Posted on 15 Comments

Rural Minimalism (Revisited)

Rural Minimalism

My work recently has undergone two small but important shifts in focus.

The first is a compositional one.

I have decided to revisit some of the “rules” I first used in 2017 when painting my Welsh “Urban Minimal” paintings (see my paintings for my exhibition in the Cardiff MadeinRoath festival here).

My “rules” for composition and painting this project … Read the rest

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My Review of 2020

Review of 2020

 We are all glad to see the back of 2020 but I am pausing for a moment to reflect on some of my painting sales over the year. Sadly, my accident and having my leg in a cast meant that I couldn’t get up the steep stairs to my attic studio (or anywhere else) to paint any oil paintings for … Read the rest

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The White Bridge, Arranmore (Ireland)

White Bridge_Emma Cownie

I have found that my energy is slowly but steadily returning after my operation on my broken leg in March (although painting light is shrinking with the shortening days).  I spent much of the spring and early summer sitting in my chair wishing I could go outside into the fresh air or climb the stairs to my attic studio. I … Read the rest

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Bád Eddie, Bunbeg, Ireland

Painting of Bad Eddie by Emma Cownie

 

I decided to apply the detailed techniques I have used for painting the hilly city of Swansea to the rural homes of the coastal townland of Bunbeg. I am usually drawn to painting old fashioned Irish cottages, as I like their clean lines and simple shapes. This time, I decided to challenge myself by painting modern Irish houses. The … Read the rest

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Paintings of Árainn Mhór/Arranmore, Donegal

Arranmore Donegal

I recently join the Stair Árrain Mhór – Árrain Mhór History Facebook group and was overwhelmed by the positive response I received from the members when I put my most recent post online there. I was asked if I had any more paintings of Arranmore for them to see, so here’s a collection of all my paintings of the Island … Read the rest

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Our favourite (deceased) female Irish artists Part 1

After writing about Paul Henry’s work in my last blog, I was embarrassed to realise that I am very ignorant about Irish Art/History, especially female artists. So to remedy this woeful ignorance I set myself the challenge of list of my favourite Female Irish artists, in the spirit of my earlier series of blogs on Our Favourite Female Artists.  … Read the rest

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Back in the studio!

Finally, I managed to scale the steep steps to my attic studio! One step at a time. Holding on the handrails.

Ah, what pleasure it was to be back in the attic. It has a view out the back of the house. It is a great pleasure to look at the wooded parks and hills of West Swansea instead of … Read the rest

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Watercolour painting

Watercolour painting by Emma Cownie

Watercolours are not usually my thing but circumstances have changed that, for the time being. When I came out of the hospital after my operation to fix my broken left leg, I knew that I going to off my feet for at least 6 weeks. I also knew that it would probably take another 2 to 3 weeks to … Read the rest

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The Road by the Loch, Ireland

Landscape Painting of Donegal Ireland by Emma Cownie

A while back I came across a quote on the internet that has stuck in my mind:- “If I knew the world was to end tomorrow, I would still plant an apple tree today.” I was quite struck by this sentiment, especially in the light of current events.
I could not remember who said it. So I did some research. … Read the rest

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Down the lane, Arranmore, Ireland

This is a follow on from my last post about composition and large landscape paintings. Included a small study of a view of Arranmore, Donegal. The study used a diagonal composition.

IMG_3531-002
Study 10cmx14cm (SOLD)

 

A Beginners Guide to Composition
A Beginners Guide to Composition (Diagonal Composition)

When it came to a much larger painting (60x80cm – approx 24″ x 32″) I decided on a slightly

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