Delighted to say I have just SOLD “Autumn Beacons” via Artfinder – now off to live in Worcestershire!
“Oil painting of mountains in the Brecon Beacons, autumn-coloured purple by the weather-coarsed heather”.
This is an oil painting of the Table Mountain in Mid Wales. I painted this because I loved the colours of blues, turquoise and purple which blend pleasingly with the blue-greens and terracottas of the trees and land.
Nature unearths such lovely rich colours and casts them wide in lovely complementary chromatic patchworks.
I would say this painting is inspired like so many of my mid-Wales landscapes by one of my favourite painters, Robert Bevan, whose landscapes have influenced how I paint this type of hilly upland landscape as opposed to the landscape I paint of Gower Peninsula which is usually in my own unique refractionist style which in itself influenced by expressionism.
I love the idea that colour expresses emotion, transports and alleviates the self and a creates an emotional response to a place depicted in a painting. Ideally I like to transport the viewer to the place so that the viewer somehow feels they are there or have been there in some sense. That is somehow familiar to them. In this painting I hoped to transport one to soft lazy warmnesss of summer in the fields of Mid Wales. The velvety feel of the Table Mountain helps heighten this feeling of softness. The warm summer breeze can often give this sense of snoozy softness and I hope some of this is conveyed in this painting with the manicure trees like hairdryed Bouffants and the dusty dryness of the terracotta.
This oil painting is of an area that inspires many of my landscapes, the Brecon Beacons in Mid Wales.
Unlike most of my other landscape paintings of the Beacons which paint areas of the Black Mountains, this painting is on the opposite side of the central Brecon Beacons from the Black Mountains, in an area called, somewhat confusingly, the Black Mountain.
The Black Mountains are more rural and more farmland dotted whereas parts of the Black Mountain are quite desolate and coarse in their moorland bleakness. One area seems generally more cultivated compared to the wildness of the other. This is why I love both in different ways. I love the Carmarthen Fan as this is more wild and unkempt although this soon gives way to the farm lands and patchworked fields like the other side of the central Beacons, as the earthy colours of agricultural Carmarthenshire also slide down the sides of these great glaciated monuments and into the the dim distance as they do on the other side too.
I love to convey some of this “giving way” to this naturally quilted farm land from these hard glaciated rocks of the Black Mountain in this painting. From the sandy fair illusion of softness in the far heights to the lush fruity colours in the near distance. I have also attempted to show the wondrous movement of clouds one experiences throughout the Brecon Beacons too, rolling their awesome way like herds of fluffy sky giants, tickling the tips of hills and caressing scarred ridges as they go. The movement of these ever-changing clouds over hills and mountains produces this amazing silverly grey light that when illuminated by the peeping, fleeting sun makes everything more more clear and the depth of perception much deeper.
It appears to hold everything in is wrapped clear focus. Almost magnifies the clarity of our onlooking vision. This makes the foreground colours deepen and seem more rich. It is a particular feature of upland Welsh areas, this brilliant luminescent light. Always changing and bestowing it’s chromatic good fortune on whatever it traverses.
This oil painting returns to Gower for inspiration. The area painted is further upstream from the earlier “Ilston” series”. I wanted to paint more of an expanse behind the trees and brook to give a heightened expression of that fresh, crisp, nose tingling feeling of early morning in late October.
The background morphed into burnished orangy-purple hills, perhaps unconsciously inspired by the rustic settings and autumnal colouring of the “Group of Seven” paintings and Tom Thomson in particular. I want the viewer to gasp, full lunged, the fresh air when viewing this painting.
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Delighted to say I have just SOLD this oil painting, “Hilly Mumbles” via Artfinder
“A Naive painting of Mumble, a seaside village near Swansea in South West Wales” .
Delighted to say I have just SOLD this painting “Toward Pennard Pill” via artgallery.co.uk
“This is a refractionist oil painting of a much loved inspiration for several of my works, the wooded area of Ilston in the Gower Peninusla, near Swansea. This brook or pill leads to the sea at Three Cliffs Bay, via Pennard Pill, hence the title.”
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I am delighted to say I have just SOLD this oil painting “The Allotment by Oystermouth Castle” the next day after uploading onto my Artfinder store!
“This is an oil painting of an allotment nestled up beside the magnificent ruins of Oystermouth Castle in Mumbles, near Swansea South West Wales. I loved the transition of buildings, light and trees as one looks through the public park in the distance.”
A new painting – 30 x 30cm – £135 -“Suzi Sheep”
Oil painting and animal portrait of a rather characterful seehp which cam e my way when visiting th beautiful Costwolds in Gloucestershire. The the plastic “rings” and her tufty hair, which resembled a mohican, reminded me of the post punk movement I grew up with. This sheep looked strangely like a veteran from that era.
As Suzi Sioux was one of my favourite singers from that era I decided to called this sheep Suzi in homage to Suzi and the Banshees.
Delighted to say I have just SOLD this lovely oil painting “Happed Up” of an old gentleman walking down the street in Carmarthen, catching the bright warming, descending sun on his face. I just loved the gentle warm colours on this sheep skin jacket and the inky blue of the door and the flaky, powdery colours of the damp wall behind. The title “Happed Up” is an Northern Irish expression meaning to dress up warm against the cold. Although the winter sun gives the impression of being warm, there was a nippy bite to the December air. The photograph that inspired this painting was taken on the same street and the same day as the one that inspired the painting “Saturday Shop” which has also been sold. My husband loves this painting so will be sad to see it go.
New oil painting “Stroud from Rodborough Hill” – £295 .
“I often catch the train to Stroud in Gloucestershire to visit my parents who live in Bussage, above Stroud.
This painting reminds me of the excited child-like feeling as the train pulls into Stroud train station, when the hill layered houses suddenly start to peek through the trees.
Not only am I excited to be seeing my parents but I am excited about spending time in the glorious Cotswolds.
I have never come across such a beautiful living landscape as the Cotswolds. I have never seen so many dwellings, hamlets and villages all built in gorgeous sun absorbing limestone, hugging hills and valleys. It is a magical place, as if plucked from a child’s fantastical imagination.
The airy anticipation is reflected hopefully in this painting, which is slightly summer balmy in it’s sunny excitement.”