paintings of gower Archives

Posted on September 28, 2024September 29, 2024 by emma cownie — 15 Comments

20% off sale

20 Sale off Emma Cownie paintings until 14th October 2024 with code

Have you seen this Apple advert? Take a moment to watch it. It makes my blood run cold. Surprisingly the tech bros at Apple thought it was a good idea to show this advert which depicts a tower of creative tools and analog items (like paint, trumpets and record players), being crushed into the form of the iPad. It’s a pretty grim vision of the future. It a good visual metaphor for what is happening to creatives right now.

This year has been the toughest year I have experienced as an artist, for a myriad of reasons, and the art market seems to be struggling generally. Yes there’s war in Ukraine and the Middle East (and elsewhere in the world) and “the Cost of Living Crisis” and terrible cold and wet weather in the British Isles hasn’t helped either.

It seems evident that it’s more difficult getting my work seen. I cant help but think that AI and the “enshitification of the internet” is at least partly responsible. I feel a bit like I am being slowly crushed by the Apple crusher. It’s sapping my creative juices. I don’t quite know what to do about it. Cory Doctorow explains how enshittification works “It’s a three-stage process: first, platforms are good to their users. Then they abuse their users to make things better for their business customers. Finally, they abuse those business customers to claw back all the value for themselves. Then, there is a fourth stage: they die.”

This is probably the reason why I can’t find any useful results on google – lots of top ranking website are full of AI nonsense. It’s also why fewer people are seeing my work on the internet. My posts are pretty much hidden on Facebook, Instagram and invisible on X. Images of my paintings do not show up on Google as much as they did say 3 or even 6 months ago. Many other artists report a similar decline in interest from potential customers.

I have started to visit my local library again in search of real books with in- depth facts. The only decent thing on Google these days is Wikipedia. I find that Youtube playlists are so random as to be useless and a search on Pinterest results in either pins I have seen before (in other words I have already saved them) or one unrelated to the search term I just used. Tech companies are burning up the planet with their massive data centres in the hope that one of them will “win” the AI battle and then charge us all for what used to be better quality and free.

What’s this got to do with you? Everything. Doctorow says that enshittification is coming for all industries. “From Mercedes effectively renting you your accelerator pedal by the month to Internet of Things dishwashers that lock you into proprietary dish soap, enshittification is metastasising into every corner of our lives. Software doesn’t eat the world, it just enshittifies it.” Think about your printer – a new printer is cheap as chips but the ink costs a fortune and you cant use non-proprietary ink and your printer will know, and refuse to work.

Corry Doctorow’s big hope is that “Stein’s Law will take hold: anything that can’t go on forever will eventually stop…if everyone is threatened by enshittification, then everyone has a stake in disenshittification.” Actually, there’s a lot more to it than that. You’ll have to read his articles to find out what USA and EU are planning to do to break the monopolies of the big tech comapnies.

I just hope that independent artists like me survive the process or else everyone will have to console themselves with souless AI-derived art their ipad/smartphone/tablet device instead.

See below for some scary examples of AI “Art”. It’s a nonsense view of Derry if you didn’t know.

“Painting of Derry City by Emma Cownie” – Thanks AI. I can give up now. NOT.

Just in case some of you are saying. It’s Londonderry not Derry. AI is no better at conjuring up a view of Londonderry. Take a look! Although there is a river this time.

“Painting of Londonderry City by Emma Cownie”

How about Three Cliffs Bay? I have painted that many times. Sure AI will do better at ripping me off. Well, no.

Painting of Three Cliff Bay by Emma Cownie – Yes, it looks NOTHING like Three Cliffs Bay

Yes, we can laugh at AI’s efforts and say they look nothing like those places or my paintings but it’s all doing damage. AI can never replace human creativity. AI cannot suffer and struggle like humans. It just produces a wierd pastiche of the thing it is meant to be. It’s expensive rubbish. It’s costing us dearly. Emissions from data centers of the likes of Google, Microsoft, Meta and Apple may be 7.62 times higher than they let on.

We can reverse the enshittification of the internet. Don’t accept those tracking cookies. Try a different search engine. Stay on the website rather than downloading apps (you can use ad blockers on the website you can’t on the app). Don’t buy everything via Amazon if you can buy it in a real life shop.

We can halt the creeping enshittification of every digital device. Put down your phone/tablet and read a book or look at a painting made by a real human being. Join artists’ mailing lists so you can still follow their work no matter what the big platforms do to hide their work.

Oh, did I mention I have a 20% off sale on? Starting Sunday until Monday 14th. You have to join my mailing list for the code 20% code but you can unsubscribe at any time.

Shifting Shadows on Three Cliffs Bay (Gower) Context — Shifting Shadows on Three Cliffs Bay (Gower) -Emma Cownie which is also in the sale (with the code)

Read more

Cory Doctorow on Enshittification of the Internet – https://pluralistic.net/2023/08/27/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse/

https://www.theguardian.com/technology/2024/sep/15/data-center-gas-emissions-tech

Posted on January 1, 2021October 8, 2021 by emma cownie — 15 Comments

My Review of 2020

We are all glad to see the back of 2020 but I am pausing for a moment to reflect on some of my painting sales over the year. Sadly, my accident and having my leg in a cast meant that I couldn’t get up the steep stairs to my attic studio (or anywhere else) to paint any oil paintings for over three months but things have ticked over during 2020.

I would like to say thank you Rob and David who waited a very long time in the cold with me for the ambulance to come, to the paramedics and firebrigade who got me out of the woods, to NHS staff at Morriston who fixed my very broken leg and looked after me, as well as to the Physical Therapists who gave me lots of advice on exercises over the phone. I still have a way to go!

I have to say an absolutely massive thank you to my brillant husband, Séamas, who trudged up and down two flights of stairs with trays of food many times a day (and lost weight doing so) for months. He kept my spirits up when I got frustrated and tearful. It wasn’t that often as I was so glad to be home but it was all hard work for him in the midst of a pandemic! He also kept the show on the road by packing up and arranging the shipping my paintings. He was, and remains, utterly wonderful!

Here’s a selection of some of my sales from 2020

Some of my "people" paintings sold in 2020 — Some of my “people” paintings sold in 2020

Some of my paintings of Wales sold in 2020

Some of my paintings of Ireland sold in 2020

A Selection of Commission from 2020 — A Selection of Commissions from 2020

Donegal painting of Owey Island_Emma Cownie — Owey in Late Spring – Top of my personal favorites of 2020!

Here’s to a happier and healthier 2021 to everyone!

Posted on December 12, 2020June 6, 2024 by emma cownie — 15 Comments

Penrice and Oxwich. A Gower “Road Trip”

My leg and ankle are recovering from my accident this spring and although I can walk a faster than I used to, I still cannot walk long distances which means that a lot of my favourite Gower walks are off limits to me. I find staying indoor too much isn’t good for my mental health (especially during the Pandemic) and it is vital to get out and see different places nearby. Fresh air is good for the soul, the mind and more importantly it blows away the virus!

This blog is about a very short road trip around parts of the Penrice estate down to Oxwich Bay we did this week. My husband drove and I took the photographs. Penrice Castle was built by the Mansel Talbots. They were one of the most powerful families in South Wales and certainly one of its biggest resident landowners and MPs for Glamorgan in the Victorian era. The “new” Castle at Penrice was built by Thomas Mansel Talbot in the 1770s, as an alternative residence to the rambling old house at Margam. Thomas, who had travelled to Euope and considered himself a man of great taste had a neo-classical villa built. He also had the land around the house landscaped and a park laid out to improve the romantic scenery that had first attracted him to the place. His son, Christopher Rice Mansel Talbot, who was born at Penrice in 1803, modernised the old Aberavon Port and renamed it (modestly) Port Talbot as an industrial hub for South Wales. The house at Margam was also pulled down and a new mansion was built there between 1827 and 1830 near the ruins of the old abbey.

I will the road trip start with a map. All road trips need a map. There is an excellent map of Gower at Mapsta here. Our trip starts at the top left hand side of the map where a lane turns a sharp left from the A4118 road down a narrow single track lane. A word of warning if you fancy this road trip. This is not a trip for a large vehicle. Most of the lanes are single track and are very narrow. We spent most of it praying that we did not meet any thing coming the other way, and we drive a tiny Kia, as it would have possibly meant a ggod deal of reversing! Thankfully we didn’t.

Down long narrow lanes past a parking spot for a woodland walk at Mountybank (see estate map)

Map of Penrie Estate — Map of the Penrice Estate

Up a steep and winding lane past Penrice Village

Painting of a Penrice Cottage by Emma Cownie — Penrice, Gower

Along wet and winding lanes past Pitt Farm

The road then bends and drops back down towards Oxwich Village

We past a series of sturdy cottages and then turn left at the junction in Oxwich

The carpark is free in the winter during the week (possibly only during pandemics)

This morning’s heavy rain has left puddles everywhere but there’s still a beautiful view across the bay to Great Tor and Three Cliffs

We saw people. There were not too many but enough to watch. There was even a small wedding party having their photos taken on the beach off in the distance. It was heartening to see people managing to commit to a future together come what may! It must have been next to impossible planning their day as we have had a national lockdown, a local lockdowns and a mini-firebreak and there are rumours of another lockdown after Christmas.

On the way back home, we continue anti-clockwise on our loop back up a steep hill to the main road past Underhill Cottage. It was originally the Head Gamekeeper’s cottage. It has a lovely, sunny position overlooking the beautiful Oxwich Marsh and the sea with Nicholaston Woods behind. These days it is a holiday cottage. It is possibly one of the few sorts of holidays you could be confident of not getting cancelled these days (if you live locally, that is).

Painting of cottage near Oxwich marshes by Emma Cownie — Underhill Cottage (Oxwich, Gower) SOLD

Buy my book “Footnotes: An Artist’s Walk around the Gower Coast” here

Penrice Castle

Penrice – castle

https://www.parksandgardens.org/places/penrice-castle

http://penricecastle.co.uk/

Holiday Cottages on Penrice Estate. There are 16 holiday cottages on the estate

http://penricecastle.co.uk/gower-self-catering-holiday-cottages-wales/

Buy Gower Paintings

Buy Gower Prints

Posted on December 31, 2019January 19, 2020 by emma cownie — 21 Comments

Goodbye 2019 and Hello 2020!

A year’s a long time in art. When I look back at my paintings from early 2019, it feels like I made them much longer ago than that! This selection of “popular” (most likes/biggest reach) is based on my Instagram account, there are many more images that I shared on Facebook, that were also popular but are not included here. The work in progress photos are often very popular, sometimes they are more popular than the final painting!

The most popular nine posts/paintings are all of Donegal, Ireland, paintings.

Paintings of Donegal. Ireland — A selection of some of my most popular Donegal paintings from 2019

Here are my most popular posts/paintings of landscapes, people and animals of Gower, Wales and Stroud, England.

Paintings by Emma Cownie — Some more of my most popular paintings from 2019

Finally, a selection of commissioned work. I particularly enjoyed painting the beautiful Maine Coon cats, especially as pet portraits are usually of the canine variety!

Selection of Commissioned work from 2019

My personal favorite from 2019 is this one. There is something about the neatness of the houses on the island that I relish in this painting.

Of course, the irony is that one of my most popular posts of 2019 on social media was not a painting but a photograph that my husband took on the spur of the moment of us in woolly hats (and my new Donegal jumper) on Christmas Day!

Here’s wishing everyone a Happy, Healthy and Prosperous 2020!

See more of my work here

Posted on October 27, 2019June 6, 2024 by emma cownie — 15 Comments

A Gap in the Clouds

Great Tor, Gower painting by Emma Cownie

I used to like painting landscapes and cityscapes with clear blue skies. I waited for the bright sunny days of early summer to walk around, taking photos and looking for inspiration. Thus, my series of urban minimal paintings of Swansea, made the town look a bit like a Mediterranean location!

What a joke. It rains a lot in Wales. It has rained incessantly for the past two days. Since my extended visits to Donegal, however, I have become increasing inspired by cloudscapes and the silvery light along the Atlantic coast. With my “new eyes” I have started waiting cloudy days in Wales to go out looking for inspiration. Not overcast days, but days with patches of blue sky and sunshine.

I drove down to Pennard, with the idea that I wanted to paint Pennard Pill, the river that follows into the sea at Three Cliffs Bay. The BBC forecast claimed that it would be sunshine and clouds all morning. When I looked at the Mumbles and Caswell Bay webcam, one showed sun and the other was overcast. I set off, anyway. I would go for a walk, regardless. On my way there the sun came and went. As I drove past Mumbles head, I could see it swathed in a light misty cloud. I wondered whether there would be anything to see when I got to Pennard.

Thankfully, the sun was shinning at Pennard as I made down the path that runs alongside the golf club. The tide was coming in and I could just see Great Tor in the distance, through the peaks of dunes. When got close enough for a clear view the sun promptly went in! I looked up at the sky and looked for blue patches. There were quite a few. So I carried on towards Pennard Castle, which is situated on the top the of the high dunes, further inland. I hoped the sun would reappear by the time I got to Pennard Castle. I tried to work out which way the clouds were traveling. Usually, they move from Oxwich Bay towards Three Cliffs. Today they were going the other way. The sun came out a few times on my walk. Just as I was climbing up the sandy path the castle I came out and lit everything up like a technicolor Hollywood film!

The sun promptly went in again. I stood in the ruins of the castle and waited. I thought about the fairies who had supposedly destroyed the castle with a sandstorm when the lord of the castle had refused to invite them to his wedding party. Eventually, the sun broke through and lit part of the valley below.

I watched the light move across the valley and the colours burst into life.

I then decided to walk back towards the sea and see if I could photograph the three peaks that give the bay its name. The clouds rolled in.

I would have gone home at this point, as there was a cold wind and it was almost lunchtime but I could see bright light off in the distance. It was on the far side of the Bristol channel. I could see a ship on the horizon lit by this light.

How wide was this stretch of water? Miles. How long would it take for that shaft of sunlight to make its way over to the Gower coast? A while. So I waited. I am not very good at standing still so I walked around a bit, watching the dog walkers and small family groups vanish from the landscape.

The clumps of large mushrooms spotted about the grassy parts of the dunes, made me think of the fairies again.

I climbed dunes, trying to decide good locations for photos for when that shaft of sunshine arrived. It was definitely coming my way. A new set of walkers was arriving on the beach. They were all optimists too!

Hunger was starting to make itself known. I slouched down against a dune. Patience. Patience. What was the point of giving up now when I had waited so long? Impatience comes from wanting to be somewhere else. I needed to be here now. I thought of a line I heard Van Morrison sing at his 2015 Live 70th Birthday Concert at Cypress Avenue, Belfast “It has always been now” (52 mins into the clip). He’s a genius. He captures the joy of being truly present in the moment. Just as I was saying that to myself when the sun arrived and the technicolor lights were on!

That doesn’t quite capture it. Here let me show you. My view of the world.

That’s more like it.

Now I could go home and eat lunch. Paint and listen to Van Morrison.

Posted on May 25, 2019June 11, 2020 by emma cownie — 22 Comments

“Footnotes”: My Gower Walks Book

I am delighted to announce the publication of my latest book “Footnotes, An Artist’s Journey Around the Gower Coast” which is based on my walks and blogs of 2018.

Medieval History book Emma Cownie — My book on Medieval History

Many years ago I turned my Ph.D. on Medieval History into an academic book. That was jammed packed with footnotes and had almost no pictures (except for the front cover) but it did have some maps hand-drawn by me. I felt quite odd when that was published. I suffered terribly from imposture syndrome, then as now, and it almost felt like someone else had written it when I looked at the words on the book. Don’t get me wrong, I had written every last bit of it, the text, the footnotes, the index but it didn’t feel like it had much of “me” in it, except maybe in my dedications. I think my parents and Seamas, who was my boyfriend back then, appreciated being thanked for their support.

This book is quite different. Ironically, despite the name, the only “footnote” in it is the title. It’s a bit of a joke, I guess! This book has a lot more of “me” in it. Yes, there still some local history and stories about Gower, but its mostly about the walk and dealing with my anxieties.

I had spent weeks editing it and sort of ran out of steam when I reached the part where I had to upload it to the Kindle website. Thankfully, my husband, Seamas, came to rescue and was midwife to the whole venture. He did the final editing and proof-reading and it uploaded to the website. Which sort of sums up our relationship, he’s always there to help me over the “humps”, not just as a cheerleader but as technical support and he also provides so much inspiration. So thank you, Seamas.

I also want to thank my parents who have always supported whatever I have done. My mother is a fervent “liker” on Facebook. Their house has many of my paintings hanging on their walls, which is a compliment in its self as superfluous objects are either returned to the donor or end up in the local Charity shops. I also want to thank supporters on Instagram who tell me that they have downloaded from Kindle or bought the physical book.

I hope that people enjoy it as much for the walks and stories about Gower, as for my paintings!

UK- See the book on Amazon.co.uk by clicking here.

USA – See the book on Amazon.com by clicking here

Posted on November 19, 2018May 6, 2019 by emma cownie — 15 Comments

Christmas at Clyne

Once-upon-a-time I worked full time as a teacher in school of just under 2,000 pupils and I would teach approximately 150 pupils in a day. That’s a lot of faces to put names to every day. I was pretty good at learning all those names too. These days, however, I might only speak to a handful of people in a day; my husband, my neighbour and local shopkeepers. So, when presented with an opportunity to met with and chat with to new people I relish it. Clyne Christmas market gave me a lovely opportunity to talk to all sorts of people.

I am pretty new to running a stall, I did it once about 4 years ago. I really enjoyed it back then but teaching commitments meant that I did not have the energy to keep doing it. That has changed now. I have the energy and the time to pursue this and yesterday I had a stall at the first Clyne Farm Christmas market. I realise that I have a lot to learn.

Clyne Farm sits on top of Clyne Common, high up above Swansea. It has sweeping views towards the sea-side village of Mumbles and across the massive Swansea Bay.

View From Clyne Farm Towards Mumbles — View Towards Mumbles (from the car park)

Once upon a time it was a riding stables but in recent times it has transformed itself into an top-class accommodation and activity centre.

Minnow at Clyne Market

Yesterday was their first Christmas Market and we were blessed with sparkling crisp sunshine. The photos above were taken in the first half an hour before it got busy. The crowds ebb and flow. After a quite half an hour, it is quickly jammed with families carrying babies wrapped up to the eyes in jump suits and bobble hats. The little girls are drawn to the “Sparkly Bow” stall further down my aisle. The table covered in glittery objects is exactly the right height to catch a 5-year-old’s attention – at eye-level.

This first onslaught is followed by another wave of families with dogs on leads, and in carried in their arms. There are lots of woolly coated “cockerpoos” (Cocker Spaniels Crossed with Poodles) and some sharp-eyed border collies. They take in everything. Later as people leave for lunch in the other hall, it becomes calmer. People are clutching bags with their purchases. I recognise some people who came around earlier return to buy. It’s in the post-lunch calm that I make most of my sales. I chat with many of the people in the hall. My cards of Mumbles Pier starts a number of conversations about a controversial development of the Pier Head area that the local community (Mumbles Action Group) are currently fighting.

Clyne Christmas Market (with dog) — Clyne Christmas Market

I manage a quick break and visit some of the animals on the farm. I’d met Ted the collie and Flo the goat and her surrogate daughters, the sheep Brillo and Lucy, yesterday.

Ollie at Clyne Farm — Ollie the colt (6 months old)

Along a muddy tack there children’s pony rides on offer. I had to make a special journey along a different muddy path to see Peggy the Pig. She is massive. I give her a pat on her broad back and was surprised that her back was covered in bristles, not wiry hair. Her floppy ears cover her eyes, like nature’s sunshades, but it can’t be easy for her to see. I was told by Sarah who works at Clyne, that Peggy is pretty laid back and is a “morning” pig. She is active in the morning and spends her afternoons sleeping. Someone speculates that she’s a Gloucester Old Spot. I assume that they have only one big spot but looking it up later it seems that they were probably right and she’s an “Old Spot”.

Peggy the Massive Pig — Peggy the Pig at Clyne Farm

The hall is filled with bright sunshine but by the late afternoon, I’m starting to feel the cold. Although there’s carpet in the hall the concrete floor underneath is cold. I run to my car to fetch my woolly hat. As the afternoon wears on I notice that the tip of my nose is numb! After 5 hours in the hall, my feet are starting to feel like blocks of ice. The girl opposite me is wearing thin daps and ends up sitting on her chair with her feet tucked under her. At four o’clock the sun is low in the sky and someone mentions that there’s Christmas Parade in town at 4pm. That seemed to be the signal for the stall-holders to pack up and within minutes the hall is bustling with activity as the stalls are rapidly dismantled. I drive home with the sun setting over Clyne Common.

Emma Cownie at Clyne Christmas Market — Me and my stall at Clyne Market (my bag handles have just snapped!)

What I learnt

Get new cash bag – my beautiful leather cash bag handle snapped as soon as I put it on. Although I tried to tie a knot in it, it kept coming undone.
Thermal socks are needed (possibly 2 pairs).
Clear prices on each rack. We had a price list but it was difficult for people to read it. Bull-dog clips or cardboard luggage labels are good for this.
Paper bags for purchases – brown or white. Environmentally friendly and they look cool
Camping chair – a wooden chair was hard to sit on all day.
Paypal card reader or izettle for mobile payments. Not everyone has enough cash on them and you don’t want to lose sales
Presentation is vital. Rustic chic is cool – I had wooden racks and a table easel but more wooden boxes for cards would be good. I learned a lot from Ed Harrison at Minnow across the hall. His presentation was excellent.
Minnow at Clyne Market

Posted on September 19, 2018May 2, 2019 by emma cownie — 14 Comments

The path through the woods

Oil painting of Gower woods by Emma Cownie — The Path Through the Woods (80x 60 cm) SOLD

This is my most recent woodland painting of the pinewoods near Parkmill and Illston, on the Gower Peninsula.

I am taking a pause for now as we preparing to go away to Donegal, Ireland, soon. We feel in great need of a holiday.

We have not been away for a couple of years and I haven’t flown for over a decade! I am a very rusty traveller! I am really looking forward to visiting this remote corner of the Republic of Ireland.

Posted on September 16, 2018August 23, 2020 by emma cownie — 10 Comments

The Power of Pine

My grandfather, Fred Cownie, used to work for the forestry commission, buying up Welsh farmland and planting swaths of conifer forests. Sadly, I never knew my grandfather as he died before I was born, long before my parents were married, in fact. Apparently, he was a sociable man who was popular with the farmers and forestry workers alike and I like to think he enjoyed his work talking and with people and tramping across the Welsh landscape. Sounds like a great job working with trees and people, not stuck in an office.

I love trees. My favourite trees are the elegant beech trees, with their copper autumn leaves. I also love the scotch pines that pepper the Gower peninsula. There’s a woodland at Whiteford point and also near Parkmill, which I have returned to time and again to paint.

Painting of the Wood at Whitford Sands by Emma Cownie — Wood at Whiteford Sands

Scotch pines are the only truly native pines to the UK. They spread across the British Isles after the last ice age but in Wales, the trees became extinct about 300–400 years ago, due to over-exploitation and grazing. I don’t know when they were re-introduced on Gower but this section of woodlands was almost certainly planted by a local landowner, possibly the owners of nearby Kilvrough Manor. Amazingly, mature trees grow to 35m and can live for up to 700 years!

We walked the dogs here last week and took photos. I like this section of woodland as the pine needles on the ground deaden footsteps and although birdsong can be heard, it seems quieter than the surrounding beech wood. Much of the wood falls into the shadow of a the valley side and direct light does not hit the trees until late morning in the winter.

Colourful Gower woodland painting by Emma Cownie — Slender Light (SOLD)

When the light hits the trees it illuminates their scaly orange-brown bark. This bark develops plates and fissures with age. The twigs are green-brown and pretty much hairless until you reach the highest parts of the tree, 20 to 30 metres high. I love to stand looking up at the tops of the trees, swaying with the wind. On the ground the tree trunks appear stock still. I like to think its a good analogy for life, you have to bend with the wind.

Oil painting of Gower woodlands by artist Emma Cownie — Enchanted Wood

The great thing about Scotch Pines is that they are so quiet and light, unlike conifers forests which can be pretty dark.

The sun went in so whilst I was waiting for it to reappear I filmed this 360 degree shot, I tried to pan very slowly but I don’t think I was slowly enough! There is a stream nearby that has dried up from lack of rain over the summer. It sounds daft but when I am out walking I often ponder their stoic nature. They can’t move, they have to accept where they are in the wood. Some people believe that they communicate with each other through their roots. I’m not sure what my grandfather, Fred, would have made of that!

You can but limited edition mounted prints of Gower woodland here

Posted on September 12, 2018May 29, 2019 by emma cownie — 12 Comments

Gower Woods: A Slender Light

This is the first woodland painting I have done for quite a while. This is a section of pine woods called Canisland Woods, near Ilston and Parkmill, Gower. The slender light refers to the beam of morning sunshine light breaking over the lip of the valley. The pine needles on the ground are soft and deaden any sound. It is a very peaceful section of woodlands.

As an artist, I am always looking how to simplify shapes/colours so that there is an semi-abstract element to them but never losing touch with realism. This is particularly true of my woodland paintings. Although I am working from photographs, I am not copying them but rather deconstructing (in my mind) and then slow reconstructing them (on the canvas). They are like a giant jigsaw puzzle.

It’s painful and I find the mid stage of these paintings a bit distressing until I have faith that it will come together and make a pleasing painting. Some paintings are easy and there is little struggle. Sometimes, the struggle will last a couple of days. I have to ignore the voice in my head that says, “it’s rubbish” and “you are wasting your time”. Thankfully, the negative voice is usually proved wrong.

With all of my paintings, I like to pursue a theme over several paintings so that I get into a “groove”. I feel that I am now in the groove with “Slender Light”.

See “Slender Light” and other available landscape paintings here