Delighted to say I have SOLD this oil painting Rainbow Wood Revisited” via Artfinder to a delightful collector of my art work and whose support I greatly appreciate!
“This is another refractionist/cloissionist painting where I attempt to break down the light streaming through the leaves of the trees in to blocks of colours. My painting has two prominent motifs which are to 1. create or animate light via my use of colour or 2. conversely, to break down light into component colours, in order to show light being ‘refracted’ through different materials, such as the leaves of the trees in this painting. The wood floor is illuminated by the light and I wanted to create an effect of movement of colour sliding along the ground and also sweeping, almost windswept across the trees like colour on the wind.
I like that pre-perceptual fleeting moment before our brains ‘construct’ images before colours and light are burnt into conscious representation. I love woods and trees because they capture the light in many ways and translate this light into numerous colours, too many to paint. I attempt to catch that fleeting fluidity, that becoming an image, not fully formed, more sensation than perception. I hope this vibrancy recreates that feeling of awe we feel in nature’s beauty, before our brains explain it away. To return to the fluent, heart-filled child-like wonder that sometimes ossifies with age.”
Delighted to say I have just SOLD “Spring Coloured Woods” via Artfinder.
Now off to live with “The Bridge to Parkmill” in Lancashire – will we see an Ilston Cwm triptych adorning a wall of a home in Lancashire?
“This is the last of the summer wine of a substantial series of oil paintings of a woodland area in Gower Pensinsula between Ilston and Parkmill, which the locals call Cannisland Woods.
It is amazingly beautiful at any time of the year but the light is rarely better than in Winter when it is glassy clear and this helps create a riot of colours and hues in this most dank time, in the mulched leave-layered ground, in the trickling everchanging brook of the Killy Willy, in the distant haze behind the barren trees and in the wonderfully green-mossy trees and shiney, slippery brown barks of the twisted trees by the Killy Willy.
This is another “refractionist” (expressionist) style painting which is similar to Sapling Wood and Rainbow Wood in it’s sweeping streaks of colour but much more grand in it’s ambition and luxuriant in i’ts detail.
This will probably be the last of this series of paintings for some time so enjoy.”
This is another “urban folk” painting – a style of painting I have been developing recently, expressionist people portraits from real life in the area near me here in Swansea, Wales. I try to catch the pathos of every day life and hope the paintings tell a story to the viewer. Uplands is a busy area in Swansea, full of shops, bars, coffee shops – where one can shop, eat, drink, listen to music, socialize and be merry. I hope I catch the start of that evening bustle is this painting. The cars coming into town, while the older gentleman returns home with his evening supplies and younger people appear to chat in the street. The constant coming and going and intermingling of activity.
Different people doing different things on the same city street.
This is why we love the city, the constant activity and the wide variety of people and characters, always something to catch our eye and imagination.
“This is the third in the “Pies series” after “Before the Rush” and “That Moment of Indecision” which have both sold on Artfinder.
Here our everyman protagonist is joined by the fleeting, shooting looks of a passer-by, also briefly considering whether to to step into the warmth of the “Pies” shop on St Mary’s Street, Cardiff.
At least the passer-by’s brisk walk, and disgusted frown at even having entertained the notion of pies, suggest the exquisite relish and torturous desire will be shorter lived than the gentleman by the window, who has moved his longing gaze from the advertising board to the orange-inviting heat of indoors.”
new oil painting – 80 x 60 cm, £479 – “Night Jacks”
“The title of this expressionist “urban folk” painting takes it’s title from Hopper’s “Night Hawks” – I have “Britished” Hopper’s painting which was set in an American diner by using a British alternative or even equivalent the ever present Fish and Chip shop instead as it seemed appropriate. The second part of the title, Jacks, refers to a name we have here in Swansea for people who come form Swansea.”
“This is another form the Ilston Cwn series of expressionist, “refractionist” paintings. This bridge has featured before in the best selling “Bridge series” from 2014.
This time I have painted the bridge from a different perspective rather than “head on” so to speak. I just loved the rainbow of colours reflected in the water and the grassing and variously textured river bank.
There was such a spectrum of colour in this scene with the winter sun illuminating a tapestry of colour from the foreground to the back.
Again it is almost surprising that winter yields the clearest, illuminating light and the greatest palette of nature’s colours.”
Delighted to say I have just SOLD this oil painting “Mumbles Pier” via Artfinder. “Oil painting of the tide lapping its first waves of late afternoon on to the beach near Mumbles Pier, enticing boaters and their boats into it’s watery delight.”