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Sprung Coloured Wood – a Gower painting

Painting of Welsh woods

Delighted to say I have just SOLD this oil painting “Spring Coloured Wood” one day after uploading onto my various online galleries! The artlover will be buying this lovely painting via my “Part Payment” scheme.

If you would like to spread the costs of paying for one of my paintings too please click on this link to find out more details of how to pay for my paintings over a period of months via part payment – the first payment secures the painting for you!

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Large limited edition mounted prints are available here 

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Autumn Beckoned – a Brecon Beacons painting

Delighted to say I have just SOLD “Autumn Beacons” via Artfinder – now off to live in Worcestershire!

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“Oil painting of mountains in the Brecon Beacons, autumn-coloured purple by the weather-coarsed heather”.

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Canisland Woods – a Gower painting

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SOLD

This is the last of the summer wine of a substantial series of oil paintings of a woodland area in Gower Pensinsula between Ilston and Parkmill, which the locals call Cannisland Woods.

It is amazingly beautiful at any time of the year but the light is rarely better than in Winter when it is glassy clear and this helps create a riot of colours and hues in this most dank time, in the mulched leave-layered ground, in the trickling everchanging brook of the Killy Willy, in the distant haze behind the barren trees and in the wonderfully green-mossy trees and shiney, slippery brown barks of the twisted trees by the Killy Willy.

This is another “refractionist” (expressionist) style painting which is similar to Sapling Wood and Rainbow Wood in it’s sweeping streaks of colour but much more grand in it’s ambition and luxuriant in its detail. This will probably be the last of this series of paintings for some time so enjoy.

The painting has sold but you can buy a large limited edition mounted print here

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Farm under the Velvet Mountain – a Brecon Beacons Painting

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Farm under Velvet Mountain (SOLD)

This is an oil painting of the Table Mountain in Mid Wales. I painted this because I loved the colours of blues, turquoise and purple which blend pleasingly with the blue-greens and terracottas of the trees and land.

Nature unearths such lovely rich colours and casts them wide in lovely complementary chromatic patchworks.
I would say this painting is inspired like so many of my mid-Wales landscapes by one of my favourite painters, Robert Bevan, whose landscapes have influenced how I paint this type of hilly upland landscape as opposed to the landscape I paint of Gower Peninsula which is usually in my own unique refractionist style which in itself influenced by expressionism.

I love the idea that colour expresses emotion, transports and alleviates the self and a creates an emotional response to a place depicted in a painting. Ideally I like to transport the viewer to the place so that the viewer somehow feels they are there or have been there in some sense. That is somehow familiar to them. In this painting I hoped to transport one to soft lazy warmnesss of summer in the fields of Mid Wales. The velvety feel of the Table Mountain helps heighten this feeling of softness. The warm summer breeze can often give this sense of snoozy softness and I hope some of this is conveyed in this painting with the manicure trees like hairdryed Bouffants and the dusty dryness of the terracotta.

 

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First of Many!

I have just sold this mounted Giclee print to a lovely couple who run the excellent kiosk in Brynmill Park, Swansea  which also is the subject of this painting/print – they also kindly asked me to join them tomorrow on their stall by the kiosk, which is very kind of them. So if you would like a mounted print, greeting card or postcard depicting various parts of Brynmill, Uplands and Mumbles areas contact me and I can send you one in the post, free of charge!.

 

.nan and bampi

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The Cloud Remains

“This painting is of the straggling wisps of cloud left on the hills in the Black Mountains after a passing storm. It was an amazing scene, this steam-like vapour rising out of the backs and humps of the hills. It looked as if the hills had just had a shower and the appearing sun was drying them off. I loved how the low lying clouds combed the trees and hedges as they floated past. The sun, shining through to illuminate this effect, seemed also to grow patchworks of colours from the fields around the surrounding landscape, as it the light was a nurturing spectral beam. The colours in the Black Mountains after the weather breaks on the hills are heavenly and this is what I hoped to convey. ”

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The Cloud Remains (SOLD)
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One Impulse from a Vernal Wood

As this oil painting depicts the end of March and the coming of spring, one of my artloving friends sent me a section of a poem by William Wordsworth which he felt my paintings of this area of Gower expressed to him.

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One Impulse From Vernal Wood (SOLD)

“One impulse from a vernal wood
May teach you more of man;
Of moral evil and of good
Than all the sages can.

Sweet is the lore which nature brings;
Our meddling intellect
Mishapes the beauteous forms of things
-We murder to dissect.

Enough of science and of art;
Close up these barren leaves;
Come forth, and bring with you a heart
That watches and receives.”

 

Limited edition mounted prints are available here 

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The Long Way Home Got A Whole Lot Shorter

Delighted to say I have just SOLD this oil painting “The Long Way Home” via Artfinder – now on it’s way to Ontario, Canada!

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This people portrait is intentionally quite poignant as it features an elderly man who seems to be carrying some of his belongings in a plastic shopping bag. It is not clear if he is unkempt in his crumpled rain coat because he i s homeless or has gone beyond caring too much about his appearance. Either way, he looks sad and almost life-beaten.

I wanted to contrast his sad, beaten, forlorn facial expression, and drooped shoulders and shuffling gait with the excitement of others striding off into the distance, either shoppers hurriedly returning home after a successful day’s shopping or employees from these shops doing the same after a hard day’s work.

There is also a frission or juxtaposition between the elderly man’s crumpled slightly smudged coat and dishevelled appearance and the gleaming reflection-clean floor of the shopping mall and the tidy, orderly professional look of the shops.

The elderly man looks like he doesn’t fit in here or even maybe he has no where to go, unlike the others, where he can fit in. It is as if society has locked him out of what others have and perhaps even take for granted.
He seems lonely, and forlorn on his way to wherever he is going, to wherever he calls home?

 

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Long Way Home (SOLD)