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Gower Coastal Walk: Oxwich to Horton

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Wrapped up

Please note that this post was written in 2018 and there was a massive rock falls on this section of the Gower coastline in 2019

I realise now that my Gower Coastal Walk may have been easier if I waited until summer to do it. It was probably because my 2016 attempt ran into the sand that I have become a bit obsessed with getting it done. I also have work-related commitments in May and June that mean that I won’t be able to go walking during the weeks and I may be too tired to do much at the weekend. So what? Well, cold weather and wind is fine – lots of layers and a padded coat with a hood see to that (see illustrative photo to the right).

The mud’s quite different. It can be quite a hazard. My first walks from Limeslade to  Brandy Cove, were reasonably mud-free. From Pwll Du onwards, however, mud becomes a frequent peril. It’s just as tiring as sand to walk through but offers the excitement of the possibility of a) slipping and falling on my backside or b) slipping and twisting my ankle. Thankfully, neither of these actually happened. I have taken many photos of my muddy boots. Here’s a selection.

I don’t know why I never see other walkers with mega muddy boots like mine, maybe there are more nimble. Anyway, more of mud and other hazards later.

I’ll start with a lovely mud-free church. St Illytd’s church, Oxwich, is in the most beautiful setting. The first painting I ever sold was of St Illtyd’s Oxwich. Unfortunately, I didn’t keep a decent photo of that painting. St Illtyd’s nestles in the woods by the sea, just short walk from the village of Oxwich. At high tide you can hear the waves just the other side of the graveyard wall. The vicar used to live an rectory even closer to the sea (see Thomas Rothwell’s painting below) but it’s gone now, unfortunately, destroyed by the encroaching tide.

Rothwell, Thomas; The Old Rectory, Oxwich

Rothwell, Thomas; “The Old Rectory, Oxwich” (1790)

The very first religious building was built here in the sixth century. St. Illtyd, a native of Brittany, is meant to have built a small cell here. Illtyd is a very significant figure in Celtic Christianity. He is also known as “Illtud Farchog” in Welsh meaning, “Illtud the Knight”.

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St Illtyd

You may not have heard of this Celtic saint but he was very active on the Gower peninsula and elsewhere in South Wales. Legend connects him to the legendary King Arthur, claiming that he was the King’s cousin and served him as a young soldier. Even if this is not true, it was not unheard of for knights to get up their fighting life for spiritual conflict and enter a monastery. The village of Ilston not far from Oxwich is named after him as well its church. There is also a church dedicated to Sts. Illtyd and Rhydian in the village of Llanrhidian in North Gower. There are churches and schools which bear his name all over South Wales and in his homeland of Brittany.

Illtyd later left Gower and founded a very important monastic school known as “Cor Tewdws”, in Llanilltud Fawr (Llantwit Major) which is further east along the Glamorgan coast. His school is believed to be Britain’s earliest centre of learning. At its height, it had over 1000 pupils and educated many of the great saints of the age, including Saint David, later patron saint of Wales, Gildas the Historian, and Samson of Dol, founder of a monastery on Caldey Island.

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St Illtyd’s Oxwich

The church you see today, however, is not Illtyd’s construction, although the font inside apparently is. Most of this building was rebuilt in the thirteenth century. What is so interesting about the design of the “new” church is the battlemented tower, which looks more suited to a castle that a church.  Almost all the churches in Gower have these fortified towers. Many Gower churches, nine to be precise, were owned by a crusading order called the “Knights Hospitallers” but the design has nothing to do with crusading in foreign lands and everything to do with homeland security.

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St Illtyd’s Oxwich 2018

In the 12th and 13th centuries, the Severn Estuary was riddled with pirates. In the 12th century Viking raiders – based in Ireland, the Isle of Man and the Scottish Isles – still ravaged the Irish Sea coasts. Lundy Island, far out in the Channel but within easy reach of the Gower by sea, was a pirate lair during the first half of the 13th century.  Raiding vessels could easily send crews ashore to take animals and even people for ransom or slavery. Oxwich church tower, with its battlemented roof, could be used as a look out and as it was built of stone, it they could be used as temporary refuge against robbers long enough for help to arrive.

Oxwich church, then, has a very ancient history and setting which is not as peaceful as it first seems.  Its graveyard is also reputed to be haunted by a supernatural beasts known as a “ceffyl dwr” or water horse. The water horse is a horse-like creature, which was apparently been seen walking on its hind legs, and then vanishing down the well c.1894.  The first written account of a sighting appeared in Rev. J.D. Davies’s “History of West Gower” where he tells of his elder brother and father seeing the beast one night, after they had been fishing in the bay. In a letter published in the Swansea Evening Post in May 1963, Mr David Lewis George of Cardiff wrote, “I recent years a similar white form was seen gliding over the graves in Oxwich churchyard around midnight by an elderly person of unquestionable integrity “, thus making at least three witnesses who claim to have seen the ghostly apparition of Oxwich churchyard.

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We did not see any horse-like creatures on our walk. Once again, I am accompanied by Biddy and Mitzy our dogs and Seamas, my husband. Once we passed the church we are presented with a very long flight of steps cut into the earth.

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Although tiring to climb, these steps are a godsend to walkers. We follow the path through the wood and then climb a lot of steps back down the hill.

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Here among the trees are cliffs. They are not obvious. The trees largely hide them but  they are a significant height and there are warning signs. I mentally sniggered at the signs when I first saw them as I thought they were over the top. Turns out they are not. The sun then went in.

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Although there are fences along the top of most of the wooded cliffs, not all of them are fenced off.  We were passing another family on the path and Biddy, our Collie-cross, walked towards what looked like the continuation of the path downhill. It was no such thing. It was a cliff edge. I don’t know if was my yelling her name at the top of my lungs, or her natural good sense but Biddy, thank God, paused at the edge.

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Cliff edge masquerading as a path

Not all dogs have sense. A friend’s dog was killed when he fell off a cliff in West Wales. Several years ago our dog, Dottie, the wired haired terrier, was killed on the main road near our house in Swansea when she ran away from me. Actually, she was running towards the beach. She had bolted out of the park, disregarding my calls. I tried running after her but she was too quick, I could not catch her and there was no gate on the entrance. She never got to the beach. There was a busy main road was in the way. The incident broke my heart and cast a long shadow. It is still a very painful subject for us.

So, we peered over the edge and thanked God that Biddy had stopped in time. If she had gone over the edge she would have probably been killed. I have watched her behaviour on walks since, and realise now that she probably paused from natural caution. Dottie was never cautious. So with that near miss playing on my mind and later on that night, I kept replaying that moment when I was shouting at her to stop in my head, we carried on along the path.

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Mud and my unharmed walking companions

The path is very muddy. The colour reminds me of chocolate. It is very slippy. This is the sort of place that I worry I will twist my ankle. I don’t; I just get very muddy boots. For a lot of the path it is so thickly wooded the sea is hardly visible. Occasionally there are gaps in the trees and if you were feeling agile and adventurous you could climb down to the rocks by the sea.

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Eventually, after a long slippy walk, we leave the trees behind and we have a clear view of Three Cliffs across the bay.

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Three Cliffs from across Oxwich Bay

We can also see Devon across the Bristol channel. The headland is rocky. Very rocky.

I read the warning sign with some trepidation. They seem fair warnings. I did see an adder one summer years ago at the top of Tor Bay. He was crossing the path. I just stood back and let him go on his way. He was not interested in us.

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Adder (not the one I saw)

Historically, the main hazard around here was to shipping. If you look at the Thomas Rothwell’s 1790 painting of the old rectory again, you can see how rocky Oxwich Bay is along the east side. The headland is even rockier. It not surprising, then, that the coast of Gower has seen something like 250 shipwrecks. Maybe this is due to the high tidal range in the Bristol Channel. More likely it was due to a rocky shoreline and poor weather. Oxwich Bay and Oxwich Point witnessed the floundering and wrecking of  something like 15 ships in just under 50 years from 1822-1866. Wreckage from ships that had sunk further along the coast would also be washed upon the sands of the bay.

The path above the headland is relatively easy to walk along here. It is flat and dry.

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We stopped for jam sandwiches and biscuits, looking out towards the one-time-home of pirates, Lundy Island. It’s a slither of blue on the horizon.

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Biddy (with her expressive big ears) and Mitzy – 100% concentration on that jam sandwich

The sun is long gone and the sky is covered in clouds. There’s a cold wind. I now regret not bringing my woolly hat but take some satisfaction in the fact that I have my warm padded jacket on.  Craggy rocks loom above the path to Horton.

The path to Horton is long but reasonably straight forward.

There are a couple of detours around fields. These detours look like they have been here for years.

The final detour involves a long steep climb up a valley called Slade, just by a sandy slither of beach.

By the time we reach Horton the tide is retreating. My parents tell me we came on a family holiday to Horton when I was two years old. I don’t remember it. It must have been a happy holiday because my younger brother came into the world nine months later!

Horton is separated from Port Eynon by a short stretch of sand dunes. Although they are so close they are two very distinct communities. Horton, I suspect is slightly posher than Port Eynon. At its heart are some grand Victorian villas. There are also a series of very beautiful exclusive houses with long zig-zagging steps down to beach. That said a large detached house in Port Eynon can cost as much as £800,000 – £1.1 million (or US $1m -S1.5m). Not exactly cheap.

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House at Horton

Yet, it’s all a bit of façade because behind both Horton and Oxwich are a number of vast large parks, full of static caravans. These static caravans cost upwards of £35,995 to buy  and you pay site fees of £2-3000 each year on top of that. (that’s about US $50,000 and annual fees of  US $3000-4000). These are a bit like American trailer parks but you are not allowed to live in them all year around, they usually close for 4 months over the winter.

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Horton

The sun is shinning for my next walk from Port Eynon and get up the courage to get on the bus again and even make a connection.

 

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Welsh Coastal Magazine

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I am delighted to have been featured in April’s edition of Welsh Coastal Magazine as part of their ongoing series “Inspirations” on contemporary artists in Wales. I have included some images but you can read the online version here.

If you would like to buy prints from artmajeur.com click here.

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Spring Coloured Woods – a Gower woodland

 

Delighted to say I have just SOLD “Spring Coloured Woods” via Artfinder.

Now off to live with “The Bridge to Parkmill” in Lancashire – will we see an Ilston Cwm triptych adorning a wall of a home in Lancashire?

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“This is the last of the summer wine of a substantial series of oil paintings of a woodland area in Gower Pensinsula between Ilston and Parkmill, which the locals call Cannisland Woods.
It is amazingly beautiful at any time of the year but the light is rarely better than in Winter when it is glassy clear and this helps create a riot of colours and hues in this most dank time, in the mulched leave-layered ground, in the trickling everchanging brook of the Killy Willy, in the distant haze behind the barren trees and in the wonderfully green-mossy trees and shiney, slippery brown barks of the twisted trees by the Killy Willy.
This is another “refractionist” (expressionist) style painting which is similar to Sapling Wood and Rainbow Wood in it’s sweeping streaks of colour but much more grand in it’s ambition and luxuriant in i’ts detail.
This will probably be the last of this series of paintings for some time so enjoy.”

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Sprung Coloured Wood – a Gower painting

Painting of Welsh woods

Delighted to say I have just SOLD this oil painting “Spring Coloured Wood” one day after uploading onto my various online galleries! The artlover will be buying this lovely painting via my “Part Payment” scheme.

If you would like to spread the costs of paying for one of my paintings too please click on this link to find out more details of how to pay for my paintings over a period of months via part payment – the first payment secures the painting for you!

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Large limited edition mounted prints are available here 

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Farm under the Velvet Mountain – a Brecon Beacons Painting

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Farm under Velvet Mountain (SOLD)

 

This is an oil painting of the Table Mountain in Mid Wales (Bannau Brycheiniog – Brecon Beacons). I painted this because I loved the colours of blues, turquoise and purple which blend pleasingly with the blue-greens and terracottas of the trees and land.

Nature unearths such lovely rich colours and casts them wide in lovely complementary chromatic patchworks. I would say this painting is inspired like so many of my mid-Wales landscapes by one of my favourite painters, Robert Bevan, whose landscapes have influenced how I paint this type of hilly upland landscape as opposed to the landscape I paint of Gower Peninsula which is usually in my own unique refractionist style which in itself influenced by expressionism.

I love the idea that colour expresses emotion, transports and alleviates the self and a creates an emotional response to a place depicted in a painting. Ideally I like to transport the viewer to the place so that the viewer somehow feels they are there or have been there in some sense. That is somehow familiar to them. In this painting I hoped to transport one to soft lazy warmnesss of summer in the fields of Mid Wales. The velvety feel of the Table Mountain helps heighten this feeling of softness. The warm summer breeze can often give this sense of snoozy softness and I hope some of this is conveyed in this painting with the manicure trees like hairdryed Bouffants and the dusty dryness of the terracotta.

 

See available paintings of the area here

 

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One Impulse from a Vernal Wood

As this oil painting depicts the end of March and the coming of spring, one of my artloving friends sent me a section of a poem by William Wordsworth which he felt my paintings of this area of Gower expressed to him.

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One Impulse From Vernal Wood (SOLD)

“One impulse from a vernal wood
May teach you more of man;
Of moral evil and of good
Than all the sages can.

Sweet is the lore which nature brings;
Our meddling intellect
Mishapes the beauteous forms of things
-We murder to dissect.

Enough of science and of art;
Close up these barren leaves;
Come forth, and bring with you a heart
That watches and receives.”

 

Limited edition mounted prints are available here 

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Down by Killy Willy

Down By Killy Willy

“Down by Killy Willy” – A return to the scene of much of my recent inspirations for painting landscapes.
I just love how the light is caught and moulded around the tree trunks by the bright silver sunlight, bleaching out the barren, branched trees.
I love how the warm jacket of greeny moss blends and is balanced by the muddy browns under the water surface, visible through the dark shards of tree shadow falling on the still water.
It is so pleasingly rustic and complementary in it’s colours as sometimes nature only can be.
The name Killy Willy refers to name given ;locally for this brook or pill, by the local people around Ilston in the Gower Peninsuala, near Swansea, in South West Wales.

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Down by Killy Willy (SOLD)

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Toward Another Place

Delighted to say I have just SOLD this painting “Toward Pennard Pill” via artgallery.co.uk

“This is a refractionist oil painting of a much loved inspiration for several of my works, the wooded area of Ilston in the Gower Peninusla, near Swansea. This brook or pill leads to the sea at Three Cliffs Bay, via Pennard Pill, hence the title.”

www.facebook.com/pages/ArtGallerycouk/107535012616718?fref=ts

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Buy limited edition signed mounted prints here 

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No Longer Still

Delighted to say I have just SOLD “The Still Killy Willy” via Artfinder !
https://www.artfinder.com/product/still-killy-willy/

“This is another oil painting of the stream in Ilston Cwm, in Gower. The stream painted here is sometimes known as the Killy Willy, which runs to sea as Pennard Pill, at Three Cliffs Bay.”

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Windswept Inspiration

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Every weekend my husband and I explore and almost mine the beauty of Gower peninsula with its amazing variety of beaches, woods, hills and valleys for inspiration for my next paintings. Increasingly I have used this peninsula to keep my artistic juices flowing. It is almost as if we are harvesting the beauty of Gower in some way and using it to create art before sharing this bounty with art lovers throughout the world.

Different paintings of Gower adorn walls in the homes of art lovers on various continents. Our weekend walks are not just for our aesthetic enrichment but for others too it would seem. What a joy to share the beauty of this stunning peninsula designated Britain’s first Area of Outstanding Beauty.