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Painting Cows

I am delighted to have sold “Koei 1509”, a painting of a South African cow, to a collector in Oxfordshire, England. The painting was based on a photograph by talented photographer Herman von Bon, who generously allowed me to use his image. Herman photographs the South African landscape along with its people and animals. I particular like his wildlife photography.

Oil painting of a Cow by Emma Cownie
Koei 1509

I like cows. I love all animals. I come from a family of animal lovers. I get pleasure from just looking at animals. I really enjoy painting them but I find it hard to part with my animal paintings.

Cows are the reason why I stopped eating meat a long time ago. When I was a post-graduate student at Cardiff University in the 1990s I spent a day cycling along the the flat marsh road that lies between Cardiff and Newport. It’s about 10 miles. On my way back, I stopped at a gate for a rest. I group of curious youngsters, Fresians, came up to gate to investigate me. They were cautious but seemed to egg each other on to come closer and stick out their noses to me. They amused me. I thought they were funny and sweet.

I stood for quite a while looking at them. Listening to them breathe. Cows have intelligent eyes. Big brown eyes. They weren’t essentially any different from the many animals my family had kept as pets over the years; cats, dogs and rabbits. Suddenly the thought came to me “I eat you and your friends”. I felt awful. Very guilty.

It felt very unnecessary.  I don’t need to eat meat. So I decided to stop. I’d been thinking about for for some time. People sometimes ask why I am a vegetarian and I could mention things such as the cruelty of factory farming, the environmental cost but I have never felt comfortable eating sentient creatures. I always felt a hypocrite for eating Sunday roast, no matter how tasty it was.

Oil painting of Hereford Cow by Emma Cownie
Hereford Red (Sold)

 

Many of my university friends were veggies but I didn’t like many vegetables (potatoes and peas was about it for many years) and I wasn’t sure what I would eat. To be honest, I was lazy. I had to learn to cook vegetarian meals. I started with a lot of pesto and pasta. A friend of mine recommended a Rose Elliot cook book and I painstakingly read the recipes (there were no photos in the book) and I eventually learnt a few recipes off by heart.  It was a bit of a slog but I felt much better for it, physically and mentally.

 

Although I don’t think that I paint cows all that often, they have added up over the years. I love Hereford cattle in particular. I was born in that English county and I love the russet red of their coats. You don’t see that many of them on Gower.

Colourful Painting of cow
Punk Cow (SOLD)

I seems to have painted Frisians the most – probably because I like the contrast of their black and white coats.

Oil painting of black and white cow in Gower landscape
Gower Cow (SOLD)

Gower Cow

I never paint “generic” cows. These are all real cows. All individuals. I found Gower Cow on the slopes of Cefn Bryn at the Penmaen end. She was chewing the cud with a small group of friends.

Painting of Cow at Pwll Du, Gower
Grazing at Pwll Du

The cow at Pwll Du was also with a group of friends, small herd I suppose, who came out of the undergrowth and started grazing on the grass by the stream at Pwll Du.

 

Writing this post got me thinking about the History of the cow in Art. There’s a lot to it so I have decided to save that for my next post.

 

Painting of black and white cow by Emma Cownie
On the Move

 

To see available animal paintings click here

To see large mounted animal prints click here

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Catching the Morning Light

When I get hold of an idea I can get quite obsessive about it. Lately, it’s been early morning light. I think it sprang from a post I wrote about transposing some of the techniques I used for my “Urban Minimal” project to what I only half-jokingly called “Rural Minimal”. I think that my rural Gower houses did fulfil the spirit of “Rural Minimal” but it got me think about shadows. Now, shadows were my first love. They still are. It’s hard to find any painting of mine without blue/mauve/purple/brown shadows. I go through tubes of Lukas 1862 Mauve at a steady rate. Many of my Gower woodland paintings used early morning winter light.

 

ENCHANTED WOOD 2
Enchanted Wood  Limited edition mounted print (unframed) 

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And why do I love shadows so much? It’s because they act as a foil to the light. The orange next to the dark mauve positively leaps off the canvas. Perhaps, its a cheap way of thrilling the viewer? I am always very impressed by artists who capture a gloomy or overcast landscape. Plein Air painters prefer overcast conditions because they are more constant and American artist, Jeremy Sams,  demonstrates this really well in his painting. He says “The good thing about painting on an overcast day is that you don’t have to chase shadows. The light remains very constant and my acrylic paints stay wet for a good long while.”

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Jeremy Sam’s Plein Air Study

However, I love shadows. They make a composition interesting and dynamic. So, anyway, the post about Rural Minimal got me thinking about shadows in rural settings. I realised that because I have been focusing on my Gower Walks and working to bus timetables that I was mostly walking in the late morning and finishing up in the early afternoon. I was becoming increasing frustrated that my lovely walks weren’t inspiring the sort of paintings I like to make. The light wasn’t right. Midday light, especially in the summer, has a tendency to bleach out the details. This is what shadows “do”, they show us the details of the landscape.

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Light Shadow

I have always been a morning person. Each morning is like a fresh start to me. What ever happened yesterday, last night is gone.To be honest, I think that have always done my best work by 11 am. When I was writing my PhD thesis, many years ago, I’d do my best writing between at 8 and 11 am. To be honest, most of the work I did after 11 am was fact checking (this was in the days before the interest when you had to look things up in books) and faffing, but I’d dutifully stay at my desk til 5 pm.

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Bernard Street Bus Stop (Back of Brynmill Launderette)  (Oil on Linen Canvas, 33 x 41 cm unframed)

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So I decided that I need to seek out early morning light on Gower. This long spell of hot weather meant that morning skies were often (but not always) clear. That meant getting up early.  I have been dragging myself out of bed just after sunrise. It’s summer and the sun rises just after 5 am in here Wales. It is painful getting up that early but once I have had a cup of coffee I can face the outside world, just about.

The first time I drove down to Three Cliffs Bay, 6 miles away, I was so tired that I actually forgot my camera! I felt so stupid but I got back in my car and drove back home to fetch the darn thing, delaying my “start” by 30 minutes.

Pobbles Bay on Gower
Pobbles Bay after 8am

Compare the light and shadows to yesterday morning (when I remembered my camera) and actually got there for about 6.30am.

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Pobbles Bay 6.30 am

It’s different. Not necessarily better, just different. Do you know what, it doesn’t matter. I like both conditions.  The changing tides always also variety and interest. Summer Morning light has a beautiful rich quality to it and I like seeing how it changes, the shadows shorten, darken, light break over the cliffs, as the morning progresses. I have sat down on the cliff tops and watch the light change.

Early Morning, Three Cliffs
Early Morning, Three Cliffs  (Oil ob Linen canvas, 80×60 cm, unframed)

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I like seeing nature first thing. I like seeing the dew. In this very dry summer it’s a godsend. The grass on rolling fairways of Pennard golf course has turned the colour of straw except for the patches where the dew collects in the morning. There it’s a fresh green. Walking down towards the sea, along the sandy path by the golf course, I often see the white tails of wild rabbits dashing into the undergrowth. Their numbers in the UK have fallen in recent decades but thankfully, there seem to be plenty on Gower.

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Welsh Wild Rabbit

Free-range cows roam the cliffs of Pennard and South Gate as well as the valley next to Three Cliffs Bay. They are usually busily eating the grass they can find down in the marshy valley or in the shadows of the thorny gorse bushes, or even in the Golf Club car park before the golfers arrive!

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Cow at Pennard

 

Cows chewing the cud (mid morning) and cows at work, eating grass (early morning).

I delight in the long shadows and the reflections at low tide. How the reflected light is more golden than the light on the rocky cliffs.

 

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Three Cliffs Reflections  (SOLD Oil on Linen canvas , 80x50cm, unframed)

At high tide the colours all change again.

 

I have got up early and visited Rhossili, Penmaen and Three Cliffs Bay six times in the past fortnight. This includes the morning I thought the light cloud would clear but instead it thickened. A passing Jack Russell was photographed, as well as the rabbit above. So, I sat down and sketched.

 

I will keep going until this weather goes off, while may well be very soon. I will be working from this research for quite a while after it has clouded over again.

A while back, last June in fact, I read an excellent blog post by American artist Luann Udell entitled “How Long Did It Take You To Make That?” in which she discusses all time-consuming processes and skill that go into creating her pieces. It occurred to me that while the actual time it takes to paint my work may take anything from one to three days, depending on the size of the canvas, the actual thinking, planning, gestation, waiting for the weather and preparation takes a lot longer. I should also include in that waiting for the seasons to change. Just yesterday I was remarking to my husband that the heather was starting to flower and so another visit to Rhossili Downs would be in order soon. Nothing stays the same in nature, or in life! My job is to observe and attempt to capture some of those fleeting changes.

 

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Gower Coastal Walk: Blue Pool Bay

The Gower boasts two gems that most visitors never see.  I have lived in Swansea for 19 years and this was the first time that I saw them. These are Three Chimneys, a sea arch that used to be two arches,  and a massive rock pool known as Blue Pool. These two marvels are not easy to find. They are tucked to the north of Broughton Bay. They are located on Blue Pool Bay, in the northern-eastern corner of the peninsula. You cannot drive to this bay but have to walk.

I ended up doing the walk twice in one week. The first time,  it was sunny when we set off from Swansea. We had sun hats too. The car park next to Broughton Caravan Park, where we start the walk, was free. This is a rare thing on Gower. We are forever pawing through our change to find enough pound coins for the ticket machines. They never seem to take £5 notes or credit cards. This car park sits next to a large static caravan park. Many of the people who own caravans here live close by in Swansea. It has a friendly family feel to it, it has palm trees and little gardens.

Almost as soon as we got out the car it clouded over. We walked through the large static caravans and along a path covered in wooden slats, which was wonderfully easy to walk along.

As the path snaked around the hill and entered dunes the clouds came lower. The further along the path we progress the mistier it got.

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Not a lot to see!

Eventually, we see can Three Chimneys from the top of the dunes. It was clearly two arches, once upon a time, but one has collapsed.

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Three Chimneys

We walk on until we reach Burry Holms, another of Gower’s three tidal islands (the others are Mumbles and Worms Head). Just over nine thousand years ago, it was not an island but a hill nine miles from the sea.  There is a lot of archaeology here, including a Mesolithic site, a Bronze Age burial mound, an Iron Age fort with a deep defensive ditch and bank, and the remains of a monastic settlement founded in the 11th century and abandoned during the 17th century. There are also a number of post-Medieval quarries and limekilns are along the cliff edges.

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Burry Holms in the Mist

No one knows why it is called Burry Holms. There is a port across the Loughor estuary called Burry Port, but Burry Port in Welsh is Porth Tywyn which means White House Port (I think). I’m not sure what the Burry means in this case, but Anglo-Saxon a “burh” usually means a fortified town. Many of them date back to 9th century when raids and invasions by Vikings prompted Alfred the Great to develop a network of burhs and roads to use against them. I know that the island’s name of “Holm” comes from the Old Norse meaning “island in an estuary” (think of Flat Holm and Steep Holm further out in the Bristol Channel). This also reflects the Norse domination of the waterways in this area, which lasted up until the 11th century. After all Worms Head (Wurm – meaning dragon) is also a Norse name.

The ruins of  the 14th-century chapel dedicated to Saint Cenydd can also be seen at the eastern end of the island. St Cenydd, sometimes Anglicized as Saint Kenneth, was a Christian hermit who founded a church at Llangennith, to the south of Burry Holms. The story of St Cenydd’s early life is wonderfully fantastical and not to be taken at face value. Cenydd was supposedly a Breton Prince, born of from an incestuous relationship, at Loughor (this is a modern day suburb of Swansea).

Baby Cenydd was born with some sort of disability, and on account of this he was put in a willow basket/cradle and launched into the River Loughor, like a Celtic Moses. This willow basket eventually washed up on Worms Head and the local seagulls and angels looked after the baby and somehow managed to bring him up as a Christian. Interestingly, St David, Wales’s patron saint, cured Cenydd of his disability in later life. Was St Cenydd at all grateful? Not a bit of it. He wasn’t happy about this at all and actually prayed for his disability to be restored!

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What is going on here?

So we sat looking out at Burry Holms eating biscuits. We watched a seagull swoop and circle the cliffs again and again. He did this at least ten times. I was trying to decide if he’s was scaring off some jackdaws or was jealous of a courting couple.

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Love is in the air!

Another pair of gulls sit cosily together on a ledge. Then, suddenly the male mounted the female and a quick bit of mating takes place. The male then abruptly flies off. “To the pub!” my husband drily observes.

On the way back I try and find the rock pool, Blue Pool. We seem to have missed it on our way to Burry Holms. I clamber down a hill and finally spot it nestling in the rocks below.

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Blue Pool

I can see people in wetsuits leaping into the famed rock pool. I am very jealous. Local legend says it is bottomless. The swimmers seem to be very confident they won’t hit the bottom as they leap into it.

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Jumping in!

Two women climb to the top of the highest lip of the pool and leap into the water. It looks great fun. I read later that it is very deep. Anything from four to eight metres deep, depending on tidal and weather conditions. As much as I enjoyed watching the fun and games I was a little frustrated.

I’ll show you why. This is what I was hoping for compared with what we saw.

So I went back to get another look at Blue Pool and in sunshine this time. I returned early one morning later in the week alone. I set off at 8.15 am hoping to catch the low tide because I have the idea that you can walk around the headlands and walk to Blue Pool Bay. This time, it is cloudy in Swansea but brightens up as I reach Llangennith which is just down the road from Broughton Bay.

So I walk onto the beach full of confidence that I will be able to walk to Blue Pool Bay along the shore. I couldn’t.

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View Across Broughton Bay

I don’t know if it wasn’t a particularly low tide, I have discovered since that not all low tide are the same. Some are lower than others. Just as some high tides are higher than others.  So I had to retrace my steps and I clambered up the rocks as a short cut to the coastal path. I eventually made my way along to Blue Pool Bay – I found a different path that led down the dunes and some very steep rocks.

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Three Chimneys on a sunny day
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Three Chimneys, Blue Pool Bay
 

 

I kept my rucksack with me, so that if I fell, I’d have my phone with me, or at the very least water and biscuits! I did have the over-dramatic thought that if I fell, no one would find me for hours/days. I chickened out of climbing all the way down to the sandy beach as the tide has just turned. I knew the tide came all the way in, leaving no beach at all.  I wasn’t sure how quickly the water would come in.

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Blue Pool Close up.

I climbed back up to the coastal path OK. I then carried on to Burry Holmes and the vast three-mile expanse of Rhossili Bay.

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Burry Holms

I walked along the beach towards Worms Head. I ate my banana and put the skin back into my bag. I had seen enough rubbish on the foreshore to depress me. I watched the little wadding birds, sanderlings, I think running along the surf on their delicate long legs.

I retrace my step along the path through the dunes and I enjoy the silence which was broken only by the song of a skylark, one of my favourite sounds. I pass the caravan site and carry on along the sweep of Broughton Bay.

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I saw the white tails of rabbit disappering into the undergrowth in a fields filled with sheep and their lambs. I then come across another caravan park. This one is called Whiteford Bay Caravan Park. It seems an unfriendly place. There are lots of warning signs and no trees. Broughton Bay Caravan Park seems much more relaxed, with its palm trees and little gardens and free car park.

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I pass a group of senior hikers, including a chap who must be in his 80s. There’s a role model, I think. The path climbs up a sandy path up to Hills Tor.

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The View Across the Estuary

I sat down on a sandy ledge to admire the expansive view towards Whiteford Point and try and make out the rusty iron Victorian lighthouse. I can just about see it. You can’t see it in the photos. It is very breezy up here.

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View Towards Whitford Point

I ate two chocolate biscuits. They are delicious but I have drunk most of my water with only a couple of mouthfuls left. So because I know I have so little water left, I start obsessing about water on my walk back to the car. I cross a little stream that runs from Moorlake into Broughton Bay and consider trying to take a mouthful of it. It is quite marshy here behind the burrows. The sea is out of sight. I decide that in future I will carry two bottles of water with me.

There are Two boys are playing on the tops of the dunes. They are school-aged- why aren’t they in school, I think to myself. Once a teacher, eh? I say nothing and pass on.

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By the time I reach Broughton farm it has clouded over. My calfs are now aching from so much walking on sand. They carry on aching later on in bed. I’m not surprised when I work out that I walked 6 and a half miles, and a lot of that was on sand.

Next walk is Whiteford Point for a close up view of that iron lighthouse.

Painting of Three Chimneys Arch, Gower
Three Chimneys Arch, Gower
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Landscape Painting – Rural minimal

Last summer I started my series of “Urban Minimal” paintings of the streets of Brynmill, Swansea. These paintings were my “Hollowed Community” project which were exhibited in the that year’s Madeinroath Festival. That’s not a typo, by the way. The festival organisers stipulate that you type it as one word Madeinroath, rather than three “made in roath”. Roath is a suburb of Cardiff, by the way. They also stipulate that the “in” in “Madeinroath” has to be in red too. It’s driving my spell checker crazy!

My “rules” for composition and painting this project were:-

  1. No cars

2. No People

3. Bright light. There must be shadows – at diagonals if possible.

4. Simplified forms – there must be little detail in the final painting. I want to explore the interplay of the geometry of shadows and man-made structures – the tension between the 3D buildings and the 2D shadows. Simplified blocks of colour.

These rules worked well in an urban setting, especially with the sea light we have in Swansea.

Since then, I have been caught up in my Gower Coastal Walk.

Worms Head Coast Watch Station
Worms Head Coastwatch Station

By my calculations, I have three, maybe four more Gower walks to do in order to complete the length of coastline but other commitments are keeping me from finishing. Firstly,  I have a pile of exam scripts to mark. I am rusty and I mark slowly these days. Secondly, a summer virus has made me feel under the weather.

I haven’t consciously applied the urban minimal rules in a non-urban setting. What’s the problem? The applying Rule #1. “no cars” and #2 “no people” rules is easy enough. As is #3 “Bright light”. Then there comes the difficulty. The second part of Rule #3 “There must be shadows – at diagonals if possible.” Walking late morning, mid-day day means that there are few long shadows and they are difficult to find on beaches too. Although, there have been a few.

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Langland (SOLD)

 

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High Tide at Three Cliffs Bay  Limited edition large mounted print  (free postage)

[wpecpp name=”Three Cliffs at High Tide Large Mounted Print” price=”45″]

Finally, Rule #4 “Simplified forms – there must be little detail in the final painting. I want to explore the interplay of the geometry of shadows and man-made structures – the tension between the 3D buildings and the 2D shadows. Simplified blocks of colour.” I never really followed this rule to the letter as I thought details, such as window sills, and reflected light on glass, breathed life in pictures. It was knowing where to add detail and where to simplify that was important.

Coloured Sands at Three Cliffs
Coloured Sands at Three Cliffs Bay 

Limited edition large mounted print (free postage) 

[wpecpp name=”Coloured Sands at Three Cliffs Bay Large Print” price=”45″]

Here, I have just been very cautious about going “too far” with this in a rural setting. But I have been edging that way, such as with my treatment of sand. Other aspects of my composition such as clouds and vegetation have not really been “minimal”, not in a conscious way anyway.

I think I need to challenge myself and make myself think about how I am tackling these subjects. I think my recent paintings of rural buildings (that’s cottages to you) has been much more successful.

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Port Eynon Shadow (SOLD Oil on Linen Canvas, 46x38cm, unframed)

You may well say are just rural buildings instead of urban buildings. Yes, but they are stepping stones. I am still thinking about how I apply these rules when there isn’t a building in the picture!

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Afternoon in Port Eynon (Oil on linen canvas 33x41cm unframed) 

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Port Eynon Corner (SOLD)

If you want to buy any of these painting clink on the link below each painting or look through my Buildings and Streetscapes gallery.

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Gower Coastal Walk: Rhossili Bay

Do believe the hype. In 2014, Rhossili Bay was voted the UK’s number one beach, by TripAdvisor users, it also ranked third best in Europe, and 9th best in the world. They are not wrong. The bay is spectacular. the wide flat beach curves along for 3 miles (5 km) and is backed with sand dunes along the northern half. It is quite vast.

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Rhossili Bay

How I have missed Gower and walking over the past weeks!  I have been stuck in doors invigilating exams for one of the local universities, longing for the sea breezes and the sort-of-quiet of outside. The Gower is actually quite noisy with the sound of surf, sheep and birdsong, but they are all nice sounds.

The fresh air is a tonic. There is plenty of it at Rhossili. One thing you notice on the long narrow road to the tiny village is that there are only a few wind-blasted trees, permanently bent westwards. At Rhossili, itself there are none. It is an isolated place on the far tip of the Gower peninsula. It has two tidal islands at either end of the bay, Worms Head to the south and Burry Holms to the north.

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Rhossili Sunset

In the days before cars and buses, it must have felt a lot like the edge of the known world here. Celtic monks, presumably drawn by its isolation and wilderness,  came here in the 6th century. They founded a church here,  dedicated to St. Sulien or St. Sili, that was founded in the 6th Century. The name St. Sili together with the Welsh word for moorland, ‘Rhos’, gives Rhossili its name. The first church,  along with a tiny village, was tucked away at the foot of Rhossili Downs, on the apron of flat land ground, north of the present village, known as the Warren. The present-day old rectory is located here. Evidence for this first community was revealed at the end of 1979 when a severe storm exposed some of the old buildings on Rhossili Warren.

Rhossili Shadow
Rhossili Shadow (SOLD)

The Normans conquered Rhossili in the 12th century, but how did the village of Rhossili come to move? It’s a familiar sounding story involving storms and sand (remember the story about Pennard Castle and the angry fairies?) a massive storm in the 13th century sent mountains of sand ashore at Rhossili too, engulfing both village and church. As a result of the this environmental calamity,  it was decided to rebuilt the village and build a new church, dedicated to the Virgin Mary, on the high clifftop 200 ft (60m) above, away from the vulnerable low lying sand and sea. Hence the wind!

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Rhossili, Gower

There are two paths across to Llangennith, one high and one low. Today I decided that I would walk both in a loop. Starting with the high and returning along the lower one to Rhossili.

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Map of Rhossili and Rhossili Downs

IMG_6612-001The coastal path starts just to the the right of the National Trust Car park and the bus stop. There is a choice of paths. There is the one that climbs high along the top of the Rhossili downs and the coastal path along the flat land at the foot of the downs, the Warren.

I have decided to do both by walking in a loop across the top and then along the bottom back to Rhossili. So instead of going through the gate, I head along the path on the right. Up a long steep path.

The climb and views below are breath-taking.

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Worms Head to the south
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Worms Head

It’s a long climb before the terrain flattens out. The wind up here is very powerful, indeed. Its blowing so hard that it makes my ears hurt. I pull up the hood of my coat to try and protect my ears.

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View to the north, Burry Holmes in the distance

In the past I have seen hang-gliders take off from here and fly over the bay. There’s no one here today. I think its probably too windy. I am scared of heights so I find the thought of hang gliding terrifying – so this youtube clip is more than mildly distressing for me but it gives you a good idea of the wonderful views here.

The path is bare, and the surrounding land is heath land, covered in wash-out brownish heather. Later in the early autumn as the heather blooms, the downs become a delightful riot of pinks and purples. I must come again in September.

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Path Across the Top of the Downs

I finally reach the Beacon. The trig point (its proper name is triangulation station or triangulation pillar) is part of the massive network of points built by the Ordnance Survey (OS)  team as they mapped the country in the 1930s.  At the towering height of 193 metres (632ft.) above sea level, the top of Rhossili Downs, the Beacon, is the highest point in Gower allowing unparalleled 360° views of the peninsula.

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The Trig point on the Beacon

I usually like to walk to the edge of the downs to look down at the Old Rectory below on the Warren but it’s too windy today. I will look at it more closely on the return journey later.

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Paddling at Llangennith Beach

The path continues northwards and dips below the headland so I can take my hood down for a few minutes, but not for long as I reach half way along the down and come across a curious relic from the Second World War; the remains of a radar station. I wonder what it was like to be stationed in this beautiful and remote location listening out for approaching German Bombers headed for Swansea.

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The path continues on to another peak and a good view of Burry Holmes, the tidal island, and the caravan park at Hillend  below.

Then there is a steep descent down to path that passes behind the static caravans. I did not realise that there were so many here and they seem to reach a long way towards Rhossili.

Eventually I leave the mass of caravan behind and follow the path behind an old stone wall. I spy some people walking closer to the edge of the beach.

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Not the path I followed

IMG_6485I realise belatedly that I have probably missed the official coastal path and I am following another higher path. I cant see how to make my way down to that path so I carry on. My path takes me closer to the old rectory, anyway but it a bit further.

I am feeling tired now. I stop and eat some biscuits, enjoying the sunshine and the sound of the sheep and lambs happily bleating away.  The Gower sheep here are tough mountain sheep, their long tails left are undocked (unlike lowland sheep) and they are have patchy tanny brown markings.

I can see off in the distance, the old rectory, which has been called the most photographed house in Wales.

The Old Rectory is the only building on the bay so its not surprising that it acts as a focus point for photographs. The vicar of this parish had to look after two churches, St Mary’s at Rhossili and St Cenydd’s at Llangennith. So some bright spark decided that the rectory should be built exactly halfway between the two churches, in neither village. I am not sure that any of the vicar’s wives appreciated the isolation.  I suspect the vicars who lived here weren’t very happy about constant journeying between villages,  as at least one, the Reverend John Ponsonby, is said to haunt Rhossili beach. He travelled between the villages across on the beach on horseback and some believe he can still be seen riding the route today.

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Old Rectory

The Rectory, itself is also said to be haunted by another vicar and his wife, who some claim to have seen and heard walking down the stairs. It’s not surprising that it haunted as it believed to be built on top of a graveyard (possibly dating back to 6th century?) and on stormy nights a frightening spectre is said to emerge from the foaming waves to stare at the outside of the building, as if angered that it has been built there.

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Taking the Long View

Apparently, Dylan Thomas once thought about buying the old rectory,  but he decided against it as there was no pub in either villages, there are now, though.

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The climb up back to Rhossili is quite steep and although tired, but I am happily distracted by the fantastic view of Worms Head and the evening light on the whitewashed houses of Rhossili that look so small from a distance.

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Worms Head, Rhossili

Back in the village we are greeted by some errant sheep, jogging through the streets. Their farmer (out of shot) is rounding them up on a quadbike and a collie.

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I will leave you with a drone’s eye view of Rhossili, Worms Head and the Downs. It’s well worth watching.

You can buy original paintings from the Gower Walk project by clicking on the link.

Next week I face the challenge of sea mist and climbing down a steep slope to visit Gower’s incredible swimable (I’m not sure that’s actually a word) tidal rock pool.

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Walking the Gower Coast: Port Eynon to Rhossili Part 1

Painting of Port Eynon, Gower
Port Eynon Shadow

This is the most challenging leg of my journey around the Gower coast, thus far. It is the longest walk I have done so far at 6 and a half miles. For some reason, I keep thinking its much further than that. I had convinced myself that it was 8 miles. It felt like that.

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I have been obsessing over the bus timetables and the information I have garnered from Traveline.com which makes sense of the bus connections for me. I have written all the available buses in my note book which I carry in my rucksack as well as on a cheery yellow post-it note which I have in my coat pocket. I have tried very hard not to think of all the things that could go wrong but at 4 am I have persistent visions of twisted ankles and buses not turning up. I pack two plasters although I suspect they won’t be massively useful if I do twist my ankle.  Yet, it seems that I have done all my worrying in advance for once I set off everything pretty much goes without a hitch.

It is a warm day. I am wearing my light padded jacket for the first time this year. My rucksack, which is actually my husbands old laptop rucksack, contains the following:- Water bottle; food – sandwiches, banana, biscuits; bus timetables for all Gower buses; tide timetable; two plasters; spare socks; camera; handbag. Somehow I haven’t organised myself enough to leave my stupid handbag behind. I know it has many useful things in it like a tape measure, make-up mirror, phone, fold away shopping bags, but I suspect it adds a fair bit of weight.

I dont have to wait long for the number 118 bus to arrive on Gower Road in Swansea. The bus driver blinks at me slowly when I ask “Change at Scurlage?” This is the first time I have been on a NAT bus. That stands for National Adventure Travel. As a car driver, travelling on a bus has a certain amount of novelty for me and looking out the grimy windows is almost a treat! This bus is OK but not as nice as the city First Cymru buses. Buses seem like things of the city to me (I am a townie born and bred) but once we rattle over the cattle grid at the edge of Fairwood Common and leave Swansea behind, there are great views across the common towards Cefyn Bryn, the long hill that extends across Gower. I enjoy the superior height of the bus which means I can look over walls and into people’s gardens as they flash by.

It is high tide as Three Cliffs Bay as we pass, a sight that gives me a small thrill. We pass the campsite at Nicholston and two walkers, a man and woman, get on. I have company. They both have rucksacks. I wonder why they have one each. They can’t both have handbags in there!

Scurlage. Thankfully the connection is waiting. We climb down from our big bus and into the smaller bus with hard seats and a sunroof.

It takes a long and winding route, pause for 3 minutes in a lay by, and then on to Horton, past a vast caravan park and eventually down a steep hill past the church and into Port Eynon.

The Captains Table

Chips at Port Eynon

 

 

Port Eynon on a long sandy bay on the South coast of the Gower Peninsula. It is the second largest “indentation” on the coastline. Truth be known, it is my favourite Gower place to visit in summer because it always has plenty of space on the beach, a shallow sea which warms up in the British sun and a wonderful gift shop full of the sort of junk that is absolutely necessary on a beach holiday (kites, snorkels, body boards, flip-flops, rock, postcards), a surf shop, ice cream kiosks  and best of all not one but two fish & chip shops. Oh, and there’s a couple of pubs too if you like that sort of thing. Have I made it sound commercial and tacky?

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Last Swim of the Day
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One of Port Eynon’s two fish & Chips shops

Well, you’d be wrong because almost nothing on the Gower peninsula is allowed to be commercial and tacky. I say almost nothing because I can’t think of anything at the moment that could be desribed as such, but someone may point out somewhere I have forgotten. Much of that is thanks to the wonderful Gower Society. If you have visited Gower you might think that the Gower Society have just put up some markers stones for their “Gower Way” which snakes across the inland sections of the Peninsula but not a lot else.

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Gower Society Stone Marker

You would be very wrong.  The Society was founded in 1947 by a group of Gower enthusiasts who were originally interested in the Peninsula’s history but soon became involved defending Gower from developers and preserving its natural heritage. I came across a copy of a book about the Gower Society in the excellent Oxfam shop in Swansea town. It’s called “The First Sixty Years” by Ruth Ridge. When I read it I was totally in awe of the tireless work they have done. Here’s a just a few short list of their many achievements

  1. Successfully campaigning for Gower to be recognised as the UK’s Area of Outstanding Natural Beauty (AONB) in 1956
  2. Part of the campaign that successfully fought off a Butlin’s-type holiday camp at Rhossili
  3. Limited and monitored the number and size of caravan sites on Gower
  4. Produced lots of excellent and very affordable  guide books on Gower walks, plant life, castles and caves.
  5. Prevented the building of a cliff railway and zoo at Rhossili
  6. Prevented the construction of wind turbines on the Peninsula.
  7. Campaigned against sand dredging in the Bristol Channel
  8. Helped preserve and partially restore the iron lighthouse at Whiteford Point.
  9. Raised money to purchase numerous tracts of land and donated them to the National Trust e.g. Worms Head and Pennard Cliffs and also to the Glamorgan Wildlife Trust e.g. Overton Cliffs.
  10. Raised concerns and gave grants to help restore and maintain many important Historical buildings such as Oxwich, Pennard, Oystermouth Castles and the Salt House at Port Eynon.

There is loads more they have done to protect and preserve Gower but I thought I’d just give some highlights.

Port Eynon or Porteynon takes its name from a Welsh prince, Einion,  of the 11th century who is meant to have built a “castrum“, a castle or fortified house here. There is no sign of the castle except for its church, St. Cattwg’s, and its dovecot, the extraordinary Culver Hole built into the nearby seacliffs. In Victorian times the village supported itself by Oyster-fishing from September to March and in the summer by limestone quarrying. Ships from Devon crossed the Bristol Channel to pick up the Port Eynon limestone. The trade in Oysters died out in the 1870s, over-fishing seems to have killed it off.

The Church was founded by a missionary saint in the 6th century but the building that stands in the village today is almost all the result of Victorian “restoration”. It is claimed that the church was used as hiding place for smuggled goods around the time of the battle of Trafalgar, kegs of booze being hidden in the altar, and at other times, the goods were buried in the sand-dunes.

In the churchyard is a distinctive looking memorial to three Port Eynon lifeboat men who lost their lives in a terrible storm in the winter of 1916. It may seem odd that the village of about only 500 people felt the need to erect a memorial to the three local men who died at sea when thousands of young men were being killed in far away places like France and Belgium in World War One, but the body of Billy Gibbs, the coxswain was never recovered. This was very much like the experience of families elsewhere in the country who never saw the bodies of their loved ones again. So the local community had a life-sized statute of Billy Gibbs built as a memorial to the sacrifice of all three men.

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The Lifeboat Memorial

The Lifeboat House is now the Youth Hostel. Only one of two on the Gower. As it was low tide I walked across the beach to the Youth Hostel.

On the other side of the hostel are the ruins of something called the “Salt House“. Some these walls were part of Victorian oystermen’s cottages. The main building, however, was used for salt production from the 16th to around the mid-17th centuries. The site was chosen for the high salinity of the bay with little fresh water contamination. The sea water would enter the beach chambers at high tide where it would be stored in a reservoir. The water would be pumped into large iron pans and slowly heated and evaporated. As the salt formed it would be scooped off and stored in the northern part of the main building to dry. Salt was a very valuable commodity, shown by the fact the site was enlarged and fortified during the 17th century, with the inclusion of musket loops within the thick walls.

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Salt House

There was plenty of tall stories about a couple of outlaws called John Lucas, who were pirates and smugglers. The first John Lucas supposedly fortified Culver Hole in the 16th century, hid his loot in there and visited it via an underground passage, although there is little evidence of this. Seven generations later another John Lucas fortified the Salt House and started a smuggling empire. Some people have claimed that John was a Welsh Robin Hood, stealing from the rich and giving to the poor. Sadly, these interesting stories seem to have been totally all made up. This set of nonsense was made up by Rev. Dr. J.H. Spry during the 1830s in a dispute over property. Fake news, we’d call it today. It seems that people have been faking stuff long before the internet was even dreamt of.

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Old Life Boat Station now YHA

The coastal path runs along the nearside of the Youth hostel.

Up a steep path past disused limestone quarries.

There are wonderful views of the bay to the east.

Salt House at Port Eynon
Salt House at Port Eynon
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The Salt House and Salt House Mere (to the right)

After climbing more steep path there is a great view of the sea to the east. This is Port Eynon Point. It is a nature reserve looked after by The Wildlife Trust of South & West Wales. Part of the cliff top was once ploughed during the Second World War but there is no sign of it now. This area is a nature reserve looked after by The Wildlife Trust of South & West Wales. In fact the whole South Gower Coast from here to Rhossili (Pilton Green) is a SSSI (Site of Special Scientific Interest) which is a term or designation given to an area in the UK which is protected for conservation. It is owned by the National Trust and managed by the Wildlife Trust of South and West Wales.

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If you follow the path northwards you come down a steep hill, past more disused limestone quarries towards Overton Mere.

Overton Mere is a wide bay of limestone rocks, rock-pools, shingle and a few tiny patches of sand. On the eastern side of the bay and about 200 yards west of the point, is Culver Hole – mentioned earlier – the dovecot made from a narrow cave sealed off by a 60 foot high wall. I thought about visiting it but after edging my way along the cliff-edge path for 10 minutes I lost my nerve and decided that should save my energy for the long walk to Rhossili.

Although the tide was out, the waves were very high, this morning, 5 or 6 foot high.  All along this stretch of coast I was accompanied by the booming waves as they broke on the shore. Every now and then, as a particularly large wave broke, there was a crashing sound that almost sound like something cracking. The air was hazy with surf. It made walking along the path even more thrilling.

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Gower Pony

I passed a small red pony who was not the slightest bit thrilled by the waves or me walking past.

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Large Rollers on Overton Cliff

For most of this walk I only passed a couple of walkers with their dogs. The path was pretty deserted. Although two men were working on one of the usually sturdy stiles at Overton Cliff.

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Stile maintance

The path was relatively easy although the drop down to sea was quite hair-raising in places.

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It’s a long way down!

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Long Hole Cave

Then the path got rather steep.

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Even steeper!

It got so steep that I started to wonder if I had lost the real path and had wandered on to a sheep track as I have done several times. It was so rocky I could not tell whether there were any human footprints or sheep tracks here. I couldn’t see another path so I kept going although it meant that I was scrambling along using my hands as extra support. Not quite on my hands on knees but not far off it.

On the other side of the crest I came across an odd scene. All the gorse had been burnt. You could smell it. I assume that the gorse had been managed. Its seemed too much of an effort for an arsonist to come all the way out here to commit arson. I assume that this is a way of managing the growth of the gorse. 

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After walking a bit further I realised that off in the distance I could see Worms Head. This was quite exciting. The angle made the long narrow tidal island look like two small islands. It also gave me the idea that Worms Head was not that far away. Now, whilst this was very encouraging and cheered me, by the end the walk I realised that was nonsense.  One lesson I learnt from this walk is “just because you can see it, doesn’t mean it’s close”. It has become my mantra. So on I went, buoyed by the mistaken belief that I was half way to Rhossili already.

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Towards Worms Head
Towards Worms Head

I think I had not bothered to look at my map in a good while because I was caught by surprise when the path headed up hill and inland. I was the first of many “Where the **** has the path gone” moments. When I walking on my own I chat away to myself (like a nutter). Mostly it’s encouraging stuff like “Come on” and “Let’s do it” when I need to get up a hill but its also less ladylike stuff when I get a bit lost and I can’t find the path. I just hope any near-by sheep are not offended. I also say hello to the sheep and lambs. 

I found the path, it had moved inland. It was not at all close to the cliff top so I could no see the sea. Once or twice I tried to sneak a peak at the sea by wandering off the coastal path towards the cliff edge but I decided it was too much effort as I had a long walk to do I didn’t want to waste energy of detours. I also found lots and lots of Gower mud. It was a rather fantastic orangey brown colour.

As I walked along the cliff top I knew I was passing above places with wonderful names like Blackhole Gut, Yellow Top, Foxhole Slade and Paviland Cave. I could not see any of these places from the path. I have always wanted to see Paviland Cave but it is notoriously difficult to get too. It is where the so-called “Red Lady of Paviland” was discovered by the Rev William Buckland in 1823. This was a partial human skeleton dyed in red ochre. The Rev was a man of a times and decided that because there were parts of a necklace made of sea shells and ivory jewelry that this had to be a woman’s skeleton. Today we’d call him “old fashioned”, I think. It turned out that this not a lady at all but a young man and he was buried 33,000 years ago. This was back when woolly rhinoceros and mammoth roamed around what we today call Wales. Incredibly, it is the oldest known ceremonial burial in Western Europe. Sadly, there was no Welsh museums in existence when the “red lady” was discovered so the remains where taken to Oxford, where they still rest despite the fact that we have lots of museums in Wales now. 

Eventually, I reached the point where the path crosses with the one from the village of Pitton. I came a across the first people I’d seen in maybe an hour maybe longer. They were having a break. They complained that the path down from Pitton was extremely muddy. I overtook them but I was starting to feel tired. I had been walking for about 2 hours no-stop.

I was just over half way through this walk. So I found a place amongst some rocky outcrops to eat my lunch. I watched some crows flying above the cliffs. For once I ate my banana first. I was really hungry. The cheese and pickle sandwiches and the chocolate biscuits all tasted wonderful. The outcrop called the Knave is nearby and I will continue the second part of my long walk to Rhossili next week.

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Walking the Gower Coast. The Rules.

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Coloured Sands at Three Cliffs Bay

One result of developing PTSD over 5 years ago is that for a long time I had limited energy. I honestly cannot tell whether my energy levels have returned to “normal” levels yet, or ever will. I find that it takes me a couple of days to recover from social events (and no, it’s not a hang-over as I don’t drink alcohol) or from traveling/visiting family or another town. Maybe, everyone my age is like, I don’t know.

I used to have ambitions or even a sort of “bucket list” of things I wanted to get round to doing, some time. I don’t much care for the term “bucket list”. If you haven’t heard about the term “bucket list”, it is a list of all the goals you want to achieve, dreams you want to fulfill and life experiences you desire to experience before you die. Here was mine.

  1. Learn to surf
  2. Learn to Meditate
  3. Walk the coastline of Gower
  4. Run a marathon
  5. Walk the pilgrimage route to Santiago del Compostela
  6. Visit Japan

I did learn to surf and I was very keen for a while, but I was never terribly good at it. I also once went on a 10-day meditation course. There was no talking for 10 days. Strangely, that was the easy part. I was running 20-25 miles on a weekly basis when my life took a swift left turn and everything ground to a halt in 2012. I am still active but I don’t run very far at all these days. I know I won’t be able to run a marathon unless I gave up everything else and just trained, ate and slept. There would be no energy left over for painting and making a living, so that’s out of the window. I cant afford to travel, not at the moment so it’s going to have to be number 3.Walk the coastline of Gower.

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I have a curiosity about exploring the whole coastline of Gower. I know and love certain parts of it very well, such as Three Cliffs Bay. As a painter of the Gower peninsula there are parts that I have visited and painted many times. However, there are also parts I have not visited for years, and a few places I have never visited. I did plan and start to walk the Gower coast in 2016, but it all came to a halt as I tried to cope with the repercussions of being made redundant from my teaching post where I had worked since 1999.

So start again. Here are my rules

  1. Travel in a clockwise direction around the Gower coast
  2. Travel by public transport and by foot.
  3. Walk on sunny days.
  4. Erm, that’s it.

I will document the walk with photos, sketches, and paintings. However, I am nervous about this. The big challenge for me will be in terms of my energy levels. The whole coastline is something like 38 miles long and I know I will have to divide that up into many short walks that will be very tiring for me. I will probably need a week to recover in between walks. I am nervous that I won’t have the determination to finish this, or something will happen to put me off, such as in 2016 when I got part way through in 2016 and gave up. I hate not finishing things.

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Coast Watch Station, Rhosilli

It will also be challenging for me mentally. When I was younger, I did many brave things on my own. I traveled around the UK and spoke at Academic conferences, I even traveled to Texas very soon after I passed my driving test and drove a hire car. The PTSD has had the result of reducing my life and what I do, either because I get tired or because I am fearful. PTSD means that my brain goes into anxiety mode very easily. My head will worry about the coming back before I have even left the house.  I will convince myself that none of the buses will arrive and I will be stranded in the wilds of the Gower and have to sleep under a bush. Yes, it all sounds stupid when I type it, but that’s the sort of thing that keeps me awake at 3am in the morning.

So I will have to prepare well, take a load of bus timetables and set off early and challenge the fear. A few weeks ago I panicked and jumped into the sea, thinking I was about to get washed off some rocks. Bizarrely, the evidence has given me confidence. The boots and I survived. It was uncomfortable but the boots dried out on my radiator. So I will make a start this week, even if it takes months to complete the challenge.

 

 

 

 

 

 

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The ever changing landscape

I am very lucky to live close to the sea. I can never get over my excitement at seeing the sea, even when I live so close to it. I would say that all of the Welsh coast is pretty special. The coast along Pembrokeshire, Ceredigion and the Llyn Peninsula are spectacular however, the Gower peninsula is the coast I visit most often as it’s the easiest to get to for to get to and its paintings of the Gower peninsula that work on most often.

swanseaGower has some incredible coastlines and fabulous beaches. I have always wanted to walk its length but never got my act together to do it. I made plans to do so in 2016 but being made redundant from my teaching job in that year, sort of threw everything out of kilter for me.

The best beaches always involve a bit of a hike but its always worth it. From an artist’s point of view its always different. Whether its high tide, low tide, summer, spring or a blustery winter’s day. What’s the main difference between the seasons? The light. Whether the sun is high or low in the sky, the angle of the rays, the quality of the light. Is it sharp or is it hazy?

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Floating Clouds over Three Cliffs

I have painted Three Cliffs Bay quite a few times. I am find it interesting to reflect on the different ways I have approached what is in some ways the same subject matter. In winter the sea is a grayed jade the wet sands are pinkish, the dry sand different shades of yellow. The colour of foliage is very muted; the grass on the clifftops is more yellow than green and the bracken is brown. The cliffs are warm grey in direct sunlight, a cooler grey in shadow.

 

Even on brighter days when the sea has more violet the colours of the cliff tops is more yellow ochre than orange.

Coloured Sands at Three Cliffs
Coloured Sands at Three Cliffs Bay

Three Cliffs Bay at High Tide

Three Cliffs Bay at High TideWhat surprised me when I compare these winter paintings with some that I had done in the summer is that the wet and dry sand is the same ruby/pink/yellow tones, although it seems obvious that it would be now I think about it. What is different, is the sky and the colour of the grass and bracken on the cliffs. The sky is a lighter turquoise and the sea is has more jade and turquoise. The clouds reflections in the surf is still violet. The grass is wonderfully verdant, a sharp green.

 

This is the oldest painting and it was done in high summer when the grass is a deeper green.

Pobbles and Three Cliffs

Of course, looking through these paintings, I immediately wish I had done some autumn paintings when the bracken is a rusty red. I have painted Rhossili Bay in autumn but not Three Cliff. I can’t think why not. Of course, last autumn I was focusing on my “Hollowed Community Project” and painting houses. I hope that I will be able to come back and paint Three Cliffs again this autumn.

 

 

 

 

 

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Spring Coloured Woods – a Gower woodland

 

Delighted to say I have just SOLD “Spring Coloured Woods” via Artfinder.

Now off to live with “The Bridge to Parkmill” in Lancashire – will we see an Ilston Cwm triptych adorning a wall of a home in Lancashire?

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“This is the last of the summer wine of a substantial series of oil paintings of a woodland area in Gower Pensinsula between Ilston and Parkmill, which the locals call Cannisland Woods.
It is amazingly beautiful at any time of the year but the light is rarely better than in Winter when it is glassy clear and this helps create a riot of colours and hues in this most dank time, in the mulched leave-layered ground, in the trickling everchanging brook of the Killy Willy, in the distant haze behind the barren trees and in the wonderfully green-mossy trees and shiney, slippery brown barks of the twisted trees by the Killy Willy.
This is another “refractionist” (expressionist) style painting which is similar to Sapling Wood and Rainbow Wood in it’s sweeping streaks of colour but much more grand in it’s ambition and luxuriant in i’ts detail.
This will probably be the last of this series of paintings for some time so enjoy.”

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Sprung Coloured Wood – a Gower painting

Painting of Welsh woods

Delighted to say I have just SOLD this oil painting “Spring Coloured Wood” one day after uploading onto my various online galleries! The artlover will be buying this lovely painting via my “Part Payment” scheme.

If you would like to spread the costs of paying for one of my paintings too please click on this link to find out more details of how to pay for my paintings over a period of months via part payment – the first payment secures the painting for you!

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Large limited edition mounted prints are available here