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Woodland drama (or how I broke my leg)

While the rest of the world is on coronavirus lock-down I am confined to my bedroom with my leg in a very heavy plaster. Moving from the bed to a chair involves a lot of hopping and a zimmer/walker frame. It all takes a lot of effort to achieve simple things that I never gave much thought to before.

I broke my left leg. I have broken both lower bones and dislocated my ankle. Six days ago I had an operation to pin the bones in my ankle. My brother asked if breaking a bone is more painful than a toothache. The answer is definitely yes. I have endured 50 shades of different pain since I went for a walk with our dogs 2 weeks ago in my favourite woods, near Ilston, Gower. It was just about the worst time to break my leg, to be honest.

By Ilston River
Ilston River (SOLD)

I had walked about half a mile along the side of the stream. I had bought a new camera with me and my attention was caught by the sunlight on a mossy tree. I decided I would move closer to take a photo.  Instead, I stumbled over a muddy stick and as I put my left foot out to steady myself I felt it twist and a sickening snap. I rolled on the wet ground, hoping against hope that I hadn’t done something dreadful but the horrible pain told me that I had. My foot was bent out of shape. Just to think about it makes me feel ill, even now.

As I lay on the ground, I wondered what to do. I tried shouting “Help” a few times but felt silly/useless. What could I do? My husband was in Ireland. Fortunately, I had my mobile phone in my handbag and it was charged with credit so I rang for an ambulance and waited, and waited. The call handler told me not to move. It was cold on the wet mud. I took a photo of my bent leg. I have not looked at it since. I don’t think I can bear to.

DSC_0942-001
Ilston Cwm – Close to where I broke my leg

I assumed that the ambulance would not be too long (I was very wrong on this score) and I started to worry about my two dogs, what would happen to them?  I rang my neighbours Rob and Liz and told them what had happened and where I was. Rob said he would come for the dogs. So I waited. I lay and looked up at the sky. Blue patches and white clouds drifted by. It started to rain. Then the sun came out again. I was still lying on the ground. I don’t remember what my dogs were doing but they were nearby. I think Biddy, the collie-cross, tried to present me with a few sticks to throw for her. I clutched my injured leg, it really hurt. I rang my husband. It went to voicemail. “I am lying in Ilston Woods, I think I have broken my leg. I have rung for an ambulance. I have spoken to Liz and Rob. Rob’s coming for the dogs….” I felt bad about leaving him a message when there was nothing he could do.

Painting of Gower Woods
View From the Bridge 100 x73 cm

After a long time, a family appeared on the track, a couple with their two girls. “Help, I think I have broken my leg”. I think they were surprised by this as they walked towards me very slowly. I told them that I had called for an ambulance and my neighbour was coming. They took my phone number and said they would go down to the road and look out for Rob and/or the ambulance.  So they left me and I waited and waited. Company had distracted me from the pain in my leg and being on my own meant being with the pain. I rang my husband again and then Biddy started barking. It was Rob. Thank God. 

“How long have you been lying there?”

“45 minutes. The Call handler said to stay where I was”

“That’s stupid advice. She can’t see your situation. You will get hypothermia. We need to get you up”  So with great difficulty, Rob helped me up off the wet mud and I hopped in slow agony to a mossy tree, where I first leaned against a trunk and later sat on a low branch. He had brought a heavy hi-vis coat which he put around my shoulders. It was blissfully warm.

I wish I could say that was the end of it. That the ambulance came soon after but they didn’t. We waited and waited and rang the ambulance again. It was difficult explaining where I was to call handlers who were not local. They wanted to know the name of the church at Ilston. Ilston is the tiniest of Gower villages. There are about 10 houses. There is only one church. What did it matter what saint it was dedicated to? 

So after another long wait, I asked Rob to walk down to the house opposite the church at Ilston to ask them to ring the ambulance, perhaps they would be able to give better directions. We had often passed the people who live here, they waved in a friendly manner and I was hopeful that they would help. Rob left with my two dogs, Biddy and Mitzy, in tow.  I sat and waited. The pain was worse when I did not have any company to distract me. I looked at the mud by my feet. I was dimly aware of a robin on a branch a few feet away from me. And then like a miracle, little Mitzy appeared by my side. She was collarless. I was so glad to see her. She was not leaving me. Good loyal rescue dog to the rescue. I took her photo as a distraction from the pain.  

Mitzy
Mitzy the faithful rescue dog, to the rescue.

Rob returned with David (and Biddy on her lead). David is 73 and lives in the house opposite the church. He made several trips along the track, and brought me many very welcome items like a big blanket, gloves, hat and a hot water bottle. I was really thirsty and he also bought a bottle of water but David’s wife had said I could not drink anything, her advice turned out to be right, so I just washed my mouth out with it. He made several trips. The last one in the dark with a torch. He took quite a risk, helping us in the dark. We got excited because the beam of his light reflected in the stream and it looked like two people were coming along the track, but it was just him. It got very dark, The moon came out and a barn owl hooted. We told him to go home, we were worried about him in the cold night air. He reluctantly set off.

I started to think that no one was ever going to come. I was so cold. It would be difficult enough to get me out of here in daylight but in the dark? I kept thinking up with ideas for getting how to get me back to the road; What about a horse? A wheelbarrow? One by one my desperate ideas were politely considered and sensibly dismissed. Rob was a reassuring presence. They will come he said.  Then eventually, Rob said, says, “I think I can see lights along the track, more than one!”

At long last, the ambulance service had come. After 5 hours of waiting.  Two figures dressed in green, a woman and a man, carrying torches were coming along the path, with David and his brother-in-law leading the way. I was so relieved. Once they were there, I knew they could sort everything out. And they did. Lyndsey the paramedic was lovely and reassuring. She worked under very difficult circumstances. It was dark and very cold. She checked my blood pressure, temperature and although I felt so cold my body temperature was normal (hurray for thermal vests, I say). I was given a small dose of morphine which had me seeing stars and then liquid paracetamol. They called Sketty Fire Brigade to put me on a stretcher to carry me half a mile down the track (and over the church fence) to the waiting ambulance. It was a long journey looking up at the cold frosty stars through the tree branches from that stretcher. It was a full moon. They carried me wordlessly. There was a short snort of laughter when I said “Well Done” after they had hoisted me over the churchyard railing. 

Yew Tree in Gower
Ilston Church Yard

It was a very long night. The journey to Morriston Hospital Hospital seemed slow. Where are we now? I would ask. It was the pain that made it feel that way. We waited outside A&E in the ambulance for quite a while. Lyndsey told me her mother was the first baby born in the NHS and called was Aneira, after the Welsh founder of the NHS Aneurin Bevan. Eventually, I was taken in for my first X-ray. I was visited by a number of doctors who introduced themselves to me by their first names;  Jeremy, Mohammed, Chris there were others but I have forgotten them. After a wait, the doctors in A&E manipulated my leg (I was under light anesthetic) and put it in plaster so that the agonizing swelling could start to go down. The leg was X-rayed again. Everything was aligned nicely. Every now and then the average waiting time in A&E was announced on the loudspeaker. It started at 8 hours, later it was 13 hours and then by lunchtime the next day it was down to 2 hours. I lost track of time. I didn’t get much sleep in A&E. It was a fascinating place, very hectic. No wonder there are so many drama series set in Emergency Rooms & Casualty Departments. 

Anyway, to cut a very story short I waited a day for a bed in the trauma ward. I then spent another 7 days waiting for the swelling to go down so the ankle could be pinned. I was “nil by mouth” for 4 days in a row but never made it to the operating theatre. Thankfully, on Monday I did, finally. It was probably just as well as the ankle specialist was working that day. The coronavirus emergency meant that the ward was rapidly cleared, as they needed the beds and staff elsewhere. I was sent home on Tuesday via Red Cross Ambulance. 

All through this experience, I have been impressed by the kindness and amazing patience of medical staff as well as just how much pressure the NHS is under. The pressure has just intensified ever since. I would like to thank Rob and David in particular, who waited so long in the cold with me, and Liz and David’s wife, and anyone who I came in contact within A&E, Ward A (which then had to move upstairs to become Ward G), the operating theatre and the Red Cross. Thank you xxx

Postscript:- Biddy and Mitzy went home with Rob and slept all the next day. Seamas flew back from Ireland on a plane full of racegoers heading for the Cheltenham Races.

 

 

 

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International Women’s Day: Some remarkable women of Swansea

Painting of Mumbles Pier and lighthouse
Mumbles Lighthouse from Bracelet Bay

Today is International Women’s Day. As I drove through Mumbles yesterday afternoon I was reminded of two remarkable Swansea women and I was pondered on why we like to focus on very unsual women, rather than remarkable ordinary women. It got me thinking about other notable women of Swansea, past, and present

Here’s my list of five that came to mind:-

First comes the women of privilege:-

1. Thereza Dillwyn Llewelyn (1834 –1926). She was an astronomer and pioneer in scientific photography. She came from a wealthy family and her father was a pioneer photographer, astronomer, a botanist and a Fellow of the Royal Society. She made some pioneering telescopic photographs of the moon in 1857/8.

 

2. Amy Dillwyn (1845-1935) – She was a radical novelist, feminist campaigner, and early female industrialist. Amy was first, a novelist, and a supporter of sexual equality and  women’s suffrage. When her brother and father died in the early 1890s she found herself responsible for a workforce of 300 and a spelter business crippled by debt. Impressively, despite losing her home, she decided to run the business herself, which she did successfully. She was a strong supporter of social justice and in 1911 gave her support to 25 striking seamstresses, who worked for Ben Evan’s, a local department store. These dressmakers were demanding a living wage in return for their long hours. Amy called for a boycott of the store and encouraged her friends and family to not shop there.  Her eccentric appearance, her habit of smoking cigars and lifestyle make her appealing figure to modern eyes.

Now to some working women.

2. Jessie Ace and Margaret Wright (neé Ace) these two sisters were the daughters of the Lighthouse Keeper, Abraham Ace. In the winter of 1883, these two sisters valiantly rescued two lifeboat crewmen, in the midst of a terrible storm, by tying their shawls together to use as a rope. Margaret supposedly exclaimed: “I will lose my life than let these men drown” as she waded into the icy waters.

4. Iris Gower (1935 – 20 July 2010)- This was the pen name of Iris Richardson a prolific novelist who wrote many historical romances set in this area. I once heard her talk about her writing and was left with the impression of a resilient, hard-working woman with fiery red hair, who was a force of nature. She talked about her early days of writing, about getting up before her 4 children to write, before going to work! I don’t think she ever let up, writing about 35 novels and many articles too.

And finally (as I drove down Mumbles Road and passed her beautiful house on the hill) I was reminded of

5. Bonnie Tyler – who I once saw in Sainsbury’s on Christmas Eve several years ago. She looked very glamorous holding her wire basket in the tea and coffee aisle. I don’t think I have ever looked that glamorous, probably not on a night out and certainly on a trip to he local supermarket. Bonnie was the daughter of a coal-miner and grew up in a council house and left school with no qualifications, but talent and a lot of hard work led to a phenomenally successful musical career. Her two singles “It’s a Heartache” and “Total Eclipse of the Heart” are among the best-selling singles of all time, with sales in excess of six million each.

It’s hard not to focus on exceptional women like these. Often, we end up focusing on unusual people because we know more about them. There are newspaper articles, books, and photographs of them. I cannot find an online image for the “Ben Evans’ Girls” who went on strike in 1911. Those 25 striking seamstresses that Amy Dillwyn supported, would have been just as hard-working as Amy was, but lacking in the advantages her privileged upbringing and family connections had given her.

Ben Evans, Swansea
Ben Evans, Swansea

Interestingly thousands of Swansea people attended a mass demonstration in support of their cause. I could not find out if they had won of lost their cause for a decent wage. Iris Gower’s fictional women, may have been romanticized, but their hard lives were real enough. So here’s to all the women of Swansea (and everywhere else) the world, past and present, famous, infamous and obscure!

 

If you want to find out more:-

https://en.wikipedia.org/wiki/Thereza_Dillwyn_Llewelyn

https://www.swansea.ac.uk/crew/research-projects/dillwyn/

https://companieshouse.blog.gov.uk/2018/02/14/amy-dillwyn-lgbt-history-month/

https://en.wikipedia.org/wiki/Amy_Dillwyn

https://en.wikipedia.org/wiki/Jessie_Ace_and_Margaret_Wright

https://en.wikipedia.org/wiki/Iris_Gower

https://www.fantasticfiction.com/g/iris-gower/

https://en.wikipedia.org/wiki/Bonnie_Tyler

 

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Painting Tenby Harbour

Painting of Tenby Harbour
You may well have noticed, that I like to explore different subject matters. I find it impossible to paint any one thing, be it landscapes, seascapes, animals or streetscapes all the time. I like to pursue a theme for a while and then switch to a different subject or work on small canvases to a large one. They all present different challenges. I sometimes wonder why I like to make myself slightly uncomfortable but again and again, I do. I was ill over Christmas with the cold from hell which developed into a nasty cough that sprang into action with any drop in temperature. Just before I gave up everything and just sat in front of the fire, I painted a painting of Tenby Harbour. I hadn’t planned to, but I was looking through my photos and I came across a photograph I had taken last spring. I was struck by the light on the lobster pots. So I painted it.
Tenby Painting
Early Morning Tenby (SOLD)
I then gave up painting for a while, as the cold air in my studio set off my cough, and coughing and painting don’t go well together. Sitting in front of the fire, I was aware that I wanted to paint a boat. The small boats in the “Early Morning Tenby” painting hadn’t quite satisfied me. So I decided to paint a boat called “Mistress II” moored up at the quay at Tenby Harbour. I was quite nervous before I started the painting. I was concerned that I would get sucked into painting the detail of the building in the distance so I decided to sketch a tonal painting before I added colour. What I mean by a tonal underpainting – is just using thinned red ochre and raw umber to sketch out the light and shade in a composition. In this way, it would help me simplify the buildings in the distance and so focus the viewers’ eye on the boats in the foreground. They also helped me solve the “problem” of the lobster pots on the “Mistress II” which were in shadow.  I think the tonal under-painting helped the final painting.
Tenby Painting
Hazy Tenby
Unfortunately, I was so nervous about this painting I didn’t think to take a photograph of the tonal sketch so I can’t show it to you! I made a point of taking a series of photos to show the work-in-progress of my next Tenby painting. This composition was interesting to me as a third of the town of Tenby and half of the harbour and was in shadow. The harbour wall and half of Castle Hill, however, were in bright sunshine.  #1 Under-painting of Tenby Harbour This painting took most of the week to complete as the light was so poor. I could only work for a few hours at a time. I resisted the urge to push on once the light went. Sometimes, I like the early stages of a painting the best, as it’s still all potential! 
Painting of Tenby Harbour
Finished – Tenby Panorama
Painting of Tenby Harbour Close Up When I looked at the finished painting, I found pleasure in the curves of the harbour wall on the right side of the painting. As it was in shadow, I had not really paid it much attention before. You may recognise the lobster pots on the quayside to the right of the painting that were such a big feature in the first Tenby painting in this series. On the left, there is the tiny turquoise boat alongside the quay. This is the Mistress II, which was in “Hazy Tenby”.  That makes me smile. In a weird way, it reminds me of the many novels of Anthony Trollope in which he created a world in which a  person may be the central character in one book and a minor figure, who only gets a passing reference, in another. Once I have painted an object or person they become quite fixed in my memory, largely because I had studied them so closely. The lobster pots had their moment in “Early Morning Tenby” and tiny turquoise boat in “Hazy Tenby”, and now are supporting characters in “Tenby Panorama”.  
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Park Fish Bar: The Story of two Paintings

This post has been prompted by the response & comments I got on Instagram when I posted a photo of a painting I had reworked.

IMG_1127
Park Fish Bar 2015 version

I came across this early painting when I was sorting through my crowded attic studio. I had forgotten I had it. It took a while to work out how long ago I painted it. It was 4 years ago! It was part of a series of night-time paintings of Brynmill, Swansea, I did in the course of winter of 2015-6. I later went on to develop a series of daytime paintings in the summer of 2017, which formed by the Hollowed Community” exhibition as part of the Made in Roath, Cardiff, Arts Festival of that year.

I looked at my painting with my 2019 eyes. Sometimes a period of separation enables you to see the painting the way others do. Often this is a happy experience. Not in this case. I liked the light and the shadows but I thought it was a little untamed. The red brick pub opposite the chip shop, The Ryddings pretty much workedThe sky, however, was a bit too messy for me. I don’t usually rework my paintings but this one was bugging me. I nearly worked beautifully, but it didn’t. So I set about to repainting parts of it. Some window sills also needed straightening. The double yellow lines at the bottom of the painting certainly did. The sky then needed “flattening” to create a calmer and tighter painting. After I had done this, I felt a lot happier with the painting. It still has some of the exuberance of the original but it was more disciplined. It has more presence. 

Swansea painting
Park Fish Bar 2019 Version

(SOLD)

This chip shop has a long history; much longer than I realised. The Park Fish Bar used to have a sign out the front that says it’s Wales’s oldest chip shop (I’ll have to check it see if it’s still there the next time I pass it). It think it said “Since 1977”  When I posted a photo of the reworked painting on Instagram Matt (@seamatt79) wrote that it had been a fishmonger or fish shop called “Park View Fisheries” since 1918. Apparently, they sold fish during the day and cooked the fish with chips in the evening. That’s a century of fish and chips in Brynmill. I don’t think there was a centenary celebration last year, which is a shame.

Matt said that he was there in the 1990s the Waterloo Place-side window was replaced (window on the far left of the white building in the painting). An old man who lived in Trafalgar Place came by and told the story of how he helped put the window in as a young boy when during World War Two a German bomb “landed on the corner of Marlborough Road and blew out all the glass”. The corner of Malborough Road is just to the left of the painting. A lot has happened since I painted the original in 2015. Jeff who ran the chip ship since the 1980s had retired and the shop has had two different managers since then.

I was also asked on Instagram by James Potter, another Swansea artist, what the original painting looked like. There are some things you just can’t explain properly on Instagram, so here it is on my WordPress blog!

Happy Christmas to all my fellow bloggers, followers, and readers alike!

 

 

 

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Art of the Protest

The Art of the Protest

My career as a student activist was a decidely inglorious one. I was a lazy student when it came to protests and demonstrations. I think I may have gone on maybe three or four demos in all my time as a student. Some of them were protests about against introduction of student fees and a later one was against the building of the Cardiff Barrage.  I caught a bad chill after getting soaked at one demo in London and was ill in bed for a week.  Sadly, I never had the courage/organisational ability to make my own poster or banner. That takes thought and effort. So I’d end up holding a boring printed poster made by some radical left-wing organisation that didn’t quite sum up my sentiments. So I am always very interested in what people put on their home made posters. I wrote a some blog posts about Art and Protest in Art of the Protest (also in Germany & China) quite a while ago, but this is about a homemade protest.

On Friday there was the global Climate Strike to protest about the climate crisis. I had no thought of going along until I heard the day before that adults were asked to attend too.  There were hundreds of people of all ages in the centre of Swansea. The fact that it was a hot sunny day in late September, just seemed to illustrate what is going wrong with the climate.  Extinction Rebellion had a big presence, many of its supporters were carrying homemade drums (made from plastic washing up bowls and dustbins). They have a clever logo which is a clever play on the “X” in Exctintion and an hour glass, implying that we are running out of time.

There is an Extinction Rebellion sticker is at the bottom of the poster
There is an Extinction Rebellion sticker is at the bottom of the poster

I know a Swansea artist,  who has given up painting to direct all her energies into working for this environmental group that believes in non-violent protest. They divide opinion, even amongst  environmentalists, who say that their activities may be cause the government to increase anti-protest legislation rather than focusing on tackling climate crisis. Yet, they were only one of many organisations that came to their protest. There were people from political parties, trade unions, the Quakers, the Wildlife Trust, as well just ordinary people. One of the student organisers, who was one of the stewarts,  worked with Swansea Trades Council. He said they’d been planning this protest for months and he was delighted at the numbers who had turned up.

Here are a selection of the wonderful homemade posters. I particularly liked the ones made by children. They had clearly spent a lot of time designing and making them.

#8

Made on a pillowcase

#2
Beautifully made banners

Teenagers’s posters tended to be simpler with clear and heart-felt statements

#10
Small but beautiful!
#16
Just in case you wanted to criticse her for missing school…

The rally then morphed into a march that wound its way through the busy shopping streets of Swansea.

#19
3-D!

Stopped some traffic…and ended up outside the guildhall where anyone in the crowd was invited to step to say a few words. So they did. Young and old.

Although it wasn’t planned the march ended up inside the Guildhall inside the Council chambers. I think the protesters just asked to be let in and the security guards let them. This was later reported in the local newspapers as the protest “occupying” the council chambers and the police removing them.  It was hardly, that. It was a bunch of well-behaved kids, and a few adults. Some of the adults and kids said a few words including part of a speech by climate activitst Greta Thunberg. Although we probably had all had heard her say those words before, they were still moving. We all then filed out, chanting and druming all the way. There were some police near by, chatting to each other, in their van. It was very benign. You can watch a clip of it on the BBC website here. It was much more fun than my student day protests!

So it seems that protests and posters are like a good party. They need a fair bit of preparation. You hope people will turn up. Finally, you probably enjoy other people’s far more than your own!

#27
In Swansea council chambers.

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Playing the Market

Painting Markets

I love markets. I love outdoor markets and indoor markets alike. A busy market is fun to visit as a shopper, but even better for an artist. To be honest I often just look at the people and stalls and don’t buy a lot. It provides inspiration. There are lots of things to look at, the light, in particular, is what attracts me, whether it’s indoors or outside, there is always lots of natural light at a market. I also like the distracted people, and also the bright colours of the stalls and the people shopping or sitting outside at cafes (both in summer and winter).

Swansea has a cracking indoor market that was rebuilt after the original market was blitzed during the Second World War. It has a wonderful barrel-shaped roof. The light is a combination of natural light and artificial light. The light in the painting below is natural sunshine that was streaming in from the roof.

Painting of Swansea market
Knick Knack Attack (Swansea Indoor Market)

Outdoor markets are more variable, the rain can make them rather sad places to be in but in the sunshine, they are great fun. The Uplands, in Swansea, has a monthly market.

Painting of People at Uplands Market
Uplands Outdoor Market
Painting of Swansea woman
On a Mission
Painting of Welsh women
Double Trouble (Uplands Market)

I particularly like the dogs that come along too. They are usually on leads but also sitting with their owners at outdoors cafes at and near the markets. The strong winter shadows make for a dramatic composition.

Painting of Dog
Well Deserved Treat (Uplands)

I also like the little “unobserved” vignettes, such as these children playing with a typewriter. I like to imagine the conversation this smart-phone generation might be having about this relic from the last century.

Painting of Children with typewriter
What does it do? (Uplands Market)

There is a Victorian indoor Market in Cardiff too. It reminds me of a railway station, with its steel fixtures, supports, and arches, the huge glass, skylit, two-tone ceiling. They have a record shop upstairs and several cafes.

Painting of Cardiff Market
Overlooking Cardiff Market
Cardiff painting
“Weighing it Up” (Cardiff Indoor Market)

There is a fish stall by one of the two entrances, it gets natural light from the left side. This stall is particularly expansive, the fish and crabs are displayed in a generous display shelf. There is plenty to choose from. Again, it was the light that drew me to this composition. Although we cannot see the customer’s face, only his back, I am speculating on the conversation he is having with the fishmonger. I love that word “monger”. Its a wonderfully old-fashioned word (probably Anglo-Saxon) for someone who deals in a particular trade, there are others like an ironmonger, cheesemonger and more unsavory ones like fleshmonger, scaremonger and warmonger.

My parents live near Stroud, in the Cotswolds and I sometimes visit markets, there’s an indoor market most days of the week as well as an outdoor farmers market on Saturdays. I visited the market last Saturday.

Market at Stroud
Farmers’ Market, Stroud, England

Again, its the dogs that catch my eyes. There are lots in Stroud of different shapes and sizes. You can tell a lot about an area by its dogs. Fashions come and go in towns and cities like Swansea. Huskies used to be all the rage, then smaller dogs like French Bulldogs became popular, more recently cockerpoos are everywhere. When I visit Cirencester I see lots of dachshunds, in Stroud, there’s more a mix from larger lurchers, Jack Russells (my favorite dog), and very cute Chihuahua-mixes with Jack Russells. In Ireland, the towns also favor smaller dogs but in rural Donegal, it’s larger collies and black Labradors that are very popular. So as we drove the length of Ireland, I noticed that little Mitzie (our Dashund/Jack Russell cross) got admiring looks in Wexford but it was Biddy (our Collie cross) who was more popular in Donegal.

Painting of Terrier
Stroud Terrier
Painting of sausage dog
Just a Second

Again, it’s the “unobserved” that I am interested in. A dog on its own isn’t as interesting as one with its owners unless it’s looking “out of shot” at its owner. In “Just a Second” the dachshund is obviously hoping its owner is going to produce a treat from her bag. I doubt it somehow.

Two women and their dog painting
Table for Three SOLD

In “Table for three”, my most recent painting, the little pooch looks very much loved by its family, after all, as she has the best seat. I would not be surprised if she has been fed a biscuit or two or a slice of cake. Look,  there is a knife, and a stack of plates under the coffee cup on the left, evidence of food eaten.  There is a clearly comfortable vibe between the two women, whom I am guessing have been in a relationship for a long time. There are no smartphones to interrupt their revery in the sunshine. The woman on the left has difficulty walking as she has a walking stick in her hand. I love the rich red color of her hair, catching the sunshine. That color says to me I am still young at heart. It chimes with the red stripes of her partner’s top. This painting has caught a moment. It may an illusion. For all I know, they could be having a row, but I really don’t think so. I enjoy looking at the details in the picture and speculating and writing a story about them.

If you want to see more of my people and or animal paintings please click here.

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“Footnotes”: My Gower Walks Book

Paintings of Gower Book

I am delighted to announce the publication of my latest book “Footnotes, An Artist’s Journey Around the Gower Coast” which is based on my walks and blogs of 2018.

Medieval History book Emma Cownie
My book on Medieval History

Many years ago I turned my Ph.D. on Medieval History into an academic book. That was jammed packed with footnotes and had almost no pictures (except for the front cover) but it did have some maps hand-drawn by me. I felt quite odd when that was published. I suffered terribly from imposture syndrome, then as now, and it almost felt like someone else had written it when I looked at the words on the book. Don’t get me wrong, I had written every last bit of it, the text, the footnotes, the index but it didn’t feel like it had much of “me” in it, except maybe in my dedications. I think my parents and Seamas, who was my boyfriend back then, appreciated being thanked for their support.

This book is quite different. Ironically, despite the name, the only “footnote” in it is the title. It’s a bit of a joke, I guess! This book has a lot more of “me” in it. Yes, there still some local history and stories about Gower, but its mostly about the walk and dealing with my anxieties.

I had spent weeks editing it and sort of ran out of steam when I reached the part where I had to upload it to the Kindle website. Thankfully, my husband, Seamas, came to rescue and was midwife to the whole venture. He did the final editing and proof-reading and it uploaded to the website. Which sort of sums up our relationship, he’s always there to help me over the “humps”, not just as a cheerleader but as technical support and he also provides so much inspiration. So thank you, Seamas.

I also want to thank my parents who have always supported whatever I have done. My mother is a fervent “liker” on Facebook. Their house has many of my paintings hanging on their walls, which is a compliment in its self as superfluous objects are either returned to the donor or end up in the local Charity shops. I also want to thank supporters on Instagram who tell me that they have downloaded from Kindle or bought the physical book.

I hope that people enjoy it as much for the walks and stories about Gower, as for my paintings!

UK- See the book on Amazon.co.uk by clicking here

USA – See the book on Amazon.com by clicking here 

Paintings of Gower Book
My Gower Book

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A footnote

Last night I received a lovely present from one of the pupils of  Brynmill school who was inspired, after my talk with her class, to paint one of my paintings. I was absolutely charmed and delighted by this gift.

Nia told me in her accompanying note that “instead of paint, I used Sharpie (felt tip pen)”. What really tickled me is that she then added “when you came to my school your advice when doing art was to sketch it first and then continue”. She had followed this advice brilliantly.  She’d had sketched the figures in pencil and then added colour in Sharpie pen.

I was really impressed that she had caught the shadows on the men’s jacket & coats. I liked her use of flat colour and the relationship between the figures. There was something “Hockneyesque” about her work! I hope she keeps on creating. An excellent painting from a budding young artist. Great to see!!

painting of three friends
“The Three Amigos” – my version (left) and Nia’s (right)

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Back to school!

Brynmill School

I was invited to visit my local junior school as part of their St David’s Day week celebrations. I was representing Welsh Art, as I have lived and painted in Wales most of my adult life. Although I had been a Secondary school teacher for 17 years, I was surprised at how nervous I felt beforehand, although I clearly had absolutely nothing to fear from a bunch of 9 and 10 year-olds. I think it was my body getting ready for a “performance” after two years away from the classroom.

Painting of Brynmill Shool
Brynmill School – SOLD

I live opposite this large red-brick school. I hear and see the very little children playing the yard several times a day. Sometimes, they call out to us, asking us to fetch a stray ball for them. I had not been inside this school since 1998, when I had done a week’s observation before I did my Secondary school teacher training. I wasn’t sure how visitors got in these days. I eventually figured out that the school reception was on the opposite side to where I lived. I passed several gates with big padlocks and even the one that opened into the school-yard had a massive unlocked padlock on. Security is a big thing in schools these days and I spent a couple of minutes tapping my details into a screen, having my photo taken and being given a pass with my photo on and barcode to wear around my neck. 

I was taken upstairs to a lovely airy hall with a polished parquet floor. I passed tiny children wearing daffodils and wearing tops, one was dressed as a dragon (with a tail an everything). The school building was similar to the Edwardian Primary school I had been to as a child. I think Britain is dotted with variations of these school schools. They have high ceilings and long windows, that let in lots of light but they are so high up so you can’t actually see out the window.

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Me and Year 5.

A group of 30-40 Year 5 pupils (9 and 10 year-olds) were brought in quietly and they all sat crossed-legged on the floor. They waited quietly, looking at me with great interest.  Their teacher introduced me, one class had been studying my work (I felt humbled by that information) and they had lots of questions.

Then the floor was mine. 

Ah, that second before you speak. It may only be time to draw breath, but it can feel like it goes on for ages. I had not prepared what I was going to say, as such.  I had some slides on a powerpoint but I only had some vague points that I thought I might make. So in time honored teacher-style I asked them a question.

“Does anyone know what a professional artist is?” A few hands go up, I ask the girl sitting to the side of the class. “It’s an artist who is very, very good and has been painting for a long time”. “That’s a good description, but it’s also someone who makes a living as an artist. They make money at it. It’s their job.”

I then showed them my series of slides with a small selection of my paintings.

Brynmill school Presentation
Slide Presentation Overview

I talked about how I liked to paint what I could see on my doorstep. So that meant places on the Gower Peninsula like Three Cliffs Bay and Swansea Bay.

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Then I showed them a few of paintings I’d done of the streets surrounding their school in Brynmill. There was some excitement and laughter when one boy excitedly exclaimed, “That’s my house!” (forth one along)

Paintings of Welsh Streets
They are all somebody’s homes (except the school of course)
Emmma Cownie painting
Time on promotion

My final slide was meant to introduce the other side of an artist’s work. That of promotion. I explained that I spent a lot of my time on social media, online galleries and blogging so that people might see my work.

So this is where question time slot opened up. Lots of hands go up. I was very impressed with their excellent manners (absolutely no calling out) and very thoughtful questions they had. It was a bit like being one of those pop-stars being interviewed by children on Saturday morning telly in the 1980s & 1990s. I will list as many as I can remember. I will give a shortened version of my answers. I did go off on many tangents. 

“Do you ever get bored of painting?” – no. I run out of inspiration, however, at times. I don’t like that. I have to wait for my next idea to come along.

“What is your favourite place to paint?” – Gower and more recently, Donegal, Ireland.

“Do you ever make up what you paint?” – no. All my painting are real places.

“Why did you change from being a teacher to being an artist?” – I have them the super simplified version. Being a teacher made me ill so I became an artist.

“What is your favourite painting?” – I have two, one of a Gower pony, and another of the cat that used to live in the DIY shop in Brynmill. They are both in my bedroom.

“How much do your paintings sell for?” – It depends. Anything from £1700 to £20.

“What were the most ever paintings you have sold in a day?” – 8 (it might have been 6 actually).

“What is your favourite colour for painting?” – purple – I use it for shadows. There was quite a discussion on colour here. One of their teachers had pointed out to them that shadows were not black or brown. I talked about looking and seeing colours. I also pointed out that few things in real life are really black, if you really look at them. I used the example of a boy’s black trousers – I said the light makes it look, yellow and grey, maybe very dark brown and dark blue but very little black

“What advice would you give young artists?” – paint as much as you can, every day if possible. The more you practice the better you get. That’s true with any skill. Footballing or painting. One boy perked up here. He was clearly a keen footballer. “Footballers make a lot of money”. “Some footballers make a lot of money, lots don’t” I said. His teacher repeated the point (probably not for the first time). I went on to say, “Some artists make a lot of money, look at Damien  Hirst, but most don’t”.

“What did you want to be when you were younger?” – ballerina and then a famous writer! That puzzled them.

“How many days of the week do you paint?” – 6 sometimes 7.

“What was your favorite sport?” – rugby. The football fan’s friend punched the air at this point, this had clearly been a hotly debated point of discussion between them.

“What sort of dogs do you like painting?” – Jack Russells

“Have you I ever painted your own house?” – Yes.

“Have you painted the inside of your house?” – Yes.

Then suddenly the questions dried up and the pupils, whose attention had been faultless until now, started to fidget. I recognized this. “Is it break soon?” I asked one of the teachers. Yes. it was. I was then thanked by a teacher and presented with a box of chocolates! I wasn’t expecting that.

A small group of girls approached me and asked for more advice on painting. They were clearly keen practitioners. So I repeated, my point about painting frequently. I explained there will be many failures on the way (hide them under the bed) but they would need to find their own way of drawing and painting.

Two girls had been appointed to guide me back to reception (I needed their help as I shot off in the wrong direction at one point). I then had to return my ID badge and the computer said “good-bye” as I opened the door. “That’s a creepy portent of the future”, I remarked to the friendly human receptionist, and stepped out into the sunshine as the bell for midday break rang.

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From a different angle

But there’s more to tell – click here for the footnote

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Worms Head: a footnote to the Gower Walks

I did not walk the length of Worms Head at the same time as my other Gower coastal Walks. This was because you cannot walk its full length between the 1st March and the 31st of August – as the last part of the Worm,  the Outer Head, is closed in order to protect nesting seabirds.

So I waited until late October for a sunny morning and a low tide to set off on my adventure. It was certainly an adventure as I travelled alone and there was plenty of scope for “mild peril” and twisted ankles and, at one point, there was definitely outright fear.  More of that later.

The drive down to Rhossili was beautiful. Autumn sunshine lit the russet trees and the long shadows stretched across the road. The forecast was for a fine sunny day but by the time I arrived at Rhossili, it had clouded over. I got of my car and wished I had brought a woolly hat instead of my sunhat jammed at the bottom of my bag underneath my sandwiches, banana, and the compulsory chocolate biscuits.  The biscuits had been lurking down there since my last walk several months ago, but as they were individually wrapped I decided they’d still be very edible. The walk down the National Trust car park to the coast guard station at the end of the headland took longer than I expect it.

Oil painting of Worms Head from Rhossili Downs
Worms Head (from Rhossili Downs)

I think this is because I am usually so mesmerized by the sight of the “Worm” that I don’t really pay attention to how far I am walking. The Worm (“Wurm”) means dragon, and it was given this name by the Vikings who regularly sailed the Bristol Channel over a thousand years ago.

Worms Head
Worms Head

It is a long tidal island that undulates westward like a sea beast. The shape of it changes depending on which angle you approach it. Sometimes it seems coiled, other times in snakes from side to side.

Oil painting of the coast towards Worms Head, Gower
Towards Worms Head (SOLD)

I think I look up the tide times for Gower more often than most people, except for surfers. Every time I go to the coast I like to know if it going to be a low or high tide, depending on whether I want to photograph it or swim in it. If you want to visit Worms Head, a low tide is essential because the causeway over to the islands is only safe to cross 2 and a half hours either side of low tide.

I know that to be caught out ensures an extra long stay on the island (as happened to Dylan Thomas once), because swimming across the short stretch of water is very dangerous and I can remember a man who died attempting in it a few years ago.

Coast Watch Station
Coast Watch Station

Fortunately, if you have forgotten to look up the tide timetable, it is clearly displayed outside the coast watch station and on the path down to the causeway. That is pretty much, the point of the coast watch station, as I have mentioned before. To watch out for fishermen and people who might get trapped by the rising tide.

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Map of Worms Head (Note: High Tide)

When you arrive at the coast guard station at the end of the headland you will see the path in front of you dropping down to the causeway. Now, don’t believe any guide that tells you that this is “easy” as I have seen elsewhere online. It is not. Parts of the island are easy. Most of it and the causeway, in particular, is very very, rocky.

It resembles an assault course rather than a “walk”. There are slightly easier routes than others but they are all energetic to some degree and require a fair bit of climbing, jumping, or in my case sliding down rock faces on my backside. I was better prepared than the time I walked across it on whim one summer with my sister and my 7-year niece. That time I was wearing sandals. This time I was wearing sturdy walking boots. I regretted, however,  wearing my drainpipe jeans. There were many times I could not tell if I was stiff with age or stiff from my sartorial stupidity. Nevertheless, I soldiered on.

Looking across the so-called causeway, I could not see an easy route. I could not even see an obvious way down to the causeway. Hence I ended up sliding down the rocks, hoping that I didn’t twist my ankle. That was a recurring thought throughout the morning. The trick is to stay focus 100% on where you are putting your feet, if you need to look up, then stopping to do so. Walking along and looking around at the same time was out of the question. I decided to follow a mother and her two young sons, hoping that they would find a sensible route across the rocks.

The Causeway
The Causeway

I think they must have been part- mountain goat because they zoomed across the rocks, sure-footed and totally fearless, happily chatting away to each other. I struggled to keep up. I started off feeling a bit chilly but by the time I reach the island 20-25 minutes later I was hot and thinking of taking off my jacket. Again you will read in some guides that it takes “about 15 minutes to cross the jagged and slippery rocks” but I found it took longer. Perhaps I stopped and looked at the view too often.

Worms Head OS Map
Worms Head OS Map (Low Tide)

Arriving at Inner Head, I was greeted by more warning signs, a tide timetable and a bell to ring to gain attention, if you are trapped by the incoming tide. Here, I had a choice of paths. Either to climb the back of the Worm and walk along its spine, or to take the easier lower path to the west. I took the easy path. It was my favourite path of the day. I could trundle along it, looking at the view, without worrying that I was going to trip up!

I quickly reached Low Neck which bends round to Devil’s Bridge.

Devil's Bridge, Worms Head, Rhossili
Devil’s Bridge, Worms Head, Rhossili

Here, I could see I had to cross another assault course of massive fractured rocks to get to Devil’s Bridge.  This is all that remains of a collapsed sea cave. It too will collapse one day, dividing the Middle Head in two. I decided instead follow a long climb over the tooth-like slabs down to the rocky “beach” part of Worms Head, to take some photographs of the Worm’s reflection in the still seawater.

Painting of Worms Head, Rhossili, Gower
Worms Head Reflection

I then had the joy of trying to make it back onto the path. It was a long scramble/climb and at several points I wondered if it was possible but I did eventually make it without injury.

So I finally reached the Outer Head. I was greeted by a warning sign telling people not to visit during nesting season. There were yet more rocks to clamber over before I finally reached the dragon’s head.

Here the path got steep. The grass became much thinner and the rocks were worn smooth with years of walkers’ boots on them.  I scrambled up where I thought the path would flatten out a bit. Then I realise that the final part of the “walk” involved a climb up an almost sheer cliff. The mother and two sons I followed across the causeway earlier, were already fearlessly climbing up the rock face. I noted that the mother wasn’t totally cavalier about letting her boys follow her as she told them in no uncertain terms that they must listen to her instructions and have “three points of contact with the ground at all time”. I bore this advice in mind, for the rest of my trip on the Worm.

I watched, with my heart in my mouth,  as they zoomed up the rock face like sure-footed monkeys. I don’t like heights at the best of times, and I knew this was beyond me. I could not face trying to climb up there, in case I freaked out half-way up. More eager climbers made their way past me. The prospect of an audience decided it for me. I turned around and started my return journey, muttering to myself “I know my limits”.

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Trust me, it’s a long way down.

As I walked back I ponder my long distinguish career as a scaredly-cat. As a child I freaked out in some underground caves, Cheddar or Wooky Hole, I’m not sure which, discovered to my surprise that I was decidedly claustrophobic. As an adult, on a school trip to Disneyland Paris, I was persuaded to go on Space Mountain. I only survived the experience by keeping my eyes tightly closed for the whole trip. Apparently a lot of it happens in the dark but never once opened my eyes to find out. More recently I climbed almost to the top of Mount Snowdon, in North Wales, only to decide I could not make it to the summit. The path was very narrow and there were hoards of people. I was convinced that I’d get pushed off the path to my death. So I sat down with my eyes closed (again) and waited for my brave husband to make the journey to the top and back on his own.  Yet, I enjoy watching films about Mountaineers, like “Touching the Void” and “Everest”, go figure!

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Rock Arch, Worms Head

I stopped and ate some biscuits and sandwiches, drank a lot of water and admired the view along the Worms’ back in both directions, towards its head and in the other direction towards Rhossili Bay and Gower. This time I walked over Devils Bridge and started the scramble over more rocks to Inner Head.

Seal, off Worms Head
Seal, off Worms Head

I paused as I see another walker looking out to sea and I realised there is little head looking up at us out of the water. It was a seal. I could see his whiskers. He reminded me of a dog. I don’t know if he’s a common or grey seal, as they are very hard to tell apart, especially when they are in the water. He disappeared and then popped up again, before finally vanishing for good.

Keeping an eye on time time, and making sure I have more than enough time to cross the causeway, I made my way back to the south-eastern end of the tidal island. I notice a group of people are watching something on the stony beach below the cliffs. More seals! I settled down on the grass to watch. To start with, I could not get a good view, as there were so many people. Eventually after a lot of loud “Oh” and “Ahhhh-ing” (I don’t think the seals liked this as they kept looking up), the people moved on and I had the seals all to myself. I love this.

I watched them, very happily in silence, for quite a while and make some film clips to show my husband later. I am guessing they are the smaller, common seals, but I could be wrong.

I am very tired now and as I start my walk across the causeway, I see people still crossing over from Rhossili. I look at my watch. They still have two hours to cross and back it back again. I start off with confidence, only to have to retrace my steps because the drop from the rocks I am on is too high.

As I am struggling down from a lower crag I am surprised by a strange animal-like snorting sound. It sounded a bit like an alarmed dog. I looked around at what I thought were barren rocks, only to realise that I have a pair of anxious eyes looking at me. It an adolescent seal, stranded all on his own in the rocks. I quickly retreated. I didn’t want to frighten him any more than I already had.

Hidden amongst the rocks
Hidden amongst the rocks

He must have been stuck here ever since the tide went out three hours ago.  I briefly worried about the other walkers finding him, as some of them have dogs with them, but I decided that if I keep quiet, maybe no one else will discover him. I know that the usual advice with wild animals is to retreat and leave them alone. After all, he is so well camouflaged, I would not have seen him if he had stayed silent. In fact I did not seen him when I came across earlier.

Spot the seal!
Spot the seal

Thankfully, crossing the causeway was slightly easier on the return journey. I think the tide was further out so I could walk alone the pebbly edge, although the climb back up the to main path was brutal.

Worms Head, Rhossili, Gower
Worms Head, Rhossili, Gower

I was relieved to be back on the main land, but there is some thing very special about being on an island, even if it’s only a tidal island like Worms Head. I think its because you are surrounded by the sea and that is an exhilarating feeling. The Gower is a bit like a tricorn hat, with a tidal island at each “corner”. This journey around the Gower coastal path started with Mumbles, with its lighthouse built on a tidal island; Burry Holmes is a tiny full stop marking the north end of Llangennith Beach but Worms Head is a comma. Not so much a footnote, but a wiggly tail making off towards the Celtic Sea. The open sea and more adventure.

Map of Gower Peninsula
Map of Gower Peninsula

 

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