection)
Above Aphort (Arranmore, Donegal)_Emma Cownie
Underhill Cottage (Oxwich, Gower)
The White Bridge, Arranmore, Ireland
The Approaching Storm (On Dunlewy Lough), Ireland – In my attic studio