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My Ilston Inspiration

Glorious Gower

My present series of paintings which included the recently sold paintings below are all of and inspired by Ilston Cwm a rural woodland in Gower Pensinsula. Gower was the first designated Area of Outstanding Natural Beauty in the UK in the 1950s and is a major influence on my artwork.

I love visiting this area, every weekend to walk my dogs and take photographs of the area.

I like doing this especially in Winter when the rich Winter light catches the mossy barks of tress and illuminates the background behind the leafless trees with pinky purples and silvery greys.

I find winter with it’s seeming desolation much more colourful than other times of the year. The light is more brilliant, thicker and more concentrated  than the light of summer. Less diffused. More clear.

The fact the trees have no leaves allows one to look through and beyond and gives greater depth of perception and a richer array of overlapping colors .

This seems to suit my refractionist style of breaking light down into colour components as these blocks of colour have a greater overlaying depth in winter.

Winter light is also lower in the sky and this helps with a sharper more intense light falling on mossy tree barks.

It is so great to get out of the city to soak up some countryside. It has become a vital part of life, escaping the every day concerns of life and work in Swansea to commune with nature, to get away from it all and to return with a bucket load of inspiration for paintings to be contemplated or painted in the following week or weeks.

It is like getting filled up with inspiration, in fact. Replenished, reinvigorated.

I find Gower a very moving place, inspiring. There is something tangibly uplifting about this peninsula. A special energy, or spirit to the place, a Nature Cathedral.  There is a presence that inspires one and lifts the soul towards creativity, towards play. I am blessed to have such an inspiring place only ten-fifteen minutes away.

 

beech by the brook

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wooden bridge

Down Stream (2)

These painting have been sold but you can buy large limited edition mounted prints here

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Tree by the Brook

Here is my latest oil painting – “Tree by the Brook” – 60 x 80cm – £395.

Email if interested in buying.

beech by the brook
Beech by the Brook (SOLD)

This is the latest in a series of oil paintings, based loosely on my refractionist style, of a wood in an area of the Gower Peninsula called Ilston. This painting is of a green moss coated tree, lit by the low lying rich winter light, whose roots plunge into and drink from Ilston Brook.

I love winter light more than any other light and how it’s eye filling light illuminates the barks of trees. How it casts mist greys and pinky, purple pastel hues into the background light.

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Winter Sunshine – Gower ponies

 

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Winter Sunshine (SOLD)

 

This oil painting is of two sun-bathed Gower ponies which roam the common land of Gower Pensinsula near Swansea in Wales, UK. It is great having ponies, horses, sheep and cows (even young bulls!) roaming this diverse countryside, walking pretty much wherever they fancy or so it seems. I am blessed to live near it all. I have tried try to catch the beauty, calm and peacefulness of these beautiful animals.

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In a meditative manner, to the music of Eric Satie’s gorgeous “Trois Gymnopedies”, I attempt to describe how working close to nature but in the city is a major influence on my painting, blending with my technique to create my artwork. In fact, place and painting are inseparable. I am greatly influenced by the light and beauty in Wales and around the Swansea area in particular. Most of my paintings inspired by the bountiful beauty that surrounds me, the sounds as well as the images. You might even notice the odd inspiration that made it to be a painting too (as well as the odd painting of my inspirational Swansea). Welcome to my Attic Art Studio and the place that inspires much of my artwork.
https://vimeo.com/104913701

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Craftsman Gallery

These two rather complementary paintings of Tenby are now being exhibited in the Craftsman Gallery, St Helens Road, Swansea.

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Sapling Wood

This is another refractionist painting – I was drawn to this painting because I love the colours that come alive not only in misty backgrounds but in backgrounds in the sun, viewed from the more darkened interiors of the wood as in this painting. I love the cool blue of the distance trees and the purple mingling with the ground and the purples there sliding across the ground, following the sun’s light into the dark of the wood. I love the spectrum of colours in the light and how the light is refracted by the tips of the trees, the last burnished leaves and the spindly branches. It produces a kaleidoscopic effect of colour.

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Sapling Wood (SOLD)

Buy large limited edition mounted prints here 

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Inner Light

“This is another ‘refractionist’ painting and is almost an inverse of ‘Up Cwmdonkin’. Instead of the refracted light creating a stain glass effect falling on the outside fringes of a wood, here it illuminates within the hidden chamber of a forest, which gives it a heightened, magical or enchanted feel. It feels like a secret wood of childhood fantasy and imagination. I like how the brilliant rainbow colours contrast with the jet black and how the inner sanctum of light is framed naturally by the surrounding trees, inviting one into the shower of light and colour.

But is this scene too good to be true? Is there a Brothers Grimm malevolence here, in this painting? Do the black trees signal a menace, a foreboding or do these encircling trees call one into a place of wonder and a child-like joy, where the light and colour, silence and peace rain down and let the soul rejoice? Or is it a broody chimera? Depends on your own imagination, I suppose!”

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Brandy Cove Stile

This oil painting is of a lovely country walk down Gower Peninsula, outside Swansea. Over the stile and down to Brandy Cove where brandy and other illegal booty was smuggled to shore by the frequently visiting smugglers that dropped their ill gotten gain here and in various other coves littered around the Gower coastline. I like the way the sunlight catches the tips of the tree leaves, like a translucent membrane between the brillant bright summer light beyond the stile and the darkened wood behind it.

 

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Brandy Cove Stile (SOLD)

 

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Tenby Tide

This is quite an unusual painting of Tenby into that the tide is fully in, and the boats bob on the lapping multi coloured strips of water, which add a crispness to the West Walian light and a rich vibrancy to the coloured Tenby terraced houses, which cwtch the Harbour and lighten the spirit with a sea-salted breathiness.

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Tenby Tide

Buy mounted limited edition print here (free UK postage)

(29 x 20 cm print only) with mount 40 x 30 cm

[wpecpp name=”Tenby Tide A4 print” price=”30.00″]

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A 60 Second Interview Doesn’t Cover it All!

Here is my 60 second interview on Artfinder  in which I explain how painting was an integral part to my recovery from post traumatic stress disorder. I also explain my technique, inspirations, influences and how post trauma impacted on my art. Although I do not mention it explicitly in the interview “Fractured Light” was born and borne out of my worldview being fractured as the result of my post trauma which occurred as the result of a car accident. Thus the fractured perception of this painting represents my perception at the time. As my recovery continues and my mental health improves I find my painting also metamorphizes into being more expressive, coherent, unfolding, lighter and celebratory (if not relieved). Less fractured.

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I have to add that my post traumatic illness has revolutionized my way of painting. By husband suddenly became much more interested in my work and has acted as my agent ever since. He was now sure that I had the necessary ‘scar on the soul’ to make it as an artist. That I had made the breakthrough. I still paint prolifically because I need to paint still, not only professionally but must importantly in a therapeutic sense. Painting is when I am most ‘whole’ alive, engaged, fulfilled, free from self and doubts. Principally I write about how art has been a massive and continuing therapeutic benefit to me even though I initially returned to it very ‘broken’ despairing and distraught. I hope to engender some hope in other suffering form this most misunderstood mental health problem. I do not mean to say art was the only part of my therapy. EMDR was a vital core to my treatment and I would recommend this to others also. Now I paint with urgency, painting, painting, painting.

Life is unpredictable, it is best to seize the day and to enjoy the precious gift we have to the best of our ability. Most suffers of PTSD will not relate to this sentiment at present in they are in the terrifying, disjointed, fractured, despairing heart of it. I have been there too! The light at the end of the tunnel probably looks microscopic and is, in fact, a train coming. The light does eventually become bigger and brighter until you arrive on the other side and experience a brightness until then never experienced with such intensity. There can be a rebirth from this dark tunnel.

The intrusive memories have lessened. I re-experienced and reprocessed the negative emotions- the fear, distress, helplessness, guilt, shame, faulty pride etc –  which kept memories from being safely embedded in my hippocampus. Blaming myself for things beyond my control, that were not my fault, never were my fault. Random happenings, with no logic to them, no way of understanding them into reason, they were accidents, not in the script. Life can be like that, period.

Why is not always helpful. How is. How can I get out of this distress?   Perceiving things as they were, not what my brain continually told me meant I had to revisit the trauma, re-experience it and correct the faulty thoughts and destructive emotions which accompanied the memories of it.  Eventually allowing these memories to rest in my long term memory instead of continually stalking and attacking my equilibrium I started to feel better. Although it was exhausting and left me this way afterwards and to an extent now. Still, these months later. It can get better, not perfect. It never was perfect. Ever.

The mind and brain do not like being ill, they rally against it. This is often counter productive. First we have to accept we are in distress, suffering from a mental illness, that we need help from professionals, support form family, faith that we can recover. Check out EMDR professionals in your area. Start the journey to wellness knowing it can be done and will be done. Have faith, you will get better in time. Have courage especially, be brave.

I still have about 40-50% the energy I used to have but I have more peace of mind and gratitude for what I have, not what I wanted to have. I am still in recovery still getting better. It will take more time, months and months if not years. But I have turned a vital therapeutic corner.  So can you. Life has create new possibilities, new avenues to explore, pathways that were never obvious before, and which have ultimately led me back to me, to knowing me, to doing more of what I would want for me, that which expresses me most.

To my fellow PTSD sufferers, you have my love, best wishes, and support here on this blog should you need it. Spread the word – we can recover from PTSD,  one day at a time!  Just live this day, that is enough for now and for always…

I include a painting “Up Cwmdonkin” which was a painting representing a movement in my therapy, a getting better, a unforeseen island of relief in a, until then, daily tempest. I love this as it reminds me of the warm seaside breeze that can caress the autumnal leaves of the trees at the top of Cwmdonkin Park, a park hugged by the house that Dylan Thomas, the famous Welsh composer of words, lived in while growing up. The light wind almost signifies a ‘breathing out’, an emerging respite after months of therapy.

Emma

https://www.artfinder.com/story/emma-cownie/

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