Posted on 22 Comments

Tory Island, Donegal

Tory Island Donegal, paintimng by Emma Cownie

The ferry to Tory Island runs all year round. In the summer months (June onwards) there are extra sailings. We had decided to get an early boat as Seamas, my husband said the weather forecast was for sunshine in the morning, cloudy around midday and then sunshine in the afternoon. I think we are learning to take weather forecasts for Donegal with a pinch of salt. Some forecasts for “cloudy” days translate into blue skies with a few clouds, others into a damp drizzle. We were optimistic but when we arrived at Magheroarty Pier it was overcast. Once we had parked in the generously sized car park, we had to hurry to get the boat.  Magheroarty Pier is tidal, so sailings have to leave on time, time and tide wait for no man, etc.

Car at Magheroarty
Car at Magheroarty (Muckish Mountain in distance)
 

 

We were not quite the last people on the boat but all the downstairs seat were full so we stood on the top deck, me leaning against the body of the ship and Seamas found a large metal box to sit on, the dogs sat close to him. We could feel the movement of the boat as soon as the ferry left the shelter of the harbor at Magherorarty and at times we had to hang onto a metal grill that housed a lifeboat ring.

Queen of Aran - Ferry to Tory
Queen of Aran – Ferry to Tory

Two men who were standing nearby to us were talking to each other in Irish. Tory Island is probably the strongest Irish-speaking area in the country.  It sounded a bit like a Scandinavian language at times – a third Irish speaker stood to one side, listening. They each looked very different from each other in appearance, one was very blonde, one was dark-haired and the third had white hair.  The dark-haired man had freckles and light eyes. It is a “look” I have seen a lot in Donegal, Seamas says it’s common in County Derry too.

Map of Tory Island
Map of Tory Island

The trip took just under an hour. The motion of the boat made me feel quite ill by the time we reached firm land. I think being on the top deck made me feel the motion of the baot more than if I have been on the lower deck. It took me at least 30 minutes to shake the feeling of a dodgy stomach. Someone, later asked if we had felt ill on the crossing, and laughed when I said I had. It’s not unknown.

One of the tors of Tory Island
One of the tors of Tory Island

Tory Island lies 8 miles off the coast of Donegal. The origin of the name of Tory Island (Oileán Thoraí in Irish), isn’t universally agreed on. Yes, the word Tory may come from from the Middle Irish word tóraidhe; modern Irish tóraí; meaning a robber or bandit. Ever wondered why one of the oldest British political parties, the Conservatives, are also known as the “Tories”?  The term was originally a term of abuse and meant “an Irish rebel”. The insult goes back to the era of Oliver Cromwell’s brutal campaign in Ireland when a band of Irish guerilla fighters was known as Tories.

Another explanation for the name, however, is that it may mean the “island of Tors”.  The shape of the island from a distance is a tower, and its northern coastline is peppered with massive tors. This seems just as likely. I suspect that people, however, prefer the story of the name meaning Pirate Island instead of the Island of Tors as it’s more exciting. The remote location of the island has meant that the islanders have had (and continue) to rely on their ingenuity and resourcefulness.

An Baile Thiar
An Baile Thiar

They have lived on the margins of the so-called “civilized world” and kept to their own rules and customs, which were not necessarily those of the mainland. Famously they refused had fallen behind with their rents and rates and a British gunboat, HMS Wasp, was sent in 1884 to forcibly collect the arrears and evict the tenants. Luckily for Tory, it hit a reef near the island and sank rapidly (not so good for the 52 who died). The locals put this stroke of fortune to the power of their cursing stone! This event is one of many Donegal stories about the spooky powers of Tory Island. You can read more in the National Folklore Collection UCD Digitization Project.

One custom that marks Tory as different from Ireland is that they have a king. It’s not a hereditary position, rather one chosen by consensus as a leftover from the days of Gaelic chieftains. Patsy Dan was asked to become king by the children of the previous king Padraig Og Rodgers in the 1990s.

King of Tory (from Wikipedia)
King of Tory (from Wikipedia)

He was a talented musician and painter and acted as a very successful ambassador for the island. At a young age, he had befriended English artist Derek Hill, who regularly painted on Tory and he helped set up a gallery on Tory, where island artists sell their work. He was clearly an energetic man, as was known for personally greeting all the visitors to the island as the ferry arrived from the mainland. He apparently made a point of shaking hands with visitors and saying “Welcome to my island.”

Sadly, Patsy Dan Rodger, died last year and now rests in the churchyard. I saw his grave decorated a wooden cross and with stones around it. I did not take a photo because it felt like it would be an intrusion on the island’s grief. The island is without a king for the time being.

Painting by Patsy Dan Rodgers
Tall Cross with History on Tory

The island itself is a strange mix of very old and modern. People have lived here for over 4500 years. There are a few old cars and vans driving back from the harbour after picking up stuff at the pier.

Tory feels a long way from the mainland, although you can see the coast of mainland Donegal when the weather is clear. It is less than 2 miles long and only half a mile wide. My overwhelming first impression (once the cars and vans had driven off) and we had walked out of the tiny West Town (An Baile Thiar) was of birdsong.

Sparrows, larks and other moorland birds just singing their hearts out. The landscape is full of bold little brown birds, pipits and larks. Some of them even come near to you and sing, possibly as a challenge. We walked along a single tracked road eastward towards the other settlement or “clachan” on the island.  We passed a Second World War torpedo that had been painted bright red and erected by the side of the road.

Tory Island
Tory Island (mainland Donegal in the distance)

I marveled at the ground on Tory. To the south of the road, it seemed to be a dried bog and the north it was very stony ground, reminding me of a hardcore carpark. How had anyone, let alone over 200 (at one point it rose to 400) islanders managed to eek a living from such a tough terrain? I have looked at the small stony fields in Galway and thought how tough life must have been for the farmers, but this was much worse. The potato was a versatile crop and remarkably the blight that brought the Great Hunger to mainland Donegal, did not reach the island. Of course, the Tory islanders did not live from farming alone, they were also fishermen and brewers of poitin whiskey.

There was a group of German tourists ahead of us (they all seemed to be wearing blue jackets for some reason). They veered off the road to the left towards what looks like a dip in the earth. We followed them, so see what they have gone to look at and discover that is a massive hole with a cave down to the sea. I would not have guessed this was here from the road.

IMG_4376.JPG
Cave to the sea

We carried on up to the northern edge of the island. What a view! I am not good with heights as the best of times and I felt quite ill looking over the edge. I lay down on the grass to take photos.  The reddish cliffs and cream coloured sea stacks were stunning.

IMG_4785
Tory Island Sea Stack
Painting of Tory Island
Tory Island

We spent a lot of time walking along the cliffs and back again, taking in the views.

IMG_4543
North Coast of Tory Island

 There were sea birds flying and squawking. Lots of gulls and razorbills and one lone puffin to be seen. The birds of Tory are the highlight of the visit for me.

We then find the weather has closed in on us. We could see the mist and cloud descending on the lighthouse to the west of us, at the other end of the island. I’d foolishly hoped it would stay on that side of the island!

IMG_4477.JPG

On the island, weather changes from moment to moment. I am reminded of the sign outside Derek Hill‘s house warning that “Winter weather can happen at any time in Donegal”. Yes, it can.

Mainland Donegal has vanished in a cloud of rain. We get increasingly damp, but not quite soaked through.  There’s no shelter anywhere. No trees. No bus shelters (what an utterly daft idea, here). We have a lively discussion about the conditions (I keep thinking of that weather forecast of sunshine in the afternoon) and I optimistically suggest that it will pass soon enough. I am encouraged by the fact that the group of German visitors (off in the distance) haven’t given up and are scaling the heights of Ardil Iril, and are looking over the cliff. So we carry on and by the time we reach Port an Duin, which has a small concrete pier, the rain has halted.

Old winding gear at Port an Duin
Old winding gear at Port an Duin

We sit down on some rocks and eat our sandwiches and crisps. The dogs get some too and a drink of water from their bowl that I am carrying. The weather brightens up considerably as we climb up to the highest part of Tory. This is Dun Bhaloir (Balor’s Fort), which is an early Iron Age Fort, which is covered in piles of massive rocks, which were part of the defenses. Balor apparently was a fearsome cyclops warlord who could kill a man dead with a single glance of his evil eye! 

On Dun Bhaloir, Tory Island
On Dun Bhaloir, Tory

From here we can get a view of the rest of the island snaking off to the west. It has brightened up now and we take off our coats. The dogs are getting hot and panting. 

Tory Island From Dun Bhaloir
Tory Island From Dun Bhaloir

There’s a discussion about the return time of the ferry as Seamas’s smartphone has died (and I don’t have one). We’d asked about the times when we got off the ferry but after the long walk we aren’t sure of what we were told, was it 2.30 or 3.30?  We could see the ferry heading back to the mainland at 1.30 so I reason that it will be at least 2 hours before it returns. However, we would easily be able to see it returning so we would just need to keep an eye out for it.  So we started plodding back to An Baile Thiar and the pier.  We were all very tired now. So we start the walk back to the harbour in An Baile Thiar.

Bench on Tory
Bench on Tory
Home maintenance on Tory
Home maintenance on Tory

We made it back to An Che (the pier) and could see the approaching ferry in plenty of time. I got some extra water for the dogs from a tap in the parish hall. This time we got seats on the ferry so I don’t feel queasy on the journey back. The German tourists are also on the ferry.

As we were coming towards Magharoarty harbor, three dolphins surprise us all appearing in the sea alongside the ferry. I saw a flash of strong blue-grey bodies and then the three of them arching in and out the water behind the ferry. All the passengers on the boat were very excited (as was I). These are my first wild Donegal dolphins. I spend a long time looking at my photos afterward, reliving the experience. I wish the photos were better.

Three dolphins from a distance
Three dolphins from a distance
IMG_4927-001.JPG
Closer Up: Donegal Dolphin

I left with an impression that Tory wasn’t like the other Donegal islands. It felt a lot further away from the mainland for a start. Life was (and probably still is) tough here. When the rain covered the island we might as well have been a thousand miles from the mainland. I know that is true of all islands to some extent, but you really felt it here. We visited in summer, I can hardly imagine what it is like in the winter, surrounded by the raging Atlantic Ocean.  I didn’t get to speak to anyone, beyond a “hello” but the islanders are very clearly very independent and resilent.  Looking over my little guide book to Tory I realise that there was lots more to see on the island, that we didn’t have the time or energy to see, namely the lighthouse on the west end of the island, Derek Hill’s painting hut, the Art Gallery, or the round tower or the curious T-shaped “Tau” Cross.Next time, I visit, I will bring more sandwiches and a hat in case it rains again.

Find out more about visiting Tory Island here

Beside Magheraroarty Beach, Ireland
Posted on 13 Comments

Derek Hill and Glebe House

Derek Hill and Glebe House

On a grey overcast day, when the clouds seemed always about to descend on us, we drove to a smart red Georgian house by Lough Gartan, near a place called Churchill (Irish: Mín an Lábáin). This is Glebe House.

Glebe House, Donegal
Glebe House, Donegal

It had been the home of the English-born artist Derek Hill, who died in 2000. He had bought this massive estate in the 1940s for the bargain price of £1000. There was a sign in the car park, I wish I had taken a photo of it now, which pointed out the guests who were planning to explore the extensive grounds to be well-prepared as “Winter weather can happen at any time of the year in Donegal”.

Lough Gartan, near Glebe House
Lough Gartan, near Glebe House

We had a tour around the house. There were about 10 of us in our group. What a house! It was a riot of colour and packed with fascinating objects and artworks. I loved the design and feel of the house.

William Morris Tiles, Glebe House
William Morris Tiles, Glebe House

If was an interior designer, I’d use it as a source of inspiration. I spent a lot of time, thinking, I’d love a chesterfield sofa like that, or the patchwork quilt is to die for! It was beautiful, artistic and decidedly a home too.

Morning Room, Glebe House
Morning Room, Glebe House
The Dining Room, Glebe House
The Dining Room, Glebe House

We were, unfortunately, hurried around the house and asked not to take photographs (I took a few before this message got through to me). The explanation given for this was there were plenty of good photos on the website. It wasn’t about flashlight damaging the artifacts, as no one was using flash photography. I suspect, however, it was so that they could speed us around the house as quickly as possible. I went to the website, afterward expecting a feast of photographs, but was disappointed by the limited number of images. There was nothing wrong with the photos, it’s just that there were not enough of them. There were so many fascinating objects and paintings in the house that weren’t properly documented on the website.

Dining Room, OPW, Official website
Dining Room, OPW, Official website
Drawing Room,
Drawing Room, OPW, from the official website
Cecil Beaton's Portrait of Greta Garbo
Cecil Beaton’s Portrait of Greta Garbo

At the end of the tour my head was buzzing with the names of so many artists, whose works hung on the walls of the house (Picasso, Victor Passmore, Francis Bacon, James Dixon, Edward Landseer) and stories about the rich and famous friends of Derek Hill’s who came to visit, including Hollywood star Great Garbo who only ate slice apples. Actually, little is known about her 1967 visit and that gap was filled by writer Frank McGuinness’s play Greta Garbo Came to Donegal“.  

Derek Hill came from a very wealthy family and (based on this tour) never seemed to struggle much in life – there were famous friends and artists aplenty. The house was richly decorated in William Morris prints, wallpaper, and carpets. I really liked the richness of the colours of his house but was disappointed that were not given more time to take it all in. Sadly, there isn’t a photograph of his richly wallpapered bathroom on the site.

Photos OPW from Glebe Gallery website.

I wondered if he was gay on the basis of his taste for lavish decorations and he didn’t have any girlfriends, or wives, just female friends – the snakeskin slippers under the bed, the flashy cravat collection also gave me a strong hint in that direction. Maybe there was a hidden struggle in Derek Hill’s life, after all. Homosexuality was illegal for much of his life in the UK and Ireland (it was decriminalized in the late 1960s and early 1990s  respectively),  and general social acceptance is a relatively recent phenomenon.  There were creative men who risked prosecution, such as Francis Bacon and Cecil Beaton, by persuing sexual/and romantic relationships, but it was emotionally difficult for them and their lives were often fraught with guilt and shame. Others, like Hill, probably avoided the complications by becoming what was known as “confirmed batchelors.

His jacket hanging in his wardrobe was very poignant as it still held the shape of his body, 19 years after his death. It reminded me of Dylan Thomas’s suit that hangs in the Dylan Thomas Centre in Swansea,  in Wales. Derek Hill made his living from painting portraits of rich and important people. None of those paintings were here. His portraits of Donegal people are excellent. They were the best paintings in the house by far. The portrait of his head gardener (Below) caught the wiriness and strength of his physique well.

From the Derek Hill Collection
OPW From the Derek Hill Collection

There is a great little coffee shop in a courtyard near the house. Its walls were also covered in original paintings, some by Derek Hill, others by the artists from Tory Island that he befriended and encouraged on his regular summer visit to the island.

Inside the Glebe House Coffeee Shop
Inside the Glebe House Coffee Shop
Outside the Glebe House Coffee Shop
Outside the Glebe House Coffee Shop

With more research that I discover that there was a lot of “emptiness and disappointment”  for Derek Hill. The British artistic establishment and critics dismissed Hill’s landscapes as out of date because they were too representational. Welsh artist Kyffin William’s work was dismissed on similar grounds. British galleries refused to buy his portraits, although the best of them (see below) are powerful works.

It is clear that Derek Hill loved Ireland and Donegal and its people, in particular. In 1981, Derek Hill donated Glebe House, its contents and the gardens to the people of Ireland. His studio and guesthouse were transformed into the Glebe Gallery displaying items from the Derek Hill Collection. He moved into a small cottage on the estate for the remaining 19 years of his life. It is clear that Ireland loved him back. In 1998 he was granted honorary Irish citizenship.  in 1998, President McAleese told him that he had become “more Irish than the Irish”.

 

 

Read More about Glebe House here

Read More about Derek Hill here

Posted on 18 Comments

Painting the Derryveagh Mountains

Painting the Derryveagh Mountains

Donegal has lots of breathtaking scenery. I love the coast and the old white houses and a lot of my recent paintings have been concerned with depicting a more intimate impression of Donegal. I don’t like to get into a rut, and I will switch subject matter to challenge myself and keep my work “fresh”.

Painting mountains is one way of doing that for me. I have painted three pictures of the Derryveagh mountains since October 2018. They are based on a series of photographs we took on a trip to Horn Head. For an excellent interactive map of the area click here

Horn Head, Donegal
Horn Head, Donegal

I had been worried about driving along precipitous cliff tops and we had parked up and walked up to Horn Head. The view was great but the overcast conditions did not make for particularly good photographs.  We climbed up part of the spongey hill. I call it spongey because every time I put my put on something that wasn’t a rock, it sort of sank into the heather or boggy grass. It was very unsettling. So I leap from rock to rock. From here we took in the strong breeze and could see across to Dunfanghy.

There were also sweeping views across back towards Falcaragh and Bloody Foreland (Cnoc Fola in Irish). What a great name that is, it refers to the colour of the headland, not to some gruesome incident of the past. The light was in the “wrong” direction for decent photos but the view was lovely. 

View Towards Bloody Foreland

On the way back down to Dunfanaghy, the sun broke through the clouds off in the distance, we stopped and Seamas took some pictures. These are the photos the three paintings are based on.

These paintings are quite a commitment, in terms of effort and resources as they are physically large (for me, anyway) and mentally demanding. I usually like to paint bright and quite detailed landscapes. These paintings, in contrast, were an exercise in subtly and knowing when and where to include more or less details.

Donegal painting
Across to Dunfanaghy SOLD

With all of them, I begin with the sky and work my way down the canvas. As with a lot of my work, I use the paint quite thinly and I find this helps keep the clouds feeling “light”. They are just layers of water vapor, after all. The linen canvas  I use is primed with a clear primer so it is brown rather than white in colour. I find this brown works well as a base for dirty looking rain clouds!

My first two paintings I initially painted the distant mountains a range of graduating purples until I stood back and realised that they had to be lightened a lot. I spent a lot of time holding up my paint covered brush next to my reference photograph to compare the shades. I learned that the mountains had a lot of warm grey in them.

Painting of Donegal mountains
Wild Wind Over Dunfanaghy SOLD

The greens of the mid area and the foreground were much easier to gauge although I still visually checked that my tones were correct by holding the paint next to the reference image. The many walls and varying tones of the fields required a great deal of concentration. This was the most detailed part of the painting. I wanted the viewer to look into the distance rather than be distracted by detailed grass in the foreground. So the grass in the foreground is quite flat with only the odd change in colour to hint at roughness.

By the time I had painted the third, most recent, painting in the series, I had learned from experience to keep the colour of the mountains light. The falling rain over the far mountain meant that most of the tones of the grass and bogland were much more muted than in the earlier paintings. There was a lot of greys and purples in the grass and gorse.

Each of the three paintings, although they are of a similar view, each has quite a different feel to it. They remind me how on some days you can stand and watch the light and colours change second by second in Donegal as the clouds move and showers sweep in from the west. The last one does that the most. I think my next challenge will be to paint a mountain scene without any houses at all, just sky and mountain and resist the urge to add detail! 

Rain over Dunfanaghy
Rain over Dunfanaghy SOLD)

Free global shipping on paintings and prints

Posted on 10 Comments

Echo Of Small Things

Painting of Donegal House

The title of this post comes from a 2005 album by American musician, Robert Rich.  

The inspiration for this album comes from mundane everyday experiences that culture usually overlooks, such as footsteps, casual voices and other ordinary sounds. Although I am sort of  “New Wave” (that’s sooo old now, you’ll probably have to look it up) in my musical tastes, I have a sneaky liking for experimental music, if its “live”. I like how it encourages you to pay attention to all the sounds around you, instead of tuning them out with your thoughts. Its sort of mediative. The ordinary appeals to me.

The other day I finished one of my paintings, placed on the other side of my studio to inspect and found myself quite-spell bound by it. I could not stop starring at it. This is not always the way I am with my finished work. More often when I have been excited about a painting, finishing it is a bit of an anti-climax. Maybe, it wasn’t quite what I thought it was going to be. All I can see are the errors. The solutions that weren’t quite right, or not as good as they could have been.

So what was this painting that had me transfixed? You’ll probably laugh when you see it. It was a little painting of two blue tits on a branch. Not a spectacular painting, in any sense, I know. I realised, however, that what had me transfixed were the details. This is really geeky stuff. A shadow under one of the bluetits fell onto the branch below in a really pleasing way. It’s hard to show it here.

Two Blue Tits
Two Blue Tits (detail)
Painting of Two Bluetits
Two Bluetits

This is my most recent painting below. I choose to paint this because I liked the juxtaposition of the mountain behind the semi-derelict house.

Painting of Donegal cottage with Mount Errigal
Near Dunmore Strand

I didn’t realise at first that the gable end window is boarded up. It could be mistaken for a blind. Maybe it is a roller-blind pulled down.

Near Dunmore Strand - detail
Detail (work in progress)

I think the back door is also boarded up. These things are not immediately apparent. There is a large boulder to the left of the house. There is also a pile of building bricks and a tarpaulin in the yard to the right-hand side and old rope in the drive. This is a house at the start or midway through renovations. The details I really relished painting were the shadows of the chimney, roof and the telegraph wire that dissects the window at neat diagonal. It’s only by paying attention to these details that the Donegal light can be properly conveyed.

I have always had a fascination for the ordinary details that are easily overlooked. I want to convey what a scene looked like at that moment. If you were really paying attention. Yet, I am not a painter who works in the hyper-realist style. I am not skillful or patient enough for that. I often cringe when I see my paintings close up because I think some of my brushwork is crude. Yet, “perfect” representation can seem dead and unlife-like.

I  think in the errors, the gaps, our brains fill in the gaps the image can come alive. I like that my paintings aren’t just copies of what I can see but an interpretation; the colours brightened, edges sharpened or softened, some details omitted to make for a simpler composition. Deciding what to leave out or simplify is as important as what you decide to include. Rather like Robert Rich’s “Echo of Small things”

 

Posted on 28 Comments

The Cottages of Donegal

Cottages of Donegal, Ireland
Donegal painting of Owey Island
Owey in Late Spring

I love the Donegal islands for their peace and quiet. Oh, the relative absence of cars, the abundance of nature but I particularly love their houses. You may have noticed that I painted quite a few of them, lately; lovely long strings of houses.

Donegal Painting of Inishbofin
Across to Inishbofin SOLD

I love their simple clean lines. I enjoy the old-style aesthetic. In Donegal, houses were whitewashed and woodwork was painted red. You still see a few houses like this. Sometimes you might see one with a thatched roof. Usually, their thatch has been replaced with tiled roofs.

Traditional Donegal House
Traditional Donegal House (with a thatched roof)

When is a house a cottage? When it’s small and old and hand-built by its inhabitant, I suppose. In England, the term cottage originates from the Anglo-Saxon term for the peasant or “cottar”, in Irish the word for these houses is “teachin” or “teach beag” which means small house. You can watch a short film on how to say “teach” in Irish here, you may think that word looks like an English word, but it’s pronounced very differently in Irish.

Cottages literally grew out of the landscape that surrounded them. It stands to reason that in the past homes were built from local materials. If the stones and wood had to be carried by donkey or man-power it wasn’t likely to come from very far away. Stone would predominantly be used in coastal and rocky areas, muddy clay in the midlands and even turf in boggy areas.

media_200599
Photographs of a Gweedore cottage by James Glass

Cottages came in different sizes; from the tiny laborer’s cottage or Bothán Scóir (a one-roomed house with mud floors and often not even a window); the byre dwelling (a slightly larger cottage that was shared with the animals) to the thatched mansions – two-storey thatched farmhouses that were often extended from single-storey cottages as the occupants become wealthier.

In Donegal  “direct entry” houses were typical, where the front door open directly into the room with the fireplace. The most popular form of cottage is that with the living area at the center with the hearth fireplace and a bedroom on either end.

The fireplace or hearth usually formed of stone and located at the center of the house with a bedroom behind it to further absorb the heat. Most families lived in a single room. 

Traditional large fireplace (Kerrytown< Donegal)
Traditional large fireplace (Kerrytown, Donegal)

 

Interior of cottage with family. Aran Islands, Co. Galway, c. 1900
Interior of cottage with family. Aran Islands, Co. Galway, c. 1900
 
Note the bed by the fire
Note the bed by the fire

 

In rural Ireland, they did not usually own the land it stood on.  This is why landlords could evict tenants for non-payment of rent (usually, if they wanted to replace people with more profitable sheep), even those the occupants had built those houses themselves. In the case of  John George Adair of Gleanveagh, he had the houses pulled down after the tenants were thrown out! This was common eviction practice.  Anyone who has seen the excellent film Black 47 will know that this practice, could and did, lead to the death of old and frail tenants  in winter. 

Painting of Donegal, Arranmore
Over to the Rosses (Donegal, Ireland) SOLD

 

Houses were designed through necessity.  The general rule was that the front door of the cottage faced south, to shelter the house from the prevailing westerly winds. Windows were small in order to retain heat in the winter and to keep cool in the summer. Ground floor windows usually faced to the south, not on the gable ends.

Meadow Cottage
Meadow Cottage – note the first-floor window in the gable end

There were often small windows on the first floor of the gable walls where there were loft accommodations. The walls of a cottage were typically about 600mm thick to support the roof and beams, this led to the attractive deep window reveals found in most cottages.

IMG_2439
Cottage with outhouse (Gweedore)

You may have noticed that many old Irish houses are not one single unified block, but are made up of several extensions, a kitchen at the back, an extra room to the side. Homes were enlarged when money was available. Often this money was earnt far away from home as hardship forced family members to look for seasonal work far away in Derry, Tyrone or even in Scotland.

Donegal painting house Gola
A House on Gola SOLD

Modern houses in Donegal, like modern houses in most places, are comfortable, spacious with plenty of windows. Older people, here as elsewhere, I suspect prefer bungalows for their lack of stairs.

New Houses, Letterkenny, Donegal
New Houses, Letterkenny, Donegal

Yet, there is still a space for the old style.  On Cruit Island there is a holiday village of new-build holiday homes in the “old” style.

 

They are single story with thatched roofs but they are large, comfortable, and furnished with wooden rocking chairs, and folksy bedspreads. They also have a beach a stone’s throw away. Obviously, there are real old houses you can stay in on Cruit Island too.

Donegal painting of thatched cottage, Ireland
Donegal thatched cottage #2 SOLD

I sometimes wonder if I am painting a “fake” version of Ireland. I am giving the impression that all of Donegal is covered in little quaint white houses? It isn’t, but they are there. Especially in the Rosses and on the islands. Not all of the houses are quaint in  North-West Ireland; the “bungalow blight” that affects parts of Donegal has been commented on by others.  I suppose I am drawn to the clean lines of the old houses.

Painting of Irish Cottage in Donegal
On the Way to Arranmore (SOLD)

This is a theme I have explored in a different context, previously. A couple of years ago I explored the “Hollowed Community” of Brynmill and painted the Edwardian terraces that surround my home in Swansea. I was also interested in a lost community. The old way of life (pre-internet) that is fast vanishing, where your neighbors lived next to you for years, not for weeks or just the summer months. 

Donegal painting of Owey Island
Owey Island (SOLD)

 

See available paintings of Donegal 

To find out more about the history of the Irish cottage see the links below

http://www.askaboutireland.ie/reading-room/history-heritage/folklore-of-ireland/folklore-in-ireland/vernacular-architecture/The%20Irish%20Cottage/

https://www.irishamericanmom.com/the-thatched-cottage-as-a-symbol-of-ireland/

Why do irish cottages have so few windows? 

https://www.nihe.gov.uk/Documents/Community/traditional_buildings

Irish Cottage History

 Places you can visit

http://www.glenfolkvillage.com/

https://www.museum.ie/en-IE/Museums/Country-Life/Exhibitions/Hearth-and-Home

Doagh Famine Village

Join my Mailing List

Posted on 17 Comments

Gola Island – Oileán Ghabhla

Donegal Painting of Gola
Donegal painting of Gola Island
Oileán Ghabhla (Donegal) SOLD

Gola is a Donegal island I painted and thought about long before I set foot on its shores. I have written about it before here. Last month I was fortunate to visit it. The wind had woken me in the night. The early dawn had me awake by 6.30.  I felt so tired and my limbs ached that I drank the last can of caffeinated energy drink that was sitting in our fridge (leftover from the epic drive up north). 

We drove the 40-minute drive from Burtonport to the little harbour at from Magheragallon Pier, Bunbeg.  The final part of our drive was along single-track road across flat grasslands which were home to both a graveyard and a golf course. That sounds grim but there’s plenty of space for both here.

Gweedore from Magheragallon (Machaire Gathlán)
View of Gweedore from Magheragallon (Machaire Gathlán)

It was the most perfect of days. The sun was shining, the sea was sparkling and flat and the sky was a hazy light blue. The sand was very light, but not white. The sea was incredibly clear and on a clear day like this, you could easily see the seabed, giving the sea a beautiful turquoise colour.

Magheragallon Pier
“The Cricket” at Magheragallon Pier (Machaire Gathlán)

The pier is well set up for waiting travelers with benches and a portaloo. We sat on a bench and waited for Sabba the boatman to give to signal to get on board. Seamas, my husband, tells me that Sabba the boatman has been sailing since aged 7. He has a facebook page here where he will post times of sailings and photos.

Fisherman off Gola
Fisherman off Gola

It’s only a 15 minutes crossing. As soon as we set foot on the island, I am struck by the sense of peace here. Most of the sounds you are of nature. Birds singing. Sheep bleating. The wind. That’s it.

Gola
Gola Pier

This is because there are very few motor vehicles here, one or two cars and some tractors.

IMG_2711
A fine red tractor

Gola is in the Donegal Gaeltacht, where many people speak Irish. They are brought up speaking Irish at home and in school. So the signs are in Irish. Some have English translations, but not all did.

In 1911 as many as 169 people lived here but in the 1960s people started leaving as jobs and a better standard of living on the mainland and abroad had a stronger appeal than full-time life on the island. Only a handful of people live here all year round now.

Gola is part of the Gaeltachta - an Irish speaking area of Donegal.
Gola is part of the Gaeltacht

It’s so peaceful. The land is covered vast stretches of long yellow prairie-like grass spotted with rocks and a few sheep and their sturdy lambs. The houses are scattered across the island along tracks.

Boat for Sale on Gola
Boat for Sale on Gola

Some of the houses are modern, others have been renovated and are still lived in during the summer months at least, others are boarded up but many lie ruined, without roofs or reduced to crumbling walls.

Houses on Gola
Houses on Gola
Houses on Gola
Houses on Gola

It was interesting to see the houses on Gola close up after looking across the water at them from Dunmore strand (see painting below). The houses are spaced much further apart than I supposed them to be. I was not satisfied until I had walked all the way to the southern tip of the island, so I could turn and look back at the houses. In this way, I could make sense of what I saw in early spring.

donegal painting of Gola, West Donegal.
Spring Light on Gola

The houses are close but not that close. All of their front doors face southwards, towards the mainland. Mount Errigal and Muckish are off in the distance. I didn’t realise that you could see Muckish this far south. I suppose I have had never been here on such a clear day before.

Gola - View Towards the South West
Gola – View Towards the South West

I tried to take a photo of two camera-shy woolly donkeys in a field. They took exception to my presence and brayed very loudly at me. I got the message and left them in peace. Even the sheep eye you up, they are not used to strangers. They seem to look at you as if they are saying “You are not our farmer, what are you doing here?”.

Donkeys on Gola
Donkeys on Gola – No photos please!
Port an Chruinn
Port an Chruinn
Cottage to Let
Cottage to Let

Gola 2

Houses facing the mainland

On they way back to the boat we pass the infomation centre – an Teach Beag – its a large shed with tables outside. We are hot and I fancy a cup of tea. I try out the one bit of Irish I know on the man behind the counter “Dia duit” (“Hello”) I say. He then says something back to me which I dont understand. That stumps me. Turns out that he just said “Hello” back to me (“Dia is Muire duit”). I need to get a few more phrases/word in Irish under my belt!

This is Paddy Joe, who is 73 years old and still volunteers for the local lifeboat (training and teaching younger volunteers). It is noticeable how fit and active people in Donegal are, especially the men. We talk in English. I love listening to his accent, Irish is his first language. It’s musical. Part Ulster accent, part something else, something almost Scandinavian.  Certainly, of the north. It sort of reminds me of the halting accents of Welsh-speaking farmers in North-Wales, as they seem to trip over their words as they think the right word in English.

Paddy Joe tells a story of going fishing down the Kerry coast and stopping in a pub for a drink. There are Irish speakers there but they do not understand the Irish speakers from Donegal, and the Donegal Irish speakers do not understand them either! I know that its similar in Wales, where Welsh speakers from the North use many different words from those in the West or South.

Some of the few trees on Gola
Some of the few trees on Gola

We decide to catch the 2 o’clock boat back as we have eaten all our sandwiches and the next boat is at 6pm. There is plenty more island to explore on another visit. We haven’t seen the sea arch at Scoilt Ui Dhúgáin, the lake Loch Mhachaire n nGall.

Clear Seas off Gola
Clear Seas off Gola (Bloody Foreland in the distance)

The boat is setting off,  when Sabba spots two girls who came across with us at 11am. He returns to shore to pick them up. They get on the boat looking very relieved. They clearly didn’t fancy waiting until 6pm for the last boat back. The sky is starting to cloud over as we cross and by the time we reach Magheragallon Pier it is overcast.

Donegal painting Gola
A House on Gola SOLD

Read more about Gola Island here

Posted on 11 Comments

Across to Inishbofin

Painting of Donegal, Across to Inishbofin

Inishbofin, Inis Bó Finne in Irish, means Island of the White Cow. There are two different islands off the coast of Ireland bearing this poetic name. The name suggests the importance of cows in early Irish society. This is not surprising at all as cows have been vital in many ancient human societies. The “other” Inishbofin is off the coast of County Galway further down south. The one I have painted is off the coast of Donegal, near Machaire Uí Rabhartaigh (Magheraroarty).

It was a chilly, sparkling day when we visited in late spring. We walked along the quay at Magheraroarty and watched a The Queen of Aran ferry come in and pick up some passengers for Tory Island 9 miles to the north. 

Queen of Aran
Queen of Aran
Map of Donegal Islands
Map of Donegal Islands

Much closer than Tory Island is Inishbofin. It’s a mere 3km (1.8 miles) from the mainland. I took photos of the houses on the island with my zoom lens. They were still very small.

Inishbofin, Donegal
Inishbofin, Donegal

I originally wanted to paint this whole stretch of the island’s coastline but I realised that without a more dramatic (cloudy) sky, most of the canvas would end up being a lot of light blue and a tiny strip of land at the bottom of the painting. So I chose a section of the coastline and focused on the details of the houses that I could make out.

I get a lot of pleasure from looking at the clean lines of the old houses – I also enjoy a landscape with no cars. If you have eagle eyes you will spot a solitary caravan on the hill above the main street on Inishbofin. The island is approximately 1.2km wide and 2km long with a small seasonal population of about 50 people, who are Irish-speakers. I believe, a few hardy souls live there all year round

Here’s a lovely video about the people who live on the island in the summer months. It’s in Irish (as they are Irish-speakers) but there are subtitles.

I get very attached to my Donegal island paintings. I’m not sure why. Maybe its because I get such pleasure at looking at those unmodernized houses. I like the length of the image too. Perhaps it because, so far, I have looked across the sea at them and had to reconstruct the landscape with care.

Across to Inishbofin
Across to Inishbofin (detail)

It’s hard to explain, but it’s like my mind has “felt” the shape of the land, the rise and fall of the shingle beaches, the spread of seaweed on the shore, the rocks and hills behind the houses. It’s usually my paintings of animals that find it hard to part with!

Donegal Painting of Inishbofin
Across to Inishbofin SOLD
Inish Bofin beach
Inish Bofin beach

That house with a red front door on the right side of the painting is for sale.

Inishbofin
Teach Johnny, Inishbofin Island

 

Many of the islands have seasonal boats. We are planning to visit one or two of these island in the next few weeks when we are back in Donegal. My list of islands to visit include:- Gola, Inishbofin, Tory and Owey. I don’t think we will manage more than two of those this visit. It depends on the weather and energy levels. 

Here are my other Donegal island paintings (I have parted with two of these).

donegal painting of Gola, West Donegal.

Spring Light on Gola – Seamas’s favourite painting!

Donegal painting of Gola Island
Oileán Ghabhla (Donegal) SOLD

Donegal painting of Owey Island

Owey Island (SOLD) 

Posted on 24 Comments

All hands to the Pumps

Blog about gorse fires

When I decided to write this article I was not entirely sure I should. On Easter Monday I was gripped by the unfolding story of a massive, dangerous gorse fire spreading across the Rosses, a part of West Donegal. It worried that it would get completely out of hand and burn down people’s homes and destroy their livelihoods. I was checking twitter and my newsfeed for news of what was happening on an hourly basis to see if the fire had been brought under control. I was also worried about our own house in the Rosses. I love the area very much and feel attached to it. Yet, I felt guilty of being an outsider, what my husband calls a “Sasanach” (Saxon) or a “blow in” to the area only concerned about my house when brave local people were fighting desperately to quell the fires and save their homes. Actually, I was full of admiration for the community spirit and sheer grit and determination of the local people to fight the fire and save each other’s homes. 

Donegal is often called the “forgotten county” on account of the belief that it is ignored by the government of Ireland, even in times of crisis. Maybe it’s because it’s so far away from the capital Dublin, or because of its location on the border with “troubled” Northern Ireland. On Monday that perception seemed to be borne out by events.

Painting of village in West Donegal
Over to Kinclassagh SOLD

It had been an unseasonably warm Easter weekend. It was the warmest for 70 years. This followed on from the warmest Irish winter on record, that was also drier than average. Unfortunately, this has dried out the moorlands in many parts of Ireland. In recent weeks there have been many fires over moorland in Ireland and the UK; Limerick, Kerry, Down, and across 700 acres of Yorkshire. Moorlands (and in Ireland the boglands) are “usually” by their very nature wet and soggy places but climate change has changed all that; in these drier conditions, (along with the heather and gorse that grow on them) have become tinder-boxes.  Spring and early summer is the most dangerous time of year for gorse fires,  between i.e. March and June, when ground vegetation is dead and dry following the winter period.

The Rosses in West Donegal seems particularly vulnerable to gorse fires breaking out. Gorse is a stubborn plant with thick branches, prickly thorns and vibrant yellow flowers during the spring and summer. It is also highly flammableAt least three gorse fires broke out last week; one near Kinclassagh, one near Crolly and another near Drumnacart, Annagry, which actually destroyed two homes. 

The gorse fire that broke early in the morning on Easter Morning between Loughanure & Annagry was a different order of scary fire. The dry conditions coupled with the ever-present wind whipped it up and it quickly got out of control and spread over a large area threatened many homes. Fires in windy dry conditions will soon leap and fly. Just to complicate things there was a separate fire at Belcruit/Kinclassagh. It has since been claimed that a fire hydrant, in the village was blocked, preventing fire crews and locals from having a readily available water supply to combat the blaze. 

When this fire started 5 fire engines came to try and put it out. By the end of the day, 15 fire engines had come from all over Donegal. One fire engine even came across on the ferry from Arranmore Island. Hundreds of local volunteers also came out to help, many of them were fighting to save their own homes from being destroyed. Trenches were dug, houses were doused with water. It must have been hard, dirty and frightening work. Farmers brought slurry spreaders filled with water to douse the area. Others looked after the people fighting the flames, bringing them bottled water and food. 

Fighting the wildfire in Wst Donegal
Dousing the gorse

One fireman told a local newspaper, the Donegal Daily: “This is unreal stuff. I have battled a lot of gorse fires over the years but this is amongst the most dangerous. “Everything is bone dry and there is a strong wind so these are perfect conditions for the fires to spread rapidly.”

The local authorities and the Pat “The Cope” Gallager, the TD for Donegal, lost no time in asking (at 9.30am) for The Irish Air Corp for helicopters to help fight the fire. For some reason, they were not forthcoming. The Council waited and waited. Then a group of the firefighters fighting the separate fire near Belcruit were trapped by the flames. The area had been doused by water, so they weren’t in immediate danger, but it was a very worrying plight for them to be in. I can’t imagine what that must have been like to be surrounded by flames, like that. 

Donegal County Council decided they could not wait any longer for the Air Corps, and decided to hire a private helicopter to fight the fire. It took 7 hours before the Air Corps finally arrived from Dublin on the scene at 5pm and proceeded to scoop up 42,000 litres of water from the nearby sea and lakes and drop them on the fire. They seemed to have made all the difference. 

The Firemen at Belcruit escaped the flames when water was dropped on the fire, clearing a safe path for them. It must be a very difficult job aiming the bucket at the fire but from the video clip here, you can see the Air Corps are very good at it.

I got quite a shock when I saw the photo of Kinclassaagh below on twitter. It is a village I have painted a few times. You may be able to pick out the blue house to the left of the photograph below, which is in the centre of my painting “In the Shadow of Errigal”. The houses in the village are presumably being in doused in water in preparation of the worst-case scenario.  

Fortunately, by the evening the fire was eventually brought under control and no new fires have broken out. The images of the aftermath are shocking. So many houses are surrounded by blackened gorse. They were clearly very close to being destroyed. It must have been the stuff of nightmares for the people who lived in them.

The fire will have been devastating for local wildlife and bird populations, their chicks and nests were not saved.  This is the sort of event that Birdwatch Ireland calls “carnage in our mountains and hills, yet silence from our Government”. Rare plants whose precious seedlings have just emerged are also scorched along with hares, badgers, lizards, frogs, mice and all sorts of beetles.

Gorse Fires West Donegal 2019
The aftermath of the gorse fires
West Donegal Gorse fires
The extent of the fire

 

 

When I first heard of these terrible wildfires, I assumed that it was due to climate change and global warming. Yet, when I did a bit of research, I found that it was a bit more complicated than that. Yes, dry winters and summers are factors but it seems that there are other reasons that have contributed to this issue, not only in Ireland but in the British Isles as a whole. So it seemed to me that these issues need to be dealt with more urgently than they have been so far. For all our sakes. Tackling the problem of the gorse fires could actually help with the issue of climate change. 

Most gorse fires are started by humans, although we don’t actually know how Monday’s fires were started, and it seems pretty clear that they were not started by a local farmer.  In many cases, however, it seems that wildfires are started deliberately by landowners, or by arsonists, or even accidentally by tourists’ barbeques (as in the case of the recent fire in Yorkshire).  Northern Irish fire service estimates that in one month in 2017 they dealt with more than 500 fires, of which 466, it believed, were started deliberately.  

Gorse is so difficult to clear, its not uncommon for farmers sometimes burn the land so it can be cleared. It is currently against the law in Ireland to burn land from 28 February to 1st September. This is to protect nesting birds and their young. Paradoxically, part of the problem is that these fires don’t happen often enough. Many Irish hill farms have been abandoned or neglected and regular burning has not taken place, allowing layers of detritus to build upon the ground while gorse and heather have grown leggy, meaning that fires are harder to control. Thus, the rise in the number of gorse fires may have more to do changes in farming practices than climate change, as such.  

In an ideal world, I believe, upland farmers would not be paid to clear land but instead, be paid to grow native trees on their land. Yes, call me a tree-hugging hippy, but by reintroducing trees, shrubs, birds,  insects, and large mammals would have their ancient habitats restored. Ireland needs more trees. The world needs more trees. This is a good way to tackle climate change, instead of cutting down the rain forest at ever increasing rates. More trees also reduce the risk of flooding. A recent study by Bangor University (the one in Wales) found that water was absorbed 67 times faster by native woodland than on grass.  Once 80% of Ireland was covered in trees, now it’s only 10.5%; the lowest in Europe (the average is well over 30%). Of that native trees comprise just 2% of the total! These incredibly low numbers are primarily due to human activity in the 18th and 19th centuries, and to a lesser extent also activities in the early 20th century.

The government does plan to increase Ireland’s tiny forest cover to 18 percent by 2046, under the Strategic Plan for the Development of Forestry,  but unfortunately, the vast majority of new trees are Sitka spruce tree farms. These are non-native trees, planted in crowded, rows, robbing light from the forest floor. They do not encourage wildlife in the way that native trees would. They are barren places. They also need fertilizers and pesticides. They are patently, the wrong trees. The woodland League recently ran an excellent scheme supported by President Michael D Higgins, called “Forest In A Box”, involving 700 children in nine primary schools in Co Dublin, Co Offaly and Co Clare. The “box” in question is a native tree seed box – a metre square – which can provide up to 200 healthy native trees every two years. It would be great if this scheme could be rolled to the whole of the country, maybe there are plans to do so. 

One thing they are not short of in West Donegal is community spirit. On Monday evening, the brave people of West Donegal will come together again, for a massive clean-up operation to collect all the objects like water bottles, spades and face masks that were dropped whilst fighting last week’s fire. Yet again it will be all hands to the pump. It will also be a good opportunity for the brave, hard-working people of Donegal to “debrief” after such a traumatic experience. This fire won’t be forgotten for a long time, but fortunately, no lives were lost. 

Crainn

“Carinn n hEireann – The Trees of Ireland”

(Here’s link to a beautiful Irish language series on Irish trees, it’s well worth watching, because it’s atmospheric, poetic and informative. Click the “CC” logo on the bottom right of the screen for English subtitles )

 

Posted on 19 Comments

It’s a long way to Donegal

It’s a long way to Donegal. About 400 miles. That includes the bit of sea, St George’s channel, that lies in between West Wales and the Republic of Ireland.

It took me 3 days to drive from our house in Swansea, South Wales to our house in Burtonport, Donegal. It took me another 2 and a half days to drive back (I got faster).

Map Ireland

I know Google maps says you can do the journey in 12 hours in 3 minutes but that doesn’t take account factors such as ferry crossing times, day-light and human exhaustion and how slowly I drive.

I avoid motorways. I have a phobia of driving on motorways. It was triggered by a panic attack that occurred at night on the motorway bridge between Neath and Swansea many years ago.

I have had hypnotherapy, read countless books but to no avail. So, my top speed is about 60-miles per hour but I tend to cruise at about 50 (depending on the conditions and the speed limit, of course). I took me a while to get to 60 miles per hour.

I usually only drive locally so it took me a while to feel comfortable driving over 60 miles per hours.

I did all the driving, my husband in the passenger seat, taking care of the dogs and navigating our route to Donegal.

We decided to break the journey up and Seamas had booked four separate B&Bs to stay in en route (with our dogs) to ensure that I could cope with the driving. I have been back in the UK a week, have come down with a cold but it was worth every bit of effort.

Driving through a country is a real education; it is quite different from flying. Where you mostly see the insides of airports, although the flight into Donegal’s tiny airport is absolutely stunning and no wonder they been voted most scenic landing in the world for the last two years running.

Ireland is a big country (I expect those from North America & Australia are scoffing at that statement) but it’s not quick to travel across unless you are flying. Correction, it’s relatively easy to get to Dublin but not so easy to get to Donegal. There is no railway line (they were closed in the 1940s), no motorway and the most direct route cuts through Northern Ireland, which is only a problem as the “A” roads in Fermanagh are small, windy and not as quick to drive along as the “N” routes in the Republic of Ireland.

The Republic of Ireland has changed a lot since I first visited it in the early 1990s. The impression you get driving across the South-Western countries and the Midlands is of a, modern, confident, prosperous and fast growing country.

The rolling landscape of Kilkenny reminded me of Monmouthshire on the Welsh borders with England, the Midland counties are full of farms and the roads, whilst busy, are in no way as hectic as British roads.

Crossing into county Donegal and then approaching Donegal town, I felt real excitement at the sight of dramatic mountains looming in the distance.

It felt like seeing Snowdonia or the Highlands of Scotland.

This was a different part of the world. The road behind me and ahead was almost completely empty. This helped a lot, crossing a massive bridge on the “N” road, as I could slow down without annoying other road-users, thus helping with my anxiety.

Emma Cownie in Donegal
Outside the cottage in Burtonport

Burtonport is an area of Donegal known as the Rosses.

Along the west side lies the Atlantic Ocean, it’s sometimes merciless and raging, at others it is as smooth as a silk sheet and as clear as glass.

The coastline is full of inlets and tiny islands. Inland the landscape is strewn with loughs with massive granite rocks. It’s like no other landscape I have seen. It has more in common with the Highlands of Scotland (they used to be part of the same continent millions of years ago) than anywhere else in Ireland. It feels different from the South too.

The accents here are very different too as they are Ulster accents. Ulster is the name given to northern-most counties of Ireland. There are nine countries in total, six of which, since 1921, lie in Northern Ireland and three, including Donegal, in the Republic of Ireland. This part of Donegal is in the Gaeltacht, which means that Irish spoken here. It means that many of the signs are in Irish. The roads signs are usually bilingual in all of the Republic of Ireland (we have bilingual road signs in Wales too) but here the signs don’t always have the Anglicized name so if you don’t know that “An Clochan Liath” is the Irish for Dungloe or “Ailt An Chorrain” means Burtonport, you may miss the turning! Thankfully my husband is a student of the Irish language and so he could direct me.   

What I particularly love about the Rosses is the little rocky inlets, smothered in seaweed at low tide and turquoise sea at high tide.

Lots of houses and cottages dot the landscape, with many islands having a house (or two) perched on top, with little jetties for returning boats. 

Each with its idyllic view and solitude.

Yet, if you want company and good chat Donegal is the place to come. As my husband says, having a good chat is the first order of the day. Everything works around that.

Many an in-depth chat was had about the world with people we met. The issue of Brexit and the border-question was on a lot of people’s minds, businessmen were particularly worried by its implications.

My husband, being Irish, was a lot better at chatting at length than me. His record was a two-hour chat with a man he met on a morning walk. 

I am going to leave you with one of the first paintings I have finished since returning to Wales. I have had a lot of social media stuff and commissions to catch up on since returning.

I really enjoyed my break and will regale you with thoughts on life with less internet/tv in another post.

Donegal Landscape painting
Over to Tullyillion SOLD
Posted on 20 Comments

Home from Home

Painting of Irish Landscape
Painting of Donegal, Ireland
Over to Kincasslagh SOLD

I am winding down the social media for a while because we are leaving the UK to spend some time in our house in Burtonport, Donegal, Ireland. The internet will be available on a very limited basis so I won’t be able to post on here until mid-April. I will be checking my emails but I won’t be posting much, if anything, on Facebook, Twitter & Instagram.

I have mixed feeling about the enforced “break” from social media. On the one hand, I hate the way how it sucks up all your spare time and energy and how FOMO (fear of missing out) has you checking updates. There’s always the fear that if you stop “spinning all the plates” that people will forget about you! However, I am certainly looking forward to reading books, listening to the radio (there’s no TV either) and sketching and painting for fun (not oils but watercolour sketches).

I am very excited/nervous about the whole thing because I am driving there and it’s a long, long way.

Please be aware that any artwork purchased after 25th March will only be shipped after 12th April.

IMG_20181103_100343971_HDR
My home in Donegal